John Easterlin News

Once a year, Scott Siegel demonstrates to audiences the glories of the unamplified human voice.

Postponed from last January when the fake blizzard closed New York City, Broadway Unplugged, the critically acclaimed annual concert returns! It's the show where today's stars sing great show tunes the way they used to be performed on Broadway: without a microphone! It's the pure human voice soaring to the rafters, showing an awestruck audience, once again, that they've got the same chops as the great stars of yesteryear. New York's critics have said every year that this is one of the most thrilling concerts they have ever witnessed. Broadway Unplugged always get sensational stars -- and this year is no exception. Look at this cast that is still growing:

The critically acclaimed Broadway by the Year series fifteenth season will bring 100 years of Broadway history in four incredible evenings.

Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).

Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”

If you are even a semi-regular reader of this column of reviews, you know that about every three or four months, I post a compilation of observations of shows from the previous quarter of the year. This cabaret critiquing mash up happens for a number of reasons, not the least of which is that I admittedly see too many cabaret shows for the amount of time I have to promptly review them (and then, of course, the usual writer's procrastination sets in). So I have to prioritize the timeliness of the reviews based on the prestige of the performer, the length of a show run, the strength (or lack thereof) of the performance, etc. The quality of the shows in these compilations—which can range from a half dozen to a dozen reviews in one shot—are usually a mixed bag of outright raves, qualified positives, and constructive pans (I'm not a fan of the word “negative” in the reviewer lexicon). With that in mind here are a collection of cabaret show reviews going back to the start of a very harsh winter.

THE MAGIC FLUTE (Die Zauberflote), Mozart's last great work, is sometimes viewed as the precursor to musical theater. Mozart's friend, actor-producer Emanuel Schikaneder, wrote the original libretto in the German vernacular (as opposed to the more upper crust Italian) as a 'singspiel,' a play with music. In fact, THE MAGIC FLUTE has significantly more spoken dialogue than The Phantom of the Opera and certainly far more than Les Miserables.

Washington National Opera (WNO) continues its 2013-2014 season with a new English-language production of one of the most beloved and family-friendly operas in the repertory: Wolfgang Amadeus Mozart's The Magic Flute, May 3-18 in the Kennedy Center Opera House. The eye-popping new production features set and costume design by Japanese- American artist Jun Kaneko in his WNO debut, and will be sung in a new English version by WNO dramaturg Kelley Rourke. BroadwayWorld has a first look at the cast in action below!

Washington National Opera (WNO) continues its 2013-2014 season with a new English-language production of one of the most beloved and family-friendly operas in the repertory: Wolfgang Amadeus Mozart's The Magic Flute, May 3-18 in the Kennedy Center Opera House. The eye-popping new production features set and costume design by Japanese- American artist Jun Kaneko in his WNO debut, and will be sung in a new English version by WNO dramaturg Kelley Rourke. The opening-night performance on May 3 will be simulcast free to thousands of fans at Nationals Park as part of M&M'S® Opera in the Outfield. A special

Stephanie D'Abruzzo, Chip Zien, Karen Mason, Sebastian Arcelus, Tonya Pinkins, Beth Leavel, Carolee Carmello,Stephanie J. Block, Karen Akers, Emily Skinner, Julia Murney, Lari White, John Easterlin, Noah Racey, Camille Saviola, Mark Nadler, Jillian Louis, Danny Gardner and the Broadway by the Year Chorus all took part in Town Hall's 14th season opener of its Broadway by the Year Series on Monday night, February 24 at 8pm, THE BROADWAY MUSICALS OF 1915-1939. BroadwayWorld was there for the special concert and you can check out backstage photos below!

Stephanie D'Abruzzo, Chip Zien, Karen Mason, Sebastian Arcelus, Tonya Pinkins, Beth Leavel, Carolee Carmello, Stephanie J. Block, Karen Akers, Emily Skinner, Julia Murney, Lari White, John Easterlin, Noah Racey, Camille Saviola, Mark Nadler, Jillian Louis, Danny Gardner and the Broadway by the Year Chorus all took part in Town Hall's 14th season opener of its Broadway by the Year Series last night, February 24 at 8pm, THE BROADWAY MUSICALS OF 1915-1939. BroadwayWorld was there for the special concert and you can check out photo coverage below!

Tony Award-nominee Stephanie D'Abruzzo (Avenue Q), Drama Desk-nominees Chip Zien (Into the Woods, Falsettos) & Karen Mason (Sunset Boulevard, Mamma Mia!), Sebastian Arcelus (Elf, A Time to Kill), Nightlife Award-Winner Mark Nadler, Jillian Louis, Danny Gardner and the Broadway by the Year Chorus have been added to Town Hall's 14th season opener of its Broadway by the Year Series on Monday, February 24 at 8pm, THE BROADWAY MUSICALS OF 1915-1939. They join previously announced Tony Award-winners Tonya Pinkins and Beth Leavel, Tony Award-nominees Carolee Carmello, Stephanie J. Block, Karen Akers and Emily Skinner, Drama Desk Award-nominee Julia Murney, Grammy Award-winners Lari White and John Easterlin, Noah Racey (Curtains), Camille Saviola (Nine), concert and recording artist Howard Fishman and Nightlife Award-winner Carole J. Bufford. Individual tickets ($57 and $47) are on sale at www.TicketMaster.com or by phone at 800-982-2787; series subscriptions ($180-$220) are available at www.TheTownHall.org.

The Indianapolis Opera will premiere Giacomo Puccini's The Girl of the Golden West at Clowes Memorial Hall on the campus of Butler University for two performances only on Friday, Mar. 21 at 8 p.m. and Sunday Mar. 23 at 2 p.m.

Ten years ago, as a reaction to over-amplification of musicals, Scott Siegel had the crazy idea that there might be an audience for a concert of Broadway show tunes performed the way they used to be sung: without microphones. And Scott had the perfect place to try out his theory, the acoustically wonderful Town Hall on West 43rd St. With no money, but the support of a great many singers who wanted, literally, to be heard in a way that was no longer possible on Broadway, he launched the first Broadway Unplugged, boasting 'Sound Design by God.' BroadwayWorld brings you photos from the special concert below!

BARITONES UNBOUND, featuring MARC KUDISCH, BEN DAVIS & JEFF MATTSEY have joined the 10th Annual Concert at Town Hall lineup on Monday, Sept. 30th at 8 PM.

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival begin today, Sept. 17, with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, on September 17, 19, 21, 24, 25, 27, and 28 at 7:30pm. Individual tickets are on sale at BAM.org or through BAM Ticket Services at 718.636.4100.

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival begin with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, tonight, September 17 and September 19, 21, 24, 25, 27, and 28 at 7:30pm.

Ten years ago, as a reaction to over-amplification of musicals, Scott Siegel had the crazy idea that there might be an audience for a concert of Broadway show tunes performed the way they used to be sung: without microphones. And Scott had the perfect place to try out his theory, the acoustically wonderful Town Hall on West 43rd St. With no money, but the support of a great many singers who wanted, literally, to be heard in a way that was no longer possible on Broadway, he launched the first Broadway Unplugged, boasting 'Sound Design by God.'

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival begin with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, on September 17, 19, 21, 24, 25, 27, and 28 at 7:30pm. Individual tickets are on sale August 12 (August 5 for Friends of BAM) at BAM.org or through BAM Ticket Services at 718.636.4100.