Push - Off-Broadway Articles Page 5

It's a political comedy parody. In the broadest sense, we're making fun of all things Trump and MAGA.

As New York prepares for the 2026 Tony Award nominations and honors the recent Lucille Lortel winners, producers are facing tough questions about whether traditional 8 PM curtain times are driving audiences away. The business landscape is shifting heavily behind the scenes, marked by the merger of licensing giants BMG and Concord, looming strike ballots in the West End, and the Kennedy Center's controversial two-year shutdown. Despite these logistical and financial challenges—including a devastating embezzlement case at a Pennsylvania community theatre—there is plenty of positive momentum to report, from the rapid financial recoupment of the Suffs national tour to new initiatives supporting theater education and large-scale playwriting.

The Charleston Gaillard Center announced its 2026–2027 season featuring Yo-Yo Ma, Leslie Odom Jr., Renée Elise Goldsberry, Jazz at Lincoln Center Orchestra, and a world premiere from Beeple and Sō Percussion.

Royal Ballet and Opera announced its 2026/27 Season, featuring 10 new opera productions including PARSIFAL, GÖTTERDÄMMERUNG, and LA GIOCONDA, plus ballet masterworks and Wayne McGregor's 20th anniversary. Tickets go on sale June 24, 2026.

This week's theater news spans continents and crosses languages — quite literally. In New York, Rattlestick Theater announces a meaningful tribute to one of Off-Broadway's greatest champions, renaming its West Village home in honor of the late playwright Terrence McNally, while Broadway Cares celebrates the generosity of the theater community with a record-breaking fundraising run on Governors Island. Across the Atlantic, the beloved West End hit Paddington the Musical prepares to bring its score to audiences worldwide with an eagerly anticipated cast recording release. And speaking of reaching audiences worldwide, BroadwayWorld announces a major expansion of its multilingual platform, now available in 20 languages ahead of a landmark year for international visitors to the U.S. Meanwhile, in Chicago, the theater community is grappling with hard questions about legacy, accountability, and who gets to define excellence, as the city's storied Jeff Awards face growing calls for reform.

The Phoenix Theatre Company will present its 107th season starting August 24, 2026, featuring five Tony-winning musicals and two pre-Broadway shows across three stages.

On the business side, the independent acquisition of Serino Coyne signals a shift away from the consolidation model that has defined much of the advertising world, while the merger of Pittsburgh Public Theater and Pittsburgh CLO illustrates how financial pressure is prompting institutions to find strength in unity. On the creative side, BroadwayWorld's Spring Preview paints an exciting picture of a season packed with star power and long-awaited arrivals. Internationally, UK theatremakers are pushing for greater recognition of emerging craft disciplines at the Oliviers, and a landmark Irish experiment offers compelling evidence that investing directly in artists yields measurable cultural and economic returns.

The Gateway has announced its 77th Season, an electrifying lineup of Broadway favorites, iconic music, and powerful true stories that celebrate connection, resilience, and the transformative power of live theatre.

The 5th Avenue Theatre has announced plans to eliminate approximately 14 staff positions and pause some education programming as the organization addresses a significant budget deficit.

Ballet West has announced its 2026–2027 season, marking 20 years of leadership by Artistic Director Adam Sklute. The lineup will feature seven productions combining classical favorites, contemporary works, and premieres.

From Broadway Cares/Equity Fights AIDS distributing $3.2 million to food programs nationwide to financial updates and future plans at 54 Below, the theater community continues to navigate challenges while supporting artists and audiences alike. We also look ahead to key dates for the Lucille Lortel Awards, explore a Stage Mag spotlight on THE SOUND INSIDE at Capital Stage, and share a moving PBS feature on Ukrainian theater uplifting children during wartime.

Rise and shine, BroadwayWorld! It is February 10, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

This week’s newsletter brings together stories of accountability, advocacy, and adaptation across the theatre world. We cover artists and organizations responding to public scrutiny, including Lauren Gunderson’s statement following her appearance in the Epstein files and the Washington Post’s elimination of its chief theater critic role. Elsewhere, new initiatives and events push forward, from Broadway Bares gearing up for its next benefit and Katharine Quinn launching a Broadway-focused marketing agency to Broadway showtunes finding new life on the ice. The issue also examines ongoing debates over access, transparency, and infrastructure, from Equity’s dispute with Spotlight in the UK to closed-door discussions about Portland’s Keller Auditorium.

Music Worcester will present the Grammy nominated Catherine Russell & Sean Mason Duo in an intimate and soulful jazz performance at the BrickBox Theater at JMAC on Thursday, March 26. 

Shall See Theater, in collaboration with producer Zihe Tian, will present Julie, a bold new adaptation of Strindberg's Miss Julie, set within the Asian community. This production is directed by Dejing Eloise Wang and Topaz Gao.

We open this week with Colleen Dilenschneider’s look at the rise of localism and what it means for cultural organizations navigating tighter schedules and higher barriers to participation. On the awards front, key dates are set for the Tonys, Drama Desk, and Outer Critics Circle, alongside a call for nominations for BroadwayWorld’s Stage Recording Awards. Elsewhere, we cover shifts in Broadway opening-night traditions, major benefit events, regional programming pauses, leadership changes, and a significant format change for Harry Potter and the Cursed Child in the West End.

Rise and shine, BroadwayWorld! It is January 27, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

Inside, you’ll find practical guidance for performers, timely conversations about safety, labor, and financial realities on Broadway, and a celebration of the often-unsung artists who keep shows running. We also look beyond New York to regional theaters rethinking their futures, another Kennedy Center cancellation, and an international announcement bringing a popular screen property to the London stage.

Bill Reid Gallery of Northwest Coast Art to present the world premiere of Every River Has a Mouth, guest curated by Snuneymuxw artist Eliot White-Hill, Kwulasultun, from February 14, 2026 – February 14, 2027.

Hot off their record-breaking runs of Jekyll & Hyde and Amélie the Musical, Kokandy Productions is back in 2026 with three full productions, including their first play with music.

One of the UK’s most celebrated drag queens, Ginger Johnson, is back with a brand new show Show Pony, which will tour across the UK from September 2026 through to February 2027.

A historic theater on Broadway and 99th Street is being restored, reopening with a new name and new mission. Now called the 'Uptown Film Center,' the theater will serve as an arthouse cinema in the Upper West Side neighborhood.

Tickets are now available for Beef & Boards Dinner Theatre’s 2026 Season, which includes mystery and mayhem, felines and fairy tales, and fire and rain. 

Beef & Boards Dinner Theatre will present mystery and mayhem, felines and fairy tales, and fire and rain for its 53rd Season in 2026. See the full lineup and learn more!

Experimental theater company Monk Parrots, under the artistic direction of Luke Landric (formerly known as Luke Landric Leonard), has announced An Evening with Robert Wilson.