Mr. Saturday Night is the story of Buddy Young Jr., an outrageous and outspoken comedian who found fame, if not fortune, in the early days of television. Now, some 40 years after his TV career flamed out, Buddy seeks one more shot at the spotlight, and while he's at it, one last shot at fixing the family he fractured along the way.
A show about a comedian getting a shot at a new medium - for Buddy, a movie; for Billy, a Broadway musical - has a tidy meta tinge. Billy/Buddy's brand of insult humor and verbal slaps make for a touchy subject in 2022. That's worth noting. Good comic timing, after all, is no joke.
It's an evening of ba-dum-bum punchlines in this vein at the Nederlander Theatre, where "Mr. Saturday Night" marked its official opening Wednesday night. Low-key ballads in classic Broadway cadences by Jason Robert Brown and Amanda Green are interspersed throughout the proceedings, amiably directed by John Rando. But they are not such prominent features as to distract from the main focus, which is the funny business - sometimes tender, other times cruder and more caustic - derived from the notion that Crystal's semiretired Buddy Young Jr. is over the hill.
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