Dog Day Afternoon review – Broadway take on heist can’t match Pacino’s punch
4 / 10
The new stage version of Dog Day Afternoon runs up against the unintended speed bump of hindsight. Details that in the film felt like canny, offhand snapshots of the 1970s now come across as self-conscious in Stephen Adly Guirgis’s production, and even cutesy as the play attempts to re-create famous scenes from the movie with greater retrospective context (to say nothing of eye-rolling additional historical color, like having characters mention that this dirty movie called Deep Throat is now playing at a theater near them). At times, it’s hard not to think of Wes Anderson’s film Rushmore, in which the precocious Max Fischer Players put on a theatrical version of Pacino’s similarly true-life thriller Serpico.
