Just So - 1985 - Off-Broadway Articles Page 2

A gripping true survival story brought to life on a towering 18-foot mountain inside Stageworks Theatre, where Joe Simpson’s fight to live unfolds with visceral intensity.

Alan Ayckbourn’s 1985 play Woman In Mind is a darkly comic look about mental disintegration and a mid-life ennui that would have rarely been spoken about forty years ago. In the first major West End revival since 2012, director Michael Longhurst presents a startling portrait of a woman who retreats into a fantasy world as a means of coping with her lack of purpose and love in her real life.

Here are a few top cabaret shows and concerts to consider in NYC this week including Sandra Bernhard, Matthew Morrison (Glee, Hairspray original Broadway cast), drag, holiday jazz shows and more.

Rise and shine, BroadwayWorld! It is December 17, 2025 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

Titanic… An Immersive Experience. The Exhibit has opened at Union Station for a multi-month run through April of 2026.   The key word is “Immersive.”  “Immersion” means that audience members are meant to feel like they are part of the experience.  The Titanic Immersion Voyage is the next logical step towards achieving what it must have been like to have been aboard the RMS Titanic on that cold April night in back 1912, 400 miles east of Newfoundland when she struck an iceberg, foundered, and lost 1500 of her passengers and crew to the icy north Atlantic while on her maiden voyage to New York.

The fictionalized account of pointillist painter George Seurat’s creation of his masterpiece A Sunday Afternoon on the Island of La Grande Jatte and his great-grandson (also named George), also a troubled artist.

BACK TO THE FUTURE The Musical's alumni cast Olly Dobson and Ben Joyce will make a special return to the production as ‘Marty McFly' to celebrate the 40th anniversary of the UK film release.

Performances are underway for the second North American tour of CLUE, the murder mystery comedy inspired by the board game and adapted from the film. Read the reviews as they come in here!

Next week, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Melissa Errico, Sondheim Unplugged: The Final Season and more. 

Adam Brett (Wadsworth) says the fast-paced, 90-minute stage adaptation of CLUE is an 'athletic event,' burning 800 calories a show! See the hilarious, high-energy murder-mystery Nov 11–16 at the BJCC Concert Hall. #CLUEonStage #BroadwayInBHM

Just missing 'Back to the Future Day' on 21 October (the date Marty McFly and Doc Brown travel to in the sequel), the iconic film Back to the Future film is celebrating its 40th anniversary this year. A re-release is coming to cinemas at the end of this month and the stage version keeps on growing, showing the public appetite for this beloved film shows no signs of slowing down.

While different tryout theaters have different relationships to the development of new shows, it’s worth looking at both which commercial rental theaters and which non-profit theaters have had the most Best Musical Tony Award winners come from their stages.

The boy the world fell in love with on American Idol is a man, now, and he is standing tall and in the light... but he is also making the light, as evidenced in his EARTHLY DELIGHTS TOUR.

Join Greenville Theatre for CLUE live on stage, just in time for the spooky season!  You are cordially invited to our theatrical dinner party play featuring murder, blackmail, mystery, and hysteria on the menu.

While a lot has been written about two handers, a term for two-person shows, less has been penned about three-handers. Yet, three-person plays are just as common a genre on Broadway as pieces with only two players. Currently, Art, by Yasmina Reza, is receiving an all-star revival at the Music Box.

Perhaps no one is more surprised Steve Hackett is doing a retrospective on THE LAMB 50 years after the fact than the guitarist himself. THE LAMB was ranked in the top ten of Rolling Stone magazine’s top 50 progressive rock albums of all time. The BBC called it a “conceptual masterpiece.” Hackett has another word for it: an anomaly.

LES MISÉRABLES will celebrate its 40th Birthday in London’s West End with a special charity gala performance featuring Patti LuPone, Michael Ball and more. Learn more here!

What did our critic think of BACK TO THE FUTURE at Aronoff Center?

BroadwayWorld talks to Brian Copeland about 'The Waiting Period,' his searingly honest and surprisingly humorous life-saving solo show which will have its 500th performance September 20th at The Marsh Berkeley, coincidingBrian Copeland could easily point to any number of impressive achievements from his multi-faceted career. As a standup comic, he’s opened for icons like Aretha Franklin and Smokey Robinson. His seminal theater piece Not a Genuine Black Man still reigns as the longest-running solo show in San Francisco theater history. For 5 years, he co-hosted KTVUs Mornings on 2, and for 27 years hosted his own radio program on KGO. Related to the latter, he will be inducted into the Bay Area Radio Hall of Fame next month, something of which he is particularly proud. But – if you ask him “What is the most worthwhile thing you’ve ever done?” he answers without hesitation, “The Waiting Period,” because it has actually saved people’s lives. I spoke with him recently to learn more about this uniquely impactful solo theater piece, which will mark its 500th performance on September 20th at The Marsh Berkeley. As has become standard practice for The Waiting Period, tickets are free of charge. Based on his personal experience, the piece is an exploration of depression and suicidal ideation, its title referring to the state-mandated 10 ten days that must elapse between purchasing a gun and taking possession of it. For Copeland, those ten days were literally a lifesaver, and so he felt compelled to share his story. Although he’d long struggled with depression, back in 2008 he was faced with an unimaginable chain of events that was more than he could handle. Within a short time, the grandmother who’d raised him died of a stroke, his wife announced out of the blue that she wanted a divorce, and he got into a horrific accident that totaled his car and necessitated spinal cord surgery, putting on his couch in a neck brace for three months, popping Vicodin. Thoughts of suicide became inescapable so he purchased a TomCat, planning to use it to end his life. Against all odds, he managed to “white-knuckle it” through the waiting period while the most acute aspects of his depression lifted just enough to stop him from killing himself. But, as Copeland says, “The thing about depression is it’s never cured – it’s better, it’s worse, it’s manageable, there are times when it’s absent - but it’s always a hair trigger away from something, from some catastrophe or some chemical imbalance.” Once the fog had lifted at least temporarily, he seriously started rethinking his experience as someone who believes in finding reasons for things. During that period, a young man within Copeland’s circle committed suicide at the age of fifteen and Robin Williams killed himself as well, although the complicating factor of Lewy Body Dementia had not been made public at that time. Copeland took those incidents like a blow to the solar plexus and began to explore what he could personally do to help prevent such tragedies. He was encouraged to bring his own struggles to light by his publicist, who happened to have represented film icon Rock Hudson in 1985 when the actor announced to the world that he had AIDS, thereby removing some of the stigma from that disease. The publicist suggested to Copeland that by going public with his story maybe he could do the same thing for depression and suicidal ideation. Copeland had received his mission. Collaborating with the Bay Area’s guru of solo performance, David Ford, Copeland set out to “create a show about depression that wasn’t depressing,” making sure to include enough reality-based humor to draw audiences in and counterbalance the heaviness of the topic. As he puts it, “the comedy makes the drama much more impactful, and the drama makes the comedy funnier because it’s a release.” The Waiting Period opened at The Marsh in 2012 and became an instant sensation, winning awards and getting extended multiple times. After a year or so, Copeland realized he couldn’t keep performing the show on a regular basis because it required him relive some very dark and harrowing episodes. But he felt he could continue to do the show on an occasional basis, maybe twice a month or so, without seriously endangering his own mental health. He also talked to Stephanie Weisman, artistic director of The Marsh, about making the show free of charge to audiences so that cost wouldn’t be a barrier to attending. Weisman readily agreed to having a GoFundMe campaign was set up to cover basic production costs like theater staffing. Copeland and his publicist then placed calls to various industry contacts and were stunned by the outpouring of support from celebrities like Glenn Close, Ed Asner and Lucie Arnaz, whose lives had been personally touched by depression and suicide. Fast forward to 2025, and Copeland is now embarking on the 500th performance of The Waiting Period on September 20th, timed to coincide with Suicide Prevention Month. Copeland remains committed to continuing to do the show because he knows the profound impact it’s had on the lives of so many people, from the letters he’s received and follow-up conversations he’s had. Just one example: a woman planned to jump off the Golden Gate Bridge one Sunday morning and stopped off at her favorite café enroute to savor one last coffee and pastry before ending her life. She noticed the San Francisco Chronicle “pink” section lying on her table and thumbed through it while finishing her coffee. It happened to contain a brief article about The Waiting Period that noted a performance would be happening that very afternoon. She was intrigued enough to alter her plan - slightly. She decided to flip a coin and if it came up heads, she would proceed straight to the bridge; if it came up tails, she would go see Copeland’s show first. It came up tails, and so she went to see The Waiting Period, the core message of which is “If you’re thinking of doing some kind of harm to yourself, tell someone first.” When the play was over, she remained in her seat crying for another twenty minutes, then called her sister to tell her what she was thinking of doing, and her sister got her help. Or there’s the story of a woman who struggled with depression and her husband always wondered why she couldn’t just lighten up and smell the roses. She basically dragged him to The Waiting Period, and afterwards he said to her, “That’s what you’ve been going through? I had no idea.” And that’s the thing with depression: it is so misunderstood. It’s not something that can be cured by thinking happy thoughts. As Copeland says, “You know, we’re dealing with a disease, and yet people are ashamed of it. There’s such shame and stigma attached to it, and I want people to know they have nothing to be ashamed of, any more than if you had Lou Gehrig’s Disease or muscular dystrophy or cancer. You wouldn’t be ashamed of those afflictions. And the world, society, would be a lot more sympathetic.” As a comedian and talk show host, i.e. someone who earns his living projecting amiability and cheerfulness, Copeland makes a perfect communicator for that message. If someone as seemingly light-hearted as him can suffer from depression, then it can truly happen to anyone. When he started debuted The Waiting Period in 2012, some people were quite surprised to learn that he’d ever wanted to kill himself. And yet, what sticks with him most over the years is the number of people who’ve approached him after a performance and whispered in his ear that they, too, are “one of us,” as Copeland refers to those who experience acute depression. Some of them are people Copeland knows well and are in the public eye, people he says you would never guess struggled with the disease. Toward the conclusion of our conversation, Copeland tells me, “If there’s nothing else at all worthwhile I’ve done while I was here, at least there are a couple of people walking around who might not be here.” I tell him that’s a statement most of us can’t make, myself included, and he responds, “You don’t know that. That’s the thing. I’m fortunate enough that I’m in a position where people are able to reach out and tell me. But you don’t know who you told to have a nice day to, who were planning on doing something and ended up not because of your kindness, you know, in tipping the barista and saying they did a good job one day when they thought they were worthless and were going to do something right after they got off work. There are stories like that, and those stories are real.” (Header photo of Brian Copeland by Joan Marcus) --- The Waiting Period will play its 500th performance 5:00pm, Saturday, September 20 at The Marsh Berkeley, 2120 Allston Way, Berkeley. Additional dates are soon to be announced. Thanks to the support of generous donors, general admission tickets are FREE. Supporters may donate $50/$100 for reserved seats, funds which make it possible for others to see the show at no cost. To order free tickets or reserve seats, please visit themarsh.org. with National Suicide Prevention Month.

Lead producer Colin Ingram, together with Robert Zemeckis and Bob Gale, the creators of the Back To The Future film trilogy, just announced the first ever UK tour of the multi award-winning BACK TO THE FUTURE The Musical,

If you could use an infusion of nostalgia and joy in your weekend, get your tickets for You’re a Good Man, Charlie Brown at Hanover Little Theatre through September 14.

Back to the Future The Musical has been bringing audiences on a time-travelling adventure on the West End for four years, adapting the iconic 1985 film by Robert Zemeckis and Bob Gale for the stage. Recently, we had the chance to chat with Oliver Halford, who was cast as the alternate Marty McFly after an open casting call. We discussed what the casting process was like, how this role in particular is full-circle for him and how he survived an absolutely chaotic opening week!

Good morning, Broadway lovers! It’s a big news day with fresh faces, exciting sneak peeks, and some major industry updates lighting up the stage. Hadestown launched a brand-new Broadway cast (with first bow video too!), plus there are West End updates as Girls Aloud’s Nicola Roberts preps for her London debut.

Classic Adventure Movie; or Never Say Die will run Thursdays – Saturdays from September 11 – 27, 2025 at The Chapel. Tickets can be purchased, and more information can be found here!

Here are a few top picks to consider in NYC this week including a free outdoor summer concert, magicians Penn and Teller at Radio City Music Hall, and stars of Broadway and film/TV doing solo shows.