BWW Review: BALLAST at the Source Festival
Ballast looks to both sides of a transition....
BWW Review: Flying V's MATT & BEN a Hilarious Bromance Satire
Director Matt Bassett has a genuine hit on his hands, driven by hilarious performances featuring two actresses-Tia Shearer (Matt) and Katie Jeffries (Ben)-who bounce gleefully off of each other for a one-hour romp. Flying V has been around for a few years, folks, and if you haven't caught them in ...
BWW Review: DISTRICT MERCHANTS a Thought-Provoking Retelling of Shakespeare at Folger Theatre
DISTRICT MERCHANTS, Aaron Posner's new adaptation of Shakespeare's THE MERCHANT OF VENICE, explores the 'other-ness' of being outside the white male stations of power. Setting the work in post-Civil War Washington, D.C., the premiere takes a uniquely American look at race, religion, class and gender...
BWW Review: LA CAGE AUX FOLLES is Gaudy and Grand at Signature Theatre
'Life's not worth a damn 'til you can say, 'Hey world, I am what I am!' In a world where so many are still struggling to be who they are, LA CAGE AUX FOLLES, as well as its iconic anthem of authenticity 'I Am What I Am,' is as relevant today as it was on Broadway in 1983. It's a gift that Matthew Ga...
BWW Review: STATIC at Source Festival
Static is just the kind of play you might expect from a former longtime sound theatrical sound designer....
BWW Review: GOING TO A PLACE WHERE YOU ALREADY ARE a Touch of Heaven at Theater Alliance
At stake for both couples in Going to a Place is the fundamental question: are we good people? And even if we tell ourselves over and over again that we're jerks, that we have no soul and not one scintilla of empathy for anyone but ourselves, could it be that we're still decent people after all? Som...
BWW Review: RAGTIME - THE MUSICAL Sings Loud and Proud at Wolf Trap
The Washington DC area is truly lucky to get the last leg of the RAGTIME - THE MUSICAL National Tour this toasty weekend. Currently playing at the Wolf Trap Filene Center until Saturday, June 11, RAGTIME's director Marcia Milgrom Dodge has pieced together a powerful show full of emotion, beautiful i...
BWW Review: AN OCTOROON Brings Hilarity and Hard Truths to Woolly Mammoth
"Out of every eight drops of my blood, seven are red, but one is black." In those words, spoken with despairing apology in An Octoroon by Zoe, the titular octoroon, the illegitimate daughter of a plantation owner, are revealed the most profound and internalized depths of racism. Like a root vegetabl...
BWW Review: 1st Stage Takes on a Rarely Done Musical With FLOYD COLLINS
1st Stage's production is - for me, at least - a very, very welcome addition to the 2015-2016 theatre season. While Guettel's intricate and original score is, quite simply, extraordinary - and reason enough to make the trek to the McLean/Tysons Corner area to hear it sung live - Director Nick Olcot...
BWW Review: Andrew Morrissey's Score Shows Promise in Pallas' World Premiere of LOST IN WONDERLAND
Overall, I look forward to what the future holds for this new musical....
BWW Review: Round House Theatre Ends its Season Strong with THE WHO & THE WHAT
Overall, THE WHO & THE WHAT is a strong way for Round House to end its season....
BWW Review: PAUL TAYLOR DANCE COMPANY at The Kennedy Center
Paul Taylor is a trailblazer of modern dance. As one of the most important living American artists, sending his company to perform at The Kennedy Center in the nation's capital is fitting-his choreography is dance Americana. Taylor's company offered two alternating programs. Program B, performed on ...
BWW Review: Tumultuous RIVERRUN at Kennedy Center's IRELAND 100
In a couple of weeks, another Bloomsday will be celebrated, and James Joyce's Ulysses will be read aloud by fans of Irish literature worldwide. No such celebration is made for his final book, Finnegans Wake, however....
BWW Review: BLACKBERRY WINTER Makes Strong Premiere at Forum Theatre, Featuring One of DC's Best Actresses
Forum Theatre, under Dove's artistic direction, has made a wonderful habit of providing local audiences with opportunities to see unique world premieres. This production is yet another strong example, and with Twyford at the center it's must-see theatre. There's absolutely no reason for any seat to...
BWW Review: TINY PLAYS FOR IRELAND AND AMERICA for the IRELAND 100 Festival
A show with a lot of potential needed more time....
BWW Review: Shakespeare Theatre Company Presents a Bold New THE TAMING OF THE SHREW
What a time for THE TAMING OF THE SHREW. It's a brave choice given its divisive, misogynistic text, but Shakespeare Theatre Company pulls it off under the bold direction of Ed Sylvanus Iskander. With an all-male cast, and featuring the contemporary pop music of Tony winner Duncan Sheik, this is Shak...
BWW Review: WHEN JANUARY FEELS LIKE SUMMER at Mosaic Theater Company
Mosaic Theater Company of DC completes its whirlwind inaugural year with WHEN JANUARY FEELS LIKE SUMMER, a play that is relevant, engaging and sweetly funny....
BWW Review: LIVEartDC Toasts THE MERRY DEATH OF ROBIN HOOD
Close-up magic, where the cards and tricks fly right under a viewer's nose, is always quite effective. So why not close-up theater?...
BWW Review: OUT OF TIME at The Kennedy Center
Billed as an Irish dance place, Out of Time, presented as a part of the Kennedy Center's Ireland 100 festival, is actually much more. Equal parts dance, modern music performance, and memoir, Colin Dunne's stunning solo performance is full of depth and intelligence....
BWW Review: Creativity Abounds in THE GIRL WHO FORGOT TO SING BADLY at Kennedy Center
The story, Lovett's performance, and the design elements clearly have the power to engage even those most restless children....
BWW Review: THE OBJECT LESSON Unpacks Art and Stories at Studio Theatre
Ever wanted to take a trip down that fabled rabbit hole? Or step through the storied looking glass into a world where things are not what you expect? You know that happy anticipation you feel when you're unwrapping a gift, and you have no idea what you might find? Or how about that rush of nostalgia...
BWW Review: WAR OF THE WORLDS at Scena Theatre Will Have You On the Edge of Your Seat
Taking a trip to the Atlas Performing Arts Center on H Street will also transport you to a time when radio was king and one of the princes of the medium was the maverick actor-director Orson Welles. Welles and his Mercury Theatre Company on the Air produced a series of classic dramas on CBS Radio in...
BWW Review: Abbey Theatre's THE PLOUGH AND THE STARS Mixes Classic with Modern at Kennedy Center
it's a shame this production only played the Kennedy Center for two performances, but for the lucky theatergoers that had a chance to see it, it is certainly a memorable one....
BWW Review: THE MAN IN THE IRON MASK is Sporadically Swashbuckling at Synetic Theater
Synetic Theater's production of The Man in the Iron Mask is victorious during moments of silent montages and epic fight scenes, but its dialogue is at times ill fitting for such as beloved classic....
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