Wonder and Whimsy Fill Canadian Opera Company Stage with Beloved Fairytale Opera, Mozart's 'The Magic Flute'
It's a fairytale start to 2017 with the revival of the Canadian Opera Company's playful and whimsical production of Mozart's beloved opera, The Magic Flute. Bernard Labadie, one of Canada's pre-eminent conductors, makes his COC debut with one of the most popular operas in the world with a cast of international and Canadian rising stars. The Magic Flute was last performed by the COC in 2011 and returns for 12 performances on January 19, 28, 29, February 1, 3, 4, 7, 10, 16, 18, 19 and 24, 2017.Canadian conductor Bernard Labadie is a specialist in Baroque and Classical repertoire who "moulds the phrases, plucks out all-important details in the texture and radiates an infectious joy in the music" (The Telegraph). An Officer of the Order of Canada and a knight of Ordre national du Québec, Labadie is a regular guest with the premier orchestras across North America and gaining increasing renown in Europe. He now brings his musicianship to the COC for the first time to lead the internationally acclaimed COC Orchestra and Chorus through some of Mozart's most beautiful and infectious melodies. The COC production was conceived by Tony Award-winning director Diane Paulus with a purposeful sense of fun, playfulness and whimsy in this theatrical version of Mozart's humorous, sometimes profound, exploration of the trials of growing up, seeking ideals and finding love. COC Ensemble Studio graduate and artistic director at the Thousand Islands Playhouse, Ashlie Corcoran, makes her COC mainstage debut staging the 2017 revival, based on Paulus' original direction. The production is full of wonder and wisdom in following the adventures of Prince Tamino as he undergoes feats of heroism to rescue his love, Pamina, from the forces of evil. The look and feel of the COC's production evokes an 18th-century storybook sensibility in its costume and set design by acclaimed designer Myung Hee Cho with slight contemporary touches in colours and textures. The period feel carries through in the lighting design by Scott Zielinski who incorporates such 18th-century performance practices as candles, torches, and reflections off shiny surfaces and mirrors. The production conjures up a play-within-a-play scenario with the guests of a young girl's name day celebration finding themselves entertained by an opera to only become the characters themselves, with the line between performer and audience quickly blurring. The ensuing trials and tribulations of the play travel through the girl's home and take place over the course of one night, beginning at evening and ending at dawn. Leading the young cast are two breakout tenors from the COC's own Ensemble Studio, recent graduates Andrew Haji and Owen McCausland, who share the role of Prince Tamino. They are matched with two sopranos to watch: Russian Elena Tsallagova and Canadian Kirsten MacKinnon,singing the role of Princess Pamina, in their Canadian and COC debuts, respectively. Two of the finest baritones of their generation, Canadians Joshua Hopkins and Phillip Addis, return to the COC to share the role of the bird catcher, Papageno. COC Ensemble Studio graduate soprano Jacqueline Woodley, heard last season as the Forest Bird in Siegfried, brings her exceptional talent to the role of Papageno's sweetheart, Papagena. The Queen of the Night is brought to life by the thrilling coloratura of COC Ensemble Studio graduate soprano Ambur Braid. The priest-king Sarastro is sung by Croatian bass Goran Juri?, in his Canadian debut, and American bass Matt Boehler. The roles of Monostatos and the Speaker are sung by two notable voices on the international opera scene, COC Ensemble Studio graduate tenor Michael Colvin and German baritone Martin Gantner, respectively. Rounding out the cast are many new and returning Ensemble Studio members: graduate soprano Aviva Fortunata, mezzo-soprano Emily D'Angelo, in her COC mainstage debut, and graduate mezzo-soprano Lauren Segal are the First, Second and Third Ladies, respectively; tenor Charles Sy sings the First Priest and is joined by baritone Bruno Roy, in his COC mainstage debut, as the Second Priest. Performing the role of the First Armed Man is tenor Aaron Sheppard with graduate bass Neil Craighead as the Second Armed Man. Singing the First, Second and Third Spirits are members of the Canadian Children's Opera Company. The Magic Flute was Mozart's final opera, receiving its premiere only three months before his death in December 1791. From the spectacular fireworks of the Queen of the Night to Pamina's anguished lament and Papageno's comic antics, the charm and profundity of Mozart's music has made The Magic Flute a timeless classic in the years since with it consistently ranked as one of the most performed operas in the world. The COC's production of The Magic Flute is sung in German with English SURTITLESTM. The COC performs The Magic Flute at the Four Seasons Centre for the Performing Arts. The COC's 16/17 season marks the 10th anniversary of the Four Seasons Centre, Canada's first purpose-built opera house, which opened in fall 2006 and has been hailed internationally as one of the finest in the world. TICKET INFORMATION
Single tickets for The Magic Flute range from $35 - $235 and box seats, when available, are $350. Tickets are now on sale, available online at coc.ca, by calling 416-363-8231, or in person at the Four Seasons Centre for the Performing Arts Box Office (145 Queen St. W.). For more information on specially priced tickets available to young people under the age of 15, standing room, Opera Under 30 presented by TD Bank Group, student groups and rush seating, visit coc.ca.