Just So - 1985 - Off-Broadway Articles Page 4

BroadwayWorld talks to Brian Copeland about 'The Waiting Period,' his searingly honest and surprisingly humorous life-saving solo show which will have its 500th performance September 20th at The Marsh Berkeley, coincidingBrian Copeland could easily point to any number of impressive achievements from his multi-faceted career. As a standup comic, he’s opened for icons like Aretha Franklin and Smokey Robinson. His seminal theater piece Not a Genuine Black Man still reigns as the longest-running solo show in San Francisco theater history. For 5 years, he co-hosted KTVUs Mornings on 2, and for 27 years hosted his own radio program on KGO. Related to the latter, he will be inducted into the Bay Area Radio Hall of Fame next month, something of which he is particularly proud. But – if you ask him “What is the most worthwhile thing you’ve ever done?” he answers without hesitation, “The Waiting Period,” because it has actually saved people’s lives. I spoke with him recently to learn more about this uniquely impactful solo theater piece, which will mark its 500th performance on September 20th at The Marsh Berkeley. As has become standard practice for The Waiting Period, tickets are free of charge. Based on his personal experience, the piece is an exploration of depression and suicidal ideation, its title referring to the state-mandated 10 ten days that must elapse between purchasing a gun and taking possession of it. For Copeland, those ten days were literally a lifesaver, and so he felt compelled to share his story. Although he’d long struggled with depression, back in 2008 he was faced with an unimaginable chain of events that was more than he could handle. Within a short time, the grandmother who’d raised him died of a stroke, his wife announced out of the blue that she wanted a divorce, and he got into a horrific accident that totaled his car and necessitated spinal cord surgery, putting on his couch in a neck brace for three months, popping Vicodin. Thoughts of suicide became inescapable so he purchased a TomCat, planning to use it to end his life. Against all odds, he managed to “white-knuckle it” through the waiting period while the most acute aspects of his depression lifted just enough to stop him from killing himself. But, as Copeland says, “The thing about depression is it’s never cured – it’s better, it’s worse, it’s manageable, there are times when it’s absent - but it’s always a hair trigger away from something, from some catastrophe or some chemical imbalance.” Once the fog had lifted at least temporarily, he seriously started rethinking his experience as someone who believes in finding reasons for things. During that period, a young man within Copeland’s circle committed suicide at the age of fifteen and Robin Williams killed himself as well, although the complicating factor of Lewy Body Dementia had not been made public at that time. Copeland took those incidents like a blow to the solar plexus and began to explore what he could personally do to help prevent such tragedies. He was encouraged to bring his own struggles to light by his publicist, who happened to have represented film icon Rock Hudson in 1985 when the actor announced to the world that he had AIDS, thereby removing some of the stigma from that disease. The publicist suggested to Copeland that by going public with his story maybe he could do the same thing for depression and suicidal ideation. Copeland had received his mission. Collaborating with the Bay Area’s guru of solo performance, David Ford, Copeland set out to “create a show about depression that wasn’t depressing,” making sure to include enough reality-based humor to draw audiences in and counterbalance the heaviness of the topic. As he puts it, “the comedy makes the drama much more impactful, and the drama makes the comedy funnier because it’s a release.” The Waiting Period opened at The Marsh in 2012 and became an instant sensation, winning awards and getting extended multiple times. After a year or so, Copeland realized he couldn’t keep performing the show on a regular basis because it required him relive some very dark and harrowing episodes. But he felt he could continue to do the show on an occasional basis, maybe twice a month or so, without seriously endangering his own mental health. He also talked to Stephanie Weisman, artistic director of The Marsh, about making the show free of charge to audiences so that cost wouldn’t be a barrier to attending. Weisman readily agreed to having a GoFundMe campaign was set up to cover basic production costs like theater staffing. Copeland and his publicist then placed calls to various industry contacts and were stunned by the outpouring of support from celebrities like Glenn Close, Ed Asner and Lucie Arnaz, whose lives had been personally touched by depression and suicide. Fast forward to 2025, and Copeland is now embarking on the 500th performance of The Waiting Period on September 20th, timed to coincide with Suicide Prevention Month. Copeland remains committed to continuing to do the show because he knows the profound impact it’s had on the lives of so many people, from the letters he’s received and follow-up conversations he’s had. Just one example: a woman planned to jump off the Golden Gate Bridge one Sunday morning and stopped off at her favorite café enroute to savor one last coffee and pastry before ending her life. She noticed the San Francisco Chronicle “pink” section lying on her table and thumbed through it while finishing her coffee. It happened to contain a brief article about The Waiting Period that noted a performance would be happening that very afternoon. She was intrigued enough to alter her plan - slightly. She decided to flip a coin and if it came up heads, she would proceed straight to the bridge; if it came up tails, she would go see Copeland’s show first. It came up tails, and so she went to see The Waiting Period, the core message of which is “If you’re thinking of doing some kind of harm to yourself, tell someone first.” When the play was over, she remained in her seat crying for another twenty minutes, then called her sister to tell her what she was thinking of doing, and her sister got her help. Or there’s the story of a woman who struggled with depression and her husband always wondered why she couldn’t just lighten up and smell the roses. She basically dragged him to The Waiting Period, and afterwards he said to her, “That’s what you’ve been going through? I had no idea.” And that’s the thing with depression: it is so misunderstood. It’s not something that can be cured by thinking happy thoughts. As Copeland says, “You know, we’re dealing with a disease, and yet people are ashamed of it. There’s such shame and stigma attached to it, and I want people to know they have nothing to be ashamed of, any more than if you had Lou Gehrig’s Disease or muscular dystrophy or cancer. You wouldn’t be ashamed of those afflictions. And the world, society, would be a lot more sympathetic.” As a comedian and talk show host, i.e. someone who earns his living projecting amiability and cheerfulness, Copeland makes a perfect communicator for that message. If someone as seemingly light-hearted as him can suffer from depression, then it can truly happen to anyone. When he started debuted The Waiting Period in 2012, some people were quite surprised to learn that he’d ever wanted to kill himself. And yet, what sticks with him most over the years is the number of people who’ve approached him after a performance and whispered in his ear that they, too, are “one of us,” as Copeland refers to those who experience acute depression. Some of them are people Copeland knows well and are in the public eye, people he says you would never guess struggled with the disease. Toward the conclusion of our conversation, Copeland tells me, “If there’s nothing else at all worthwhile I’ve done while I was here, at least there are a couple of people walking around who might not be here.” I tell him that’s a statement most of us can’t make, myself included, and he responds, “You don’t know that. That’s the thing. I’m fortunate enough that I’m in a position where people are able to reach out and tell me. But you don’t know who you told to have a nice day to, who were planning on doing something and ended up not because of your kindness, you know, in tipping the barista and saying they did a good job one day when they thought they were worthless and were going to do something right after they got off work. There are stories like that, and those stories are real.” (Header photo of Brian Copeland by Joan Marcus) --- The Waiting Period will play its 500th performance 5:00pm, Saturday, September 20 at The Marsh Berkeley, 2120 Allston Way, Berkeley. Additional dates are soon to be announced. Thanks to the support of generous donors, general admission tickets are FREE. Supporters may donate $50/$100 for reserved seats, funds which make it possible for others to see the show at no cost. To order free tickets or reserve seats, please visit themarsh.org. with National Suicide Prevention Month.

Lead producer Colin Ingram, together with Robert Zemeckis and Bob Gale, the creators of the Back To The Future film trilogy, just announced the first ever UK tour of the multi award-winning BACK TO THE FUTURE The Musical,

If you could use an infusion of nostalgia and joy in your weekend, get your tickets for You’re a Good Man, Charlie Brown at Hanover Little Theatre through September 14.

Back to the Future The Musical has been bringing audiences on a time-travelling adventure on the West End for four years, adapting the iconic 1985 film by Robert Zemeckis and Bob Gale for the stage. Recently, we had the chance to chat with Oliver Halford, who was cast as the alternate Marty McFly after an open casting call. We discussed what the casting process was like, how this role in particular is full-circle for him and how he survived an absolutely chaotic opening week!

Good morning, Broadway lovers! It’s a big news day with fresh faces, exciting sneak peeks, and some major industry updates lighting up the stage. Hadestown launched a brand-new Broadway cast (with first bow video too!), plus there are West End updates as Girls Aloud’s Nicola Roberts preps for her London debut.

Classic Adventure Movie; or Never Say Die will run Thursdays – Saturdays from September 11 – 27, 2025 at The Chapel. Tickets can be purchased, and more information can be found here!

Here are a few top picks to consider in NYC this week including a free outdoor summer concert, magicians Penn and Teller at Radio City Music Hall, and stars of Broadway and film/TV doing solo shows.

Next month, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Beth Leavel, Casey Likes, Joe Iconis and more. See the full month of programming here! 

See some of the biggest stars of the stage, screen, jazz, cabaret & Broadway performing at cabaret venues this month at a range of budget points. Tickets to these shows are limited and likely to sell out

This record-breaking musical production will commemorate its 40th anniversary in Australia with a celebratory performance attended by many of the original Australian cast and crew.

If you don't know the capsule plot of Back to the Future yet, close this review and go pull it up for streaming, or check TBS (Back to the Future is almost always running on TBS these days).

Boston-based string band Rachel Sumner & Traveling Light took home the top prize at the 2025 Telluride Bluegrass Band Contest. The trio, made up of Club Passim staff members including School of Music Manager Rachel Sumner on vocals and Performance Manager Kat Wallace on fiddle, craft music that blends folk tradition with feminist storytelling, poetic lyricism, and a touch of grit.

Just In Time’s origin story as well as overall conceit has much in common with one of Broadway’s very first jukebox musicals, which was ahead of its time. In 1985, Leader of the Pack, telling the story of pop singer-songwriter Ellie Greenwich, opened at the Ambassador on Broadway. Learn all about pop music bio-musicals here!

Brian Wilson, musical genius and founder of the Beach Boys, died today (Wednesday, June 11, 2025), so in honor of him, here is an article of the 40 greatest Beach Boys songs that I wrote for Broadway World two years ago.  Love & Mercy, Brian!

BACK TO THE FUTURE: THE MUSICAL lands at Providence Performing Arts Center. National Tour delivers spectacle, nostalgia, and a flying DeLorean.

Once again, Broadway's biggest night has come and gone! With the 78th Annual Tony Awards now behind us, we have compiled a list of some of the most memorable moments from the evening, including fun references and Easter eggs you may have missed, standout segments, performances, and more.

Next week, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Jenn Colella, and more. See the full lineup here.

Dear Readers, when discussing the musical of Alice Walker’s classic novel “The Color Purple”, you must acknowledge the production’s own journey from the tepidly received original 2005 Broadway production to the enthusiastically received 2015 Broadway revival which launched the career of the incredible Cynthia Erivo. We can discuss them in a bit but to start I will say that the current production at Village Theatre is certainly in the 2015 camp, with its streamlined production and roof shaking performances.

Next month, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Tracie Thoms, Jenn Colella and more. See the full lineup here!

This fall, Jon Muq will join GRAMMY®-winning trio I’m With Her as direct support on their Wild and Clear and Blue tour. The run includes major stops in Los Angeles, Seattle, Portland, and Muq’s adopted hometown of Austin.

Today’s subject Francesca Zambello is currently living her theatre life as the Artistic Director of Washington National Opera (WNO). She has been in the position since 2012. Her production of Porgy and Bess begins performances this evening in the Opera House at Kennedy Center where it will play through May 31st.

The new musical Goddess can currently be seen in its New York premiere production at the Public Theater on Lafayette Street. Directed by the Public’s associate artistic director and resident director Saheem Ali, who is currently Tony Award-nominated for directing Buena Vista Social Club, Goddess is playing at the Public’s largest space by capacity, the Newman Theatre.

Clue is based off of the 1985 black comedy film of the same name, based on the Hasbro game also of the same name. Reimagined by Sandy Rustin, with the help of Hunter Foster and Eric Prince, Clue provided roughly an hour and twenty-five minutes of continuous entertainment. It was a joy to watch.

This June, the Hollywood Fringe Festival shines a light on the raw, darkly funny, and heartbreakingly human story of Dolores, a one-act play by Edward Allan Baker. Starring Davonna Dehay and DeeDee Woche, staged at the Stephanie Feury Studio Theatre.

Jerry Harrison doesn’t have too many regrets in his musical career. The Talking Heads’ keyboardist, who was in town to celebrate the 40th anniversary of the band’s landmark film STOP MAKING SENSE May 4 at the Southern Theatre (21 E. Main Street in downtown Columbus), is in the Rock and Roll Hall of Fame with his bandmates in 2002 and received a Grammy Lifetime Achievement award in 2021.