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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
BWW Review: DOUBT: A PARABLE  at Quotidian Theatre Company

BWW Review: DOUBT: A PARABLE at Quotidian Theatre Company

by Jenny Minich — April 10, 2017
Director Stevie Zimmerman's Doubt is a somber, fast-moving production....
BWW Review:  Urban Bush Women's WALKING WITH 'TRANE a Brilliant Celebration of Dance

BWW Review: Urban Bush Women's WALKING WITH 'TRANE a Brilliant Celebration of Dance as Jazz

by Andrew White — April 10, 2017
There is be nothing on the stage more exhilarating, exasperating and joyful than the sight of an entire company completely committed, all on the edge-dancing literally on the edge of success, on the edge of failure. "Walking with 'Trane (2015)" reminds us what a vital contribution Urban Bush Women ...
BWW Review: BLOOD KNOT at Mosaic Theater Company

BWW Review: BLOOD KNOT at Mosaic Theater Company

by Pamela Roberts — April 5, 2017
BLOOD KNOT is an apartheid-era Cain and Abel tale of half-brothers, Morris and Zachariah, who share a mother and a history, but have been separated by color and opportunity. Morris, whose light skin has allowed him to pass as white within South Africa's codified racial stratification, has benefited ...
BWW Review: 'TIS A PITY SHE'S A WHORE Brings Love, Gore and Incest

BWW Review: 'TIS A PITY SHE'S A WHORE Brings Love, Gore and Incest

by Hannah Menchhoff — April 4, 2017
A dark, tragic, comedy creates a surprsing mix...
BWW Review: Brave Spirits Theatre Presents A KING AND NO KING

BWW Review: Brave Spirits Theatre Presents A KING AND NO KING

by Barbara Johnson — April 3, 2017
In keeping with Brave Spirits Theatre's commitment to producing overlooked works from Shakespeare's contemporaries, the company's staging of Francis Beaumont and John Fletcher's A KING AND NO KING marks a DC metro area professional premiere. An excellent cast and a modern approach by director Cassie...
BWW Review: Masterful PIKE ST. at Woolly Mammoth

BWW Review: Masterful PIKE ST. at Woolly Mammoth

by Roger Catlin — April 3, 2017
Nilaja Sun sits in the chair, absorbed in herself as the audience at Woolly Mammoth takes its seats for her electrifying one-woman 'Pike St.'...
BWW Review: THE LITTLE MERMAID at Kennedy Center

BWW Review: THE LITTLE MERMAID at Kennedy Center

by Elliot Lanes — April 1, 2017
Most of us know the story of Hans Christian Andersen's The Little Mermaid from the Disney animated feature and subsequent stage musical adaptation. What people forget is how dark the original story is and how a Caribbean crab and an absent-minded bird are not elements of the original story....
BWW Review: Moody MIDWESTERN GOTHIC Premieres at Signature Theatre

BWW Review: Moody MIDWESTERN GOTHIC Premieres at Signature Theatre

by Barbara Johnson — April 3, 2017
My expectations for the premiere of MIDWESTERN GOTHIC at Signature Theatre were so high that the musical itself was bound to fall short, no matter what. Billed as a darkly funny thriller, it's got atmosphere in spades and boasts laudable performances from a cast of committed actors. But that isn't e...
BWW Review: BATTLEFIELD at Kennedy Center

BWW Review: BATTLEFIELD at Kennedy Center

by Elliot Lanes — March 31, 2017
Sometimes a theatrical presentation doesn't need much to make its statement. In the case of world-renowned Director Peter Brook's Battlefield, all you need to make an impact is a strong acting company and some bamboo pieces placed strategically on the stage of the Kennedy Center's Family Theater as ...
BWW Review: SOPHISTICATED LADIES: 100 YEARS OF ELLA & COMPANY

BWW Review: SOPHISTICATED LADIES: 100 YEARS OF ELLA & COMPANY

by Elliot Lanes — March 28, 2017
The National Symphony Orchestra's (NSO) Principal Pops Conductor Steven Reineke has always put together musical programs that are fun and classy. This Sophisticated Ladies: 100 Years of Ella and Company, which played this Kennedy Center's Concert Hall this past weekend, was no exception....
BWW Review: BACK TO METHUSELAH Completes Its Journey

BWW Review: BACK TO METHUSELAH Completes Its Journey

by Hannah Menchhoff — March 27, 2017
BACK TO METHUSELAH: AS FAR AS THOUGHT CAN REACH leads you through a philosophical discussion through some familiar characters....
BWW Review:  Art Forms Brilliantly Collide in TO SAIL AROUND THE SUN at Kennedy Cente

BWW Review: Art Forms Brilliantly Collide in TO SAIL AROUND THE SUN at Kennedy Center

by Jennifer Perry — March 26, 2017
An aural and visual feast, TO SAIL AROUND THE SUN is wonderfully inventive and will hopefully set the stage for similar multidisciplinary programming in the future....
BWW Review: WELL at 1st Stage

BWW Review: WELL at 1st Stage

by Jenny Minich — March 27, 2017
Why are some people well and others unwell? Playwright Lisa Kron's Well, asks the hard questions. In this s-called 'multi-character theatrical exploration,' Kron (Adurey Bertaux) is the star in her play-within-a-play chronicling her real-life experiences growing up in Lansing, Michigan in the 1960s....
BWW Review: Kennedy Center Hosts Palestinian Artist Raeda Taha's WHERE CAN I FIND SOM

BWW Review: Kennedy Center Hosts Palestinian Artist Raeda Taha's WHERE CAN I FIND SOMEONE LIKE YOU, ALI?

by Andrew White — March 27, 2017
For years the word "Palestinian" has been synonymous with terror; it hasn't occurred to the mainstream media that beyond the headlines, and just out of the camera's view, are families-many of them now fatherless-struggling to survive and maintain their identity in a world that has grown increasingly...
BWW Review: Timely New Play PETROL STATION Premieres at Kennedy Center

BWW Review: Timely New Play PETROL STATION Premieres at Kennedy Center

by Barbara Johnson — March 25, 2017
Anglo-Kuwaiti writer-director Sulayman Al Bassam's new play PETROL STATION is as of-the-moment as it gets. Drawn from politics, literature, and myth, it features Muslim characters and is densely packed with urgent themes: justice for migrant workers, autonomy for women, cyclical violence. Epic set a...
BWW Review: LES BALLETS TROCKADERO DE MONTE CARLO at the Kennedy Center

BWW Review: LES BALLETS TROCKADERO DE MONTE CARLO at the Kennedy Center

by Roger Catlin — March 23, 2017
It's a long way from a cramped second-floor loft in lower Manhattan to the splendors of the Kennedy Center Opera House with a full orchestra....
BWW Review: ANTIGONON, UN CONTINGENTE EPICO at Kennedy Center

BWW Review: ANTIGONON, UN CONTINGENTE EPICO at Kennedy Center

by Elliot Lanes — March 22, 2017
With the United States reopening its relations with Cuba, it only seems natural that the Kennedy Center would host a top Cuban theatre company, and its ambitious director, as part of its ongoing internationally-oriented Spotlight on Directors series....
BWW Review: THREE SISTERS AND NO SISTERS  at Studio Theatre

BWW Review: THREE SISTERS AND NO SISTERS at Studio Theatre

by Jenny Minich — March 22, 2017
Staged in tandem, playwright and director Aaron Posner's contemporary original No Sisters and Anton Chekhov's modern classic Three Sisters (1901) fuse the classic and the contemporary in a power move that is calculated to attract theatregoers of all persuasions....
BWW Review: Scena Theatre's THE NIGHT ALIVE is Supernaturally Good

BWW Review: Scena Theatre's THE NIGHT ALIVE is Supernaturally Good

by Barbara Johnson — March 22, 2017
'May lost souls find salvation' is the tagline of Scena Theatre's production of Conor McPherson's modern Irish play THE NIGHT ALIVE. Any lost souls wandering into this production will find it worth seeing for its superb Irish actors, Barry McEvoy and Brian Mallon, alone. They're also likely to fin...
BWW Review: Forum Theatre celebrates #NASTYWOMENREP

BWW Review: Forum Theatre celebrates #NASTYWOMENREP

by Keith Tittermary — March 21, 2017
“Men are like weapons. Women are like wounds.” That is a poignant line and an apt summation of the first part of Forum Theatre's #NastyWomen ethos. The first piece in this horrifying, yet deeply moving, work is Monica Byrne's What Every Girl Should Know, which takes place in 1914 and follows ...
BWW Review: MNEMONIC Leaves a Deep Impression at Anacostia Playhouse

BWW Review: MNEMONIC Leaves a Deep Impression at Anacostia Playhouse

by Hannah Wing — March 21, 2017
Theater Alliance's production of Mnemonic, directed by Colin Hovde, is not just a story of migration, but of who we are as humans....
BWW Review: Jay Leno Tells Jokes at the Kennedy Center

BWW Review: Jay Leno Tells Jokes at the Kennedy Center

by Roger Catlin — March 20, 2017
What would have happened if Jay Leno were still hosting 'The Tonight Show' today?...
BWW Review: Keegan Theatre Presents Masterful PARADE, A Must See Production

BWW Review: Keegan Theatre Presents Masterful PARADE, A Must See Production

by Jeffrey Walker — March 18, 2017
Co-directed with precision by Christina A. Coakley and Susan Marie Rhea, Keegan's PARADE keeps the staging simple and imaginative, cutting away clutter and using only the barest of props and scenic elements to help the story unfold. No one who has seen previous Keegan musicals, such as HAIR, CABARET...
BWW Review:  NEEDLES AND OPIUM Showcases High Level of Creativity at Kennedy Center

BWW Review: NEEDLES AND OPIUM Showcases High Level of Creativity at Kennedy Center

by Jennifer Perry — March 18, 2017
As there are two more performances, I won't spoil the myriad of illusions that Lepage and his team include in the production, but suffice it to say that - production-wise, this show is unlike any other I've seen come through this illustrious arts center in years....
BWW Review: Theater by Palestinians: TAHA at the Kennedy Center

BWW Review: Theater by Palestinians: TAHA at the Kennedy Center

by Roger Catlin — March 17, 2017
As part of the the Kennedy Center's springtime spotlight on international directors, the first of three works by Palestinian playwrights opened at its Terrace Theatre Wednesday....
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