Walker Holt has big dreams for his tailor’s shop, and an even bigger order to complete. Over the course of 24 hours he must work tirelessly to satisfy his new client’s impossible tailoring needs.
But as the night goes on, it’s not just the trouser hems that start to fray as tensions rise and Walker’s friendships and relationships are pushed to their limits. His success comes at a cost, but what price is he willing to pay?
Lynette Linton (Blues for an Alabama Sky, Shifters) directs Michael Abbensetts’ (Sweet Talk, Empire Road) era-defining comedy, with additional material by Trish Cooke, in its largest ever staging.
As a period piece, it is entirely dusted down and stands gleaming. Oliver Fenwick’s lighting design suffuses the stage in sepia as characters recount memories, or it spotlights them in emotional ways – a sentimental technique yet it works. For all its clunkier moments, this is undefinably winning drama. Perhaps it is down to the truth of the characters, so tender, hopeful, determined and unbeaten despite everything. A retro gem.
Linton keeps everything in a square patch on stage, which often revolves, with just a few dreamlike, fantasy-infused moments taking place outside the square. That little shop floor is Walker’s safe space, away from a society where - as he and Buster discuss - he’s only ever seen as ‘a problem’. And though a few threads could be snipped away here and there, Cooke and Linton don’t just revive this finely tailored play. They make it burst at its seams.
| 2025 | West End |
West End |
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