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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
Review: NOTHING UP MY SLEEVE at Round House

Review: NOTHING UP MY SLEEVE at Round House

by Itai Yasur — February 19, 2026
Master illusionist Dendy gives you the gift of a stone in your shoe. See what our critic had to say....
Review: BEOWULF, A RETELLING at Taffety Punk Theatre Company

Review: BEOWULF, A RETELLING at Taffety Punk Theatre Company

by Laurie Sara Oliver — February 18, 2026
“So I’ve got a story to tell you. It’s a good one.” Marcus Kyd paces the small stage of the black box theater at Capitol Hill Arts Workshop where the house has been arranged like a comedy club. ...
Review: LITTLE MISS PERFECT at The Olney Theatre Center

Review: LITTLE MISS PERFECT at The Olney Theatre Center

by Audrey Cahak — February 22, 2026
As part of their self-ascribed “year of world premieres,” Olney Theatre Center is debuting the profoundly peppy, wonderfully messy, coming-of-age celebration Little Miss Perfect, written by Joriah Kwamé. The musical has been in development for more than five years, originally based on the catch...
Review: Scena Theatre's KRAPP'S LAST TAPE a Moving Tribute to Beckett, Mortality

Review: Scena Theatre's KRAPP'S LAST TAPE a Moving Tribute to Beckett, Mortality

by Andrew White — February 17, 2026
Krapp’s Last Tape is Scena Theatre’s contribution to a mini-Beckett festival that has popped up in our midst this past week, and it’s a poignant reminder of how Beckett foresaw demise—his, ours, everyone’s—with a combination of wry humor, and a resignation that sometimes borders on relie...
Review: CHEZ JOEY at Arena Stage

Review: CHEZ JOEY at Arena Stage

by David Friscic — February 17, 2026
An embarrassment of theatrical riches, bordering on sensory, stimulating overload, is on display in an exceptionally bold and satisfying reimagining of the very influential musical Pal Joey—now reconceived as Chez Joey. The show still takes place in the 1940’s Chicago music/nightclub scene, but ...
Review: SNAPSHOTS: A MUSICAL SCRAPBOOK at Creative Cauldron Stage

Review: SNAPSHOTS: A MUSICAL SCRAPBOOK at Creative Cauldron Stage

by Doug Poms — February 16, 2026
What did our critic think of SNAPSHOTS: A MUSICAL SCRAPBOOK at Creative Caudron Stage?...
Review: TAMBO & BONES at Spooky Action Theater

Review: TAMBO & BONES at Spooky Action Theater

by Jake Bridges — February 16, 2026
With TAMBO & BONES, Spooky Action Theatre takes on a satirical and biting piece that refuses to play by the rules, whether it be of narrative, of genre, or of comfort. What starts as a minstrel show quickly mutates into a centuries-spanning interrogation of race, capitalism, and the hunger for auton...
Review: THE HOUSE OF BERNARDA ALBA at GALA Hispanic Theatre

Review: THE HOUSE OF BERNARDA ALBA at GALA Hispanic Theatre

by Jackson Malmgren — February 15, 2026
What did our critic think of THE HOUSE OF BERNARDA ALBA at Gala Hispanic Theatre?...
Review: THE WORLD TO COME at Woolly Mammoth

Review: THE WORLD TO COME at Woolly Mammoth

by Pamela Roberts — February 15, 2026
Friendship as Resistance in a Powerful World Premiere - The World to Come, a world-premiere co-production by Woolly Mammoth and Theater J, delivers powerful, honest performances and an intriguing story in an extraordinary, deeply touching production that shouldn’t be missed....
Review: ABT'S THE WINTER'S TALE at Kennedy Center Opera House

Review: ABT'S THE WINTER'S TALE at Kennedy Center Opera House

by Emily Berger — February 16, 2026
American Ballet Theatre, the country’s great ballet company of theatrical stars and story ballets, returned to DC this week to present Christopher Wheeldon’s retelling of Shakespeare’s The Winter’s Tale. A star vehicle with six leading roles, the ballet succeeds in delivering sumptuous danci...
Review: ON BECKETT at Shakespeare Theatre

Review: ON BECKETT at Shakespeare Theatre

by Mary Lincer — February 14, 2026
What did our critic think of ON BECKETT at Shakespeare Theatre?...
Review: STEREOPHONIC at National Theatre

Review: STEREOPHONIC at National Theatre

by David Friscic — February 13, 2026
The heightened reality replete with elongated pauses –(do people really wait this long in real life to answer one another?) that emanates from the stage of the Pulitzer- Prize and Tony -winning production of Stereophonic –now being produced in a touring /edited two hour and 50-minute version at ...
Review: CAKE EATERS at The Welders

Review: CAKE EATERS at The Welders

by Roger Catlin — February 11, 2026
The title of Rebecca Dzida’s play  “Cake Eaters” of course borrows from the “Let them eat cake” phrase that originates from before the French Revolution and was often attributed to Marie Antoinette.  ...
Review: JOHN DOE at Keegan Theatre

Review: JOHN DOE at Keegan Theatre

by Mary Lincer — February 9, 2026
The cast of John Doe don't know they're in a play about the effects and impacts of death on survivors; they're all in “just keep living” mode, and, thanks to Angelle Whavers (wise playwright), their experiences form a kind of map of getting through stuff....
Review: HAPPY DAYS at Washington Stage Guild

Review: HAPPY DAYS at Washington Stage Guild

by Mary Lincer — February 7, 2026
What did our critic think of HAPPY DAYS at Washington Stage Guild?...
Review: ALVIN AILEY AMERICAN DANCE THEATER'S new works at the Warner Theatre

Review: ALVIN AILEY AMERICAN DANCE THEATER'S new works at the Warner Theatre

by Emily Berger — February 7, 2026
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER'S 2026 DC PERFORMANCES at Warner Theatre?...
Review: STILL/HERE at Clarice Smith Performing Arts Center

Review: STILL/HERE at Clarice Smith Performing Arts Center

by Pamela Roberts — February 7, 2026
Thirty years on, 'Still/Here' refuses easy categorization or comfortable distance. It demands that we bear witness — not to victimhood, but to the full spectrum of human resilience in the face of mortality....
Review: DRACULA: A COMEDY OF TERRORS at Atlas Performing Arts Center

Review: DRACULA: A COMEDY OF TERRORS at Atlas Performing Arts Center

by Aidan O'Connor — February 7, 2026
What did our critic think of DRACULA: A COMEDY OF TERRORS AT CONSTELLATION THEATRE COMPANY at Atlas Performing Arts Center?...
Review: KINKY BOOTS at Capital One Hall

Review: KINKY BOOTS at Capital One Hall

by David Friscic — February 4, 2026
“Get your freak/kink on” and show your tolerance for all---seems to be the message of the eternally popular musical plea for acceptance and inclusivity that constitutes the musical Kinky Boots....
Review: DROWNER [RENWORD] at NextStop Theatre Company

Review: DROWNER [RENWORD] at NextStop Theatre Company

by Laurie Sara Oliver — February 4, 2026
NextStop Theatre Company, in Herndon, is one of NoVa’s delightful strip mall theaters - an unexpected, small but packed black box sandwiched between an Ethiopian restaurant and a motorcycle dealership. This month, they are hosting the world premier of DROWNER [Renword], the latest work by Harlem-b...
Review: STORIES FROM THE BRINK! at Theater J

Review: STORIES FROM THE BRINK! at Theater J

by Roger Catlin — February 4, 2026
It was a harrowing winter storm that blocked streets, closed schools and generally paralyzed the city for days. But it wasn’t quite bad enough to qualify as one of the 'festive near-death adventures' that comprise Iris Bahr’s “Stories from the Brink!” though it certainly affected its run. ...
Review: ALVIN AILEY AMERICAN DANCE THEATER at Warner Theatre

Review: ALVIN AILEY AMERICAN DANCE THEATER at Warner Theatre

by Emily Berger — February 1, 2026
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER at Warner Theatre?...
Review: PARANORMAL ACTIVITY at Shakespeare Theatre Company

Review: PARANORMAL ACTIVITY at Shakespeare Theatre Company

by Roger Catlin — January 31, 2026
Ghosts are not infrequent in Shakespeare’s work, from the spirits of Hamlet’s father to Banquo in “Macbeth.”  Is that enough of a connection to bring the theatrical creation “Paranormal Activity” to the Shakespeare Theatre Company?...
Review: CLUE Mystifies Audiences at National Theatre

Review: CLUE Mystifies Audiences at National Theatre

by Peter Rouleau — January 28, 2026
The new 'Clue' stage adaptation is written by Sandy Rustin, and based on writer-director Jonathan Lynn's screenplay for the cult classic 1985 film version of 'Clue,' featuring Tim Curry, Martin Mull, Michael McKean, Lesley-Ann Warren and others....
Review: OCTET at Studio Theatre

Review: OCTET at Studio Theatre

by David Friscic — January 21, 2026
Multi-talented composer, book writer, and vocal arranger Dave Malloy has created a musically eclectic, thematically relevant, and vocally complex work in his audacious and highly relevant work Octet....
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