Alexander C. Kafka
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Review: MONTY PYTHON'S SPAMALOT at Kennedy Center's Eisenhower Theater
This diverting if uneven revival of the 2004-5 Broadway hit is an amusing distraction from the tense politics playing out at the venue.
Review: AIDA at the Kennedy Center's Opera House
With this marvelous Aida, WNO kicks off its 70th-anniversary season in grand style.
Review: AIN'T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS at National Theatre
The tale sometimes tilts toward melodrama but is deeply moving all the same.
Review: AN IRISH CAROL at The Keegan Theatre
This contemporary Dublin-pub take on a Dickensian tale is affecting as far as it goes.
Review: WICKED at Kennedy Center Opera House
Though musically uneven, this touring production of the Stephen Schwartz blockbuster is a treat.
Review: CENDRILLON at Eisenhower Theater, Kennedy Center
Think you know the story of Cinderella? Think again.
Review: HOLIDAY at Arena Stage
Philip Barry's 1928 classic is a romantic comedy, as advertised, but its layers of bittersweet emotional valence come through in this handsome production, directed by Anita Maynard-Losh.
Review: DANCE THEATRE OF HARLEM at Sidney Harman Hall
Dance Theatre of Harlem presents the world premiere of 'Sounds of Hazel,' a celebration of Hazel Scott, at Sidney Harman Hall.
Review: LEONARD BERNSTEIN'S 'MASS' at the Kennedy Center
Bernstein's hugely ambitious ecclesiastical fever dream is a beautiful mess well worth experiencing.
Review: NO PLACE TO GO at Signature Theatre
The cabaret act turned full-production evening is well executed, but the script and songs are thin and in the Covid era the premise seems like a historical artifact.
BWW Review: AMERICA'S REQUIEM: A KNEE ON THE NECK and Mozart's REQUIEM at Strathmore Music Center
Hailstork and Martin’s requiem is a grand, troubling, rich, and worthy work for an America still struggling to rise from its sometimes sordid history and violent predilections toward its lofty goals and promise.
BWW Review: THE NUTCRACKER at Kennedy Center Opera House
The company hasn't visited The Kennedy Center for more than a decade.
BWW Review: XENOS at Eisenhower Theater, Kennedy Center
War is hell, but what, exactly, is served by a hellish choreographic critique of it -- alternatingly assaultive and monotonous -- in Akram Khan's final solo performance project?
BWW Review: THE GREAT LEAP at Round House Theatre
At Round House Theatre, an alluring production of Lauren Yee's somewhat contrived 'The Great Leap,' a 'socio-political fable' about sports and Sino-American politics
BWW Review: WAITRESS at Capital One Hall
The show still has a winning recipe, but this touring production doesn't measure up to its 2018 D.
BWW Review: REMEMBER THIS: THE LESSON OF JAN KARSKI, at the Michael R. Klein Theatre, Shakespeare Theatre Company
David Strathairn amazes in this tour-de-force one-man play, at Shakespeare Theatre Company through October 17.
BWW Review: GOOD PEOPLE at Keegan Theatre
The mouthie from Southie was knocked up in high school and her now-grown daughter, Joyce, is disabled.
BWW Review: NORM LEWIS AND THE NATIONAL SYMPHONY ORCHESTRA at Wolf Trap's Filene Center
A selection of Broadway standards by this accomplished singer and actor is a welcome summer treat.
BWW Review: IN THE MOMENT: A DRAWING DANCE at The Kennedy Center's Digital Stage
'In the MOment: A Drawing Dance' will inspire its intended audience of 4-and-ups with its delightfully sleek, bouncy, playful universe of human movement and green-screen geometric exploration.
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