Review: DADDY LONG LEGS at The Phoenix Theatre Company
A small, sincere musical that reaches for neither spectacle nor modernity....
Review: THE COCOANUTS at Fountain Hills Theater
By the mid-1920s the Marx Brothers (Groucho, Harpo, Chico, and Zeppo) were already well known on the vaudeville circuit. Broadway gave their mayhem a larger canvas. Producer Sam Harris commissioned a musical comedy built around them, pairing their improvisational chaos with the polish of Berlin’s ...
Review: THREE SISTAHS at Black Theatre Troupe
A tour de force, a musical perfectly crafted and performed, and directed by Dzifa Kwawu with remarkable precision. A must-see!...
Review: INSIDE OUT: MEN BEHIND BARS at The Invisible Theatre
INSIDE OUT is a truly moving piece of theatre....
Review: MOBY DICK at Southwest Shakespeare Company
With four actors on a generally bare deck, and a whale that exists in our imagination, the old story of compulsion and the sea finds a fresh, unexpectedly playful life....
Review: VANYA AND SONIA AND MASHA AND SPIKE at Live Theatre Workshop
This production is filled with sparkling wit and fantastic performances!...
Review: THE ROOMMATE at Arizona Theatre Company
THE ROOMMATE is a clever and well-acted production....
Review: SIX at ASU Gammage
What’s more satisfying than watching six wronged women reclaim their power? Watching them do it in rhinestone corsets, backed by a thunderous girl band and enough LED lighting to short-circuit Times Square. SIX, the British import that’s barreled from university revue to Broadway headliner like ...
Review: PRETTY WOMAN: THE MUSICAL at Arizona Broadway Theatre
Stephen Casey, the director and choreographer of Arizona Broadway Theatre’s production of PRETTY WOMAN: THE MUSICAL, understands something essential about adapting a modern fairy tale, especially one rooted in a Rodeo Drive fantasy, for the stage: unless the performers anchor the story in authenti...
Review: OUR AMERICAN TRAGEDY at Sunny Gingham And Banzerini House
Nearly 161 years ago, President Abraham Lincoln was shot by actor John Wilkes Booth at Ford’s Theatre as he watched a production of OUR AMERICA COUSIN. Every American knows this famous and tragic tale, but not everyone will know the story of those on stage that night. Making its full-length premie...
Review: STOP KISS at The Bridge Initiative
Every couple deserves a space to feel safe, accepted, celebrated, and normal. Although a milestone was crossed in 2015 with the legalization of gay marriage in the United States, many people, both in and outside of the United States, are still unable to love freely. The Bridge Initiative’s perform...
Review: THE RIVER at The Rogue Theatre
THE RIVER by Jez Butterworth is now playing at The Rogue Theatre, and it packs a punch. This deeply intimate work draws viewers into a psychological and surreal world where a man brings a woman (and other women) to a riverside cabin....
Review: UNCLE VANYA at Theatre Artists Studio
UNCLE VANYA arrives at Theatre Artists Studio with thoughtful intentions and a capable ensemble, though the results are somewhat uneven. Presented in Conor McPherson’s streamlined adaptation of Anton Chekhov’s classic, and directed by Carol MacLeod, the production leans heavily into emotional im...
Review: AIN'T MISBEHAVIN' at Arizona Theatre Company
A joyful revival that reanimates the spirit of the show that once jolted Broadway....
Review: SLEEPING BEAUTY at Live Theatre Workshop
This is a delightful and fun fairy tale production!...
Review: CLUE: LIVE ON STAGE at Gammage Auditorium
There have been previous stage versions of the Parker Brothers' board game Clue, none that had any connection to the beloved 1985 film or made any significant mark artistically or commercially....
Review: HENRY V at Southwest Shakespeare Company
Wars of the past are viewed by many as a necessary evil, and certain battles are even thought of as glorious or grand. This perspective overlooks the lives lost on both sides, the trauma so many soldiers have faced throughout history, and that many still face today. Southwest Shakespeare Company’s...
Review: HOW TO DEFEND YOURSELF at Stray Cat Theatre
Lean and evocative, funny and frightening, tender and profane...reckoning with how to survive trauma....
Review: GUYS AND DOLLS at Hale Centre Theatre
Mounted with in-the-round polish and flair, Hale Centre Theatre’s GUYS AND DOLLS is bright, brassy, and built on rhythm. And for a few hours in Gilbert, the neon-drenched skyline glows, the dice roll, and Broadway’s Golden Age feels very much alive....
Review: LITTLE WOMEN at The Bridge Initiative
Although society may have tried to conceal them, bold and daring women have existed throughout history. Sisterhood and the realities of being a woman in the Civil War era are central themes in this musical adaptation of Louisa May Alcott’s classic novel. The Bridge Initiative’s concert version o...
Review: THE MERRY WIVES OF WINDSOR at Southwest Shakespeare Company
Audience members who enjoy Shakespeare but are looking for a new take on his classic stories, or those who have struggled with Shakespeare in the past, will enjoy THE MERRY WIVES OF WINDSOR. This trailer-park take on the play is full of fun performances and laugh-worthy moments....
Review: JITNEY at Black Theatre Troupe
The play is suffused with the sympathetic wisdom that defines Wilson’s writing. He looks at lives many would dismiss as small or defeated and finds in them an undeniable nobility....
Review: AIN'T MISBEHAVIN' at Arizona Theatre Company
AIN'T MISBEHAVIN' is a toe-tapping and vocally impressive show now playing at ATC!...
Review: COME FROM AWAY at The Phoenix Theatre Company
COME FROM AWAY makes you care with a humility and vigor that feel bracingly out of step with our more cynical age....
Review: SHRINES at Ronin Theatre Collaborative
Grief can feel like its own disease, a highly personalized feeling where no two people will share the exact thoughts or emotional journey. It lingers, and if those facing it are not careful, it can quickly consume the person’s life. Ronin Theatre Collective’s production of Ashley Rose Wellman’...
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