The 2026 ST. LOUIS THEATER CIRCLE AWARD NOMINATIONS ANNOUNCED - The Rep Leads All Companies with 38 Nods
by James Lindhorst
- Feb 3, 2026
The St. Louis Theatre Circle has announced their nominations for their annual awards to be distributed on March 23, 2026, at the Loretto-Hilton Center. 172 theatre artists have been nominated in 34 categories honoring the best in St. Louis Theater in 2025.
The Repertory Theatre of St. Louis leads all companies with a record-breaking 38 nominations for their productions of Athena, Clyde’s, Emma, Ken Ludwig’s Sherwood: The Adventures of Robin Hood, The Brothers Size, and The Cottage. Emma is the most nominated comedy of the season with 11 nominations.
Review: EMMA at Loretto-Hilton Center
by Rob Levy
- Dec 9, 2025
At a time when the weather is colder, and winter is tuning up, The Repertory Theatre of St. Louis’ production of Emma keeps us warm. The latest show of the company's 59th season is a vibrant feast of laughter and love.
Review: KEN LUDWIG'S SHERWOOD: THE ADVENTURES OF ROBIN HOOD at Loretto-Hilton Center
by Rob Levy
- Mar 24, 2025
Blending comedy, swashbuckling action, and heartfelt moments, Ludwig’s adaptation brings a fresh and humorous take to the classic Robin Hood legend. Taking aim at one of Britain’s most famous legendary tales, the production, directed by Artistic Director, Kate Bergstrom, closes the company’s 58th season with an absurd take on the story of the famous outlaw.
CAFE UTOPIA Comes to the Hudson Theater Guild in November
by Stephi Wild
- Sep 19, 2024
Notch Theatre Company will present the World Premiere of Café Utopia by Gwen Kingston (New York Times Book Review Editors' Choice and Oprah Daily’s 'Most Anticipated Books of 2024' for Did I Ever Tell You?: A Memoir), directed by Ashley Olive Teague.
Cast and Creative Team Announced For CLYDE'S at The Huntington
by Stephi Wild
- Feb 8, 2023
The Huntington has announced the cast and creative team of Clyde's, the Tony Award-nominated play written by Pulitzer Prize-winning playwright Lynn Nottage and directed by Taylor Reynolds, in a co-production with Berkeley Repertory Theatre.
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