If 1927

Asolo Repertory Theatre will open its 2026–27 season with SINGIN' IN THE RAIN, directed and choreographed by Josh Rhodes. The production features Tyler Hanes, Sara Esty, Colin Bradbury, and Ryah Nixon in leading roles.

It is certainly fitting that Vertigo Theatre’s 50th anniversary season is kicking off with the world premier of a show inspired by Alfred Hitchcock’s 1927 film. THE LODGER addresses social inequity and gender discrimination as hindrances to safety.

The upcoming production of the 1955 musical written by Richard Adler and Jerry Ross (music and lyrics) and Douglass Wallop and George Abbott (book) will star Neil Patrick Harris as Applegate, Julianne Hough as Lola, and Austin Scott as Young Joe Hardy. It will play Broadway’s Marquis Theatre, which incidentally, hosted the first revival of the show from 1994-1995. The 2027 production will be the second Broadway revival for the perennially popular property which has been a favorite in schools and communities since it made a splash during musical theatre’s Golden Age. 

The discourse surrounding reasons for reviving musicals on Broadway is a relatively recent phenomenon. These days, if a show is announced for a revival, a sentence that often follows is: “Why are they reviving it?” 

The David Geffen School of Drama at Yale will present Sophie Treadwell's 1928 expressionist play Machinal, directed by Amanda Whiteley, at Yale Repertory Theatre.

Today’s subject Ro Boddie is currently living his theatre life onstage playing the role of Toledo in Ma Rainey’s Black Bottom at Round House Theatre. The show plays through October 18th and is the opener to the company’s 50th season. Ro has performed many times at Round House Theatre over the years. Past credits include Sally & Tom, Topdog/Underdog, The Mountaintop, Radio Golf, The Tempest, A Boy and His Soul, and Master Harold…and the Boys.

The Florida Theatre Board of Directors unanimously voted Kevin Stone as president and PC Bryant as board chair, marking new leadership for the historic Jacksonville performing arts venue.

Director Gregg T. Daniel conducts a muscular cast  delivering a production that is as fulfilling as it is shattering.

Los Angeles is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. Selections for September 2026 include Beauty and the Beast and more.

Ma Rainey's Black Bottom stars A Noise Within resident artist Amber Liekhus in the title role, with ANW newcomer Jamar Gilbert taking on the role of Levee. I decided to speak with the two actors about their experience bringing the two iconic roles to the stage and why they believe the play teaches important lessons about Power, Music, Survival, and Legacy.

The American Broadway musical has seen quite the evolution since the 1927 introduction of SHOWBOAT, widely considered the blueprint for using song and dance to advance a story’s plot. Over the years, audiences and technology have grown so sophisticated that 2025’s Tony Award winner for Best Musical about two robots falling in love (MAYBE HAPPY ENDING) no longer seems far‑fetched.

Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. While last week’s column focused on spouses penning shows together, this week is all about blood relatives partnering to write work. 

Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. 

Since The Lost Boys took Broadway by storm this spring, there has been much chatter about the “vampire curse” on Broadway being lifted. In the early 2000s, Broadway received a string of three vampire musicals, which all closed relatively quickly. Dance of the Vampires (2002), Dracula (2004), and Lestat (2006) each received attention in their own right, but they also received attention as a group, since it was remarkable that they came along in such quick succession. But the early 21st century wasn’t the first time vampires thirsted on Broadway. The play adaptation of Dracula was a hit all the way back in 1927 and an even bigger hit in a 1977 revival. And there have been vampires lurking in the theatre district in all sorts of other projects too…

What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.

xBroadway’s current theater capacity rules have not always been how they are now. The distinctions between Broadway, off-Broadway, and other types of venues have changed over the decades as the industry has evolved. 

The St. Charles Singers will perform 'Sacred Spaces,' an a cappella program of sacred works at venues in Wheaton and St. Charles, before embarking on a concert tour of Italy, including St. Peter's Basilica.

San Diego Theatres continues its SILENT MOVIE MONDAYS series with a striking presentation of Metropolis, showcasing Kino Lorber’s most complete restoration of Fritz Lang’s groundbreaking silent film.

TheatreZone announced its 2026–2027 season featuring six musicals and four concerts, including a world premiere by Naples-based playwright Mike Ruffolo and one of the first regional productions of HARMONY following its Broadway run.

Asolo Repertory Theatre has announced its 2026/2027 Season — a celebration of 1927, the year John Ringling moved the 'Greatest Show on Earth' to Sarasota. Learn more about the lineup here!

This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.

For the past two seasons, 14 or 15 new musicals have opened on Broadway. Even in the challenging first two seasons coming out of the pandemic, Broadway saw 8 or 9 new musicals opening. And in the last four full seasons prior to the pandemic, Broadway saw an average of 11 new musicals per season. What gives?

After staging a charming version of Oliver Goldsmith's She Stoops to Conquer two years ago, the Orange Tree's Tom Littler brings us Richard Brinsley Sheridan’s 250-year-old comedy The Rivals. Like She Stoops to Conquer, Littler, along with associate Rosie Tricks, has almost rewritten the play, updating much of the language and making the setting the Wodehousian 1920s.

The Park Theatre's two-part production of The Forsyte Saga - based on John Galsworthy's Nobel-winning epic novels of love, ownership and the end of Empire - plays the Swan Theatre, Stratford-upon-Avon.

With frontotemporal dementia (FTD) in the news due to actor Bruce Willis fighting the disease for several years, I decided to speak with playwright Jake Broder, an Atlantic Fellow at the Global Brain Health Institute, about his motivation to create Unravelled and his research on the disease.