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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
Review: THE WIZ at The National Theatre

Review: THE WIZ at The National Theatre

by Itai Yasur — April 8, 2026
A tremendous cast breathes new life into this Broadway classic. See what our critic had to say....
Review: THE MINUTES at Keegan Theatre

Review: THE MINUTES at Keegan Theatre

by David Friscic — April 8, 2026
Ninety minutes of a play that detail the utter pompousness, redundancies, calls to “shelve” or postpone important actions, and the ignoring of vital new community comments, are only some of the bureaucratic and provincial rules, regulations, and idiocies of what can constitute The Minutes of a c...
Review: I PUT A SPELL ON YOU: NINA SIMONE at Signature Theatre

Review: I PUT A SPELL ON YOU: NINA SIMONE at Signature Theatre

by Elliot Lanes — April 7, 2026
There is no question that actress/singer/not of this world performer Felicia Curry is true DC theatre royalty. There is a reason why those of us in the know address her as Dame. This recently Lortel Award nominated performer has been lighting up area stages for years while also making her Broadway d...
Review: TRAVESTY at Woolly Mammoth Theatre Company

Review: TRAVESTY at Woolly Mammoth Theatre Company

by Aidan O'Connor — April 6, 2026
Many of us, if we’re lucky, will find physical spaces in a disingenuous world that embody our essence, the core of who we truly are. These sites and our development within them are nurtured by kindred spirits of both present and past. ...
Review: ONE DESTINY at Ford's Theatre

Review: ONE DESTINY at Ford's Theatre

by Elliot Lanes — April 2, 2026
When it comes to the arts, there are a lot of things in DC that go either unnoticed or get lost in the shuffle. For almost twenty years now Ford’s Theatre has been presenting such a piece of theatre and it’s a very important one....
Review: CHICAGO at the Kennedy Center

Review: CHICAGO at the Kennedy Center

by Mary Lincer — April 2, 2026
When the original production of Chicago opened on Broadway in 1975, its subtitle read “A Musical Vaudeville.” And as distinctively Bob Fosse-style as it was (and is in this excellent touring production of the 1996 revival), Chicago has always been a slight history of vaudeville....
Review: GUARDS AT THE TAJ at NextStop Theatre Company

Review: GUARDS AT THE TAJ at NextStop Theatre Company

by Rachael F. Goldberg — April 1, 2026
NextStop Theatre navigates the production of 'Guards at the Taj' with a sincere and skillful blend of empathy and urgency, acknowledging the difficulties of the choices we make and the worlds we live in, while encouraging us to do better....
Review: YOUNG JOHN LEWIS: PRODIGY OF PROTEST at Mosaic Theater Company

Review: YOUNG JOHN LEWIS: PRODIGY OF PROTEST at Mosaic Theater Company

by Jake Bridges — March 30, 2026
What did our critic think of YOUNG JOHN LEWIS: PRODIGY OF PROTEST at Mosaic Theater Company?...
Review: EDDIE IZZARD IN HAMLET at Shakespeare Theatre Company

Review: EDDIE IZZARD IN HAMLET at Shakespeare Theatre Company

by Itai Yasur — March 30, 2026
Eddie Izzard puts on a bravura performance as Hamlet, and every other character, in her one-person take on Shakespeare's greatest. See what our critic had to say....
Review: THE CRUCIBLE at Lisner Auditorium

Review: THE CRUCIBLE at Lisner Auditorium

by Laurie Sara Oliver — March 24, 2026
What did our critic think of THE CRUCIBLE at Lisner Auditorium?...
Review: Kari Jobe Carnes and Cody Carnes at Kennedy Center

Review: Kari Jobe Carnes and Cody Carnes at Kennedy Center

by Elliot Lanes — March 24, 2026
Being married to someone that was raised Christian and myself being raised Jewish I never thought that Contemporary Christian Music (CCM) would be something that I would ever enjoy. Over our fifteen plus years of marriage (so far) my wife has introduced me to the likes and talents of such artists in...
Review: APPROPRIATE at Olney Theatre Center

Review: APPROPRIATE at Olney Theatre Center

by Jake Bridges — March 23, 2026
I like to cook. It’s been one of my hobbies most of my adult life, and I’ve grown a lot in my skill over the years with much practice. My wife often lovingly teases me about all the space my cooking instruments take up in our kitchen storage spaces. Like most things, there’s been quite a bit o...
Review: I'M HERE: BLACK BROADWAY at Signature Theatre

Review: I'M HERE: BLACK BROADWAY at Signature Theatre

by Elliot Lanes — March 23, 2026
Besides being the premiere theatre for musicals in the DMV, Signature Theatre also has a highly successful cabaret series. For many years the series has highlighted all genres of music featuring top flight talent....
Review: HAMNET at Shakespeare Theatre Company

Review: HAMNET at Shakespeare Theatre Company

by Roger Catlin — March 23, 2026
It’s a little surprising that in 40 years, that a production from the Royal Shakespeare Company has never before visited Washington’s Shakespeare Theatre Company (though the opposite is true — a Shakespeare Theater Company production of “Love’s Labor’s Lost” played Stratford-upon-Avon ...
Review: TINA: THE TINA TURNER MUSICAL at Capital One Hall

Review: TINA: THE TINA TURNER MUSICAL at Capital One Hall

by Alexander C. Kafka — March 23, 2026
The touring production took a while to find its musical footing but eventually found its diva swagger....
Review: DISNEY'S BEAUTY AND THE BEAST at The National Theatre

Review: DISNEY'S BEAUTY AND THE BEAST at The National Theatre

by Rachael F. Goldberg — March 21, 2026
The National Tour production of Disney's 'Beauty and the Beast' is a fun show with a sincere love for the story it is telling, and it honors that with care and joy while helping bring the story to new and returning audiences alike....
Review: EUREKA DAY at Theater J

Review: EUREKA DAY at Theater J

by Doug Poms — March 23, 2026
Eureka Day, the Tony Award winning play (for best Revival in 2025) by Jonathan Spector, is getting a top-notch production at Theater J directed by Hayley Finn. The play is a timely one, centered around the 5-person parent-principal executive committee at Eureka Day School, a private day school locat...
Review: JONAH at Studio Theatre

Review: JONAH at Studio Theatre

by David Friscic — March 19, 2026
There is expert craftsmanship and technical polish in the production of Jonah, now playing at the always professional Studio Theatre, but there is also a feeling of detachment and insularity in this play by Rachel Bonds. The themes of parental neglect, abuse by a stepparent, the fight for fulfillmen...
Review: AS YOU LIKE IT at Folger Theatre

Review: AS YOU LIKE IT at Folger Theatre

by Pamela Roberts — March 19, 2026
The new vision of As You Like It at Folger Theatre feels both timeless and unmistakably local – a Shakespearean comedy that rings true not just in the marble halls of Washington, but in the city’s living, breathing neighborhoods....
Review: Ann Hampton Callaway with Billy Stritch at Dumbarton Concerts

Review: Ann Hampton Callaway with Billy Stritch at Dumbarton Concerts

by Elliot Lanes — March 18, 2026
Sometimes the most unlikely venues produce the most incredible night of music. Dumbarton United Methodist Church is an unassuming building on a side street in Georgetown. It isn’t the place you would necessarily think of as a concert venue. Never assume anything though because the Dumbarton Conce...
Review: PRESSURE! at ExPats Theatre

Review: PRESSURE! at ExPats Theatre

by Doug Poms — March 16, 2026
What did our critic think of PRESSURE! at ExPats Theatre?...
Review: THE LOST VIRGINITY TOUR at Best Medicine Rep

Review: THE LOST VIRGINITY TOUR at Best Medicine Rep

by Mary Lincer — March 14, 2026
What did our critic think of THE LOST VIRGINITY TOUR at Best Medicine Rep?...
Review: PILOBOLUS: OTHER WORLDS COLLECTION at Strathmore

Review: PILOBOLUS: OTHER WORLDS COLLECTION at Strathmore

by Audrey Cahak — March 16, 2026
What did our critic think of PILOBOLUS: OTHER WORLDS COLLECTION at Strathmore?...
Review: SAFETY NOT GUARANTEED at Signature Theatre

Review: SAFETY NOT GUARANTEED at Signature Theatre

by Aidan O'Connor — March 12, 2026
Nostalgia is a funny thing. It catapults the ordinarily rational into webs of what-ifs and immobilizes presence in the now. But what if you could turn back time to fix that one regret or evaluate outcomes of disparate decisions. Would you do it, or would you choose to accept your past as part of you...
Review: THE TWO GENTLEMEN OF KILLARNEY at Avant Bard Theatre

Review: THE TWO GENTLEMEN OF KILLARNEY at Avant Bard Theatre

by Jackson Malmgren — March 12, 2026
Séamus Miller’s THE TWO GENTLEMEN OF KILLARNEY at Avant Bard Theatre threads staying true to “The Two Gentlemen of Verona” source material while creatively expounding upon it. A musical testament to resilience, Shakespeare himself would stand in line for a ticket....
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