GLOBAL THEATRE NEWSROOM - Page 20

Tangent Theatre Company will kick off 2026 with a reading of Good People by David Lindsay-Abaire, to be held at Village Hall, Tivoli NY.

TALE has spent the past 13 years bringing audiences some of the best storytelling in New York City — with no hokey gimmicks and no dumb themes, just great stories.

RG Productions and Theatre Gigante have come together in an historic collaboration for the world premiere of 'Sparrows Fall' written and directed by Richard Gustin in conjunction with World Premiere Wisconsin.

Shea's Buffalo Theatre, in collaboration with Albert Nocciolino, has announced the lineup for the Five Star Bank 2026-2027 Broadway Season.

 In celebration of one of the most revolutionary artists in jazz history, the Eisemann Center for Performing Arts will welcome Unlimited Miles: Miles Davis at 100, led by award-winning pianist and composer John Beasley.

ProMusica Chamber Orchestra will present Mozart & Schnittke at the Southern Theatre on Saturday, April 11, 2026, and Sunday, April 12, 2026, at 7 p.

The Public Theater's world premiere of Antigone (This Play I Read in High School), by Anna Ziegler and directed by Tyne Rafaeli, opens tonight.

The recently extended world premiere of Bughouse opened tonight at Vineyard Theatre, conceived and directed by Drama Desk, Lucille Lortel, and Obie Award winner and MacArthur “Genius” fellow Martha Clarke.

What did our critic think of CHICKA CHICKA BOOM BOOM THE MUSICAL at Reynolds Performance Hall? The young audience didn’t just watch, they participated wholeheartedly, responding to the interactive moments with enthusiasm and delight, clearly having the time of their lives.

SLOW WINE World Tour 2026 was in full swing in NYC on Monday at Eataly Downtown on Liberty Street.

Choreographed by Samantha Dunster,  ARB’s recently appointed Artistic Director, the magical production featured dazzling new sets and costumes, an international cast of professional artists, and 36 young students from Princeton Ballet School.

The singer-songwriter's new album will be released 3/20 from Greenleaf Music.

Christopher Jackson is returning to the small screen this spring in a guest star role on Season 5 of the CBS comedy Ghosts.

Rehearsals are officially underway for the Roundabout Theatre Company production of Fallen Angels by Noël Coward, directed by Tony Award-nominee Scott Ellis.

Known for her evocative, folk-infused sound, Manic Street Creature sees Memon take the reins as writer and composer as well as performer, bringing her distinctive voice to a personal story of second-hand trauma.

Christina Applegate feels that some critics weren’t kind during her star turn as Charity Hope Valentine on Broadway.

STARZ has shared a sneak peek clip from episode two of the eighth and final season of Outlander, premiering Friday, March 13.

You need to know about the charming, new Italian restaurant, Giulietta that is open in the MetLife Building at 200 Park Avenue.

The best of Irish playwriting lands at the Barbican in an exciting project.

Apply today for a chance to help support the cabaret community by writing reviews, interviewing artists, and/or photographing shows in New York City.

The Wild Party is being presented at New York City Center Encores! The production features Jasmine Amy Rogers, Adrienne Warren and more.

The effervescent Jennifer Coy Jennings has become so synonymous with the role of Woman in WILD HORSES here in Austin, that the mind is thrown off to see other faces out there on the interwebs when researching the play.

Southern California native Leianna Weaver speaks with BroadwayWorld about what it felt like to land the role of Lydia Deetz in BEETLEJUICE, how she relates to the character, and some onstage mishaps (that may or may not have involved fire).

Jukebox musicals often rely heavily on nostalgia, weaving familiar songs together with a simple narrative.

The opening night production of “Annie” on Friday, March 6 at the Merrick Theatre & Center for the Arts marked the fourth viewing of the scrappy, upstart orphan I’ve seen this winter alone (there was actually a fifth I could’ve reviewed if BroadwayWorld hired me two weeks earlier).