Review: HENRY V, Royal Shakespeare Theatre
by Cindy Marcolina
- Mar 29, 2026
Henry V of England is one of those big roles for an actor. Alfie Enoch follows in the footsteps of Laurence Olivier and Tom Hiddleston as the king who led a battalion of tired and outnumbered soldiers to victory. Excellent performances may save it, but co-artistic director of the Royal Shakespeare Company Tamara Harvey’s take on this history play is unfortunately bland and unfocused. It’s something we’ve seen too many times before.
16 Theater Books for Your Spring 2026 Reading List
by Nicole Rosky
- Mar 29, 2026
Need a great book to spring into the new season? This spring, Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 16 new Broadway books for every theatre lover's Spring 2026 reading list.
What Broadway Leaders Don't Say - But I Learned As A Fellow
by Cynthia L. Dorsey
- Mar 27, 2026
Many fellowship programs help emerging leaders learn the craft and business of theater, in both nonprofit and commercial spaces. For this article, I spoke with several fellows about five things Broadway leaders don’t often say but that we learned as fellows.
Richard Maltby Jr. Reflects on Completing His Trilogy With ABOUT TIME Off-Broadway Premiere
by Jennifer Ashley Tepper
- Mar 8, 2026
Tony Award winner Richard Maltby, Jr. discusses with Jennifer Ashley Tepper About Time, his new revue written with collaborator David Shire which, alongside Starting Here, Starting Now and Closer Than Ever, completes the writing team’s trilogy. They also chat about friendship with Stephen Sondheim, how Off-Broadway has evolved since the 1960s, the role Yale University has played, and more.
Pace University Faculty Earn Kleban Prize And Jonathan Larson Grant Recognition
by A.A. Cristi
- Mar 5, 2026
Pace University's Sands College of Performing Arts faculty members Eric Price, Phillip Christian Smith, and Adam J. Rineer have earned major national recognition in musical theatre writing, with Price and Smith named 2026 Kleban Prize winners and Rineer selected as a 2026 Jonathan Larson Grant recipient.
Linda Eder, Kate Baldwin, Jenn Colella and More to Perform at 54 Below for Women's History Month
by Chloe Rabinowitz
- Feb 27, 2026
Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more.
Producer Kenneth D. Greenblatt Retires
by Stephi Wild
- Feb 20, 2026
On his 80th birthday, six-time Tony Award–winning producer Kenneth D. Greenblatt has retired as GFour Productions Founder and Chairman. Learn more here.
A Complete History of RAGTIME
by Jennifer Ashley Tepper
- Feb 8, 2026
The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.
Feature: GMU'S HEART AND MUSIC: THE SONGS OF WILLIAM FINN Has It's Cast Learning from The Best
by Elliot Lanes
- Jan 27, 2026
George Mason University (GMU) in Fairfax VA has one of the fastest growing Musical Theater programs in the area. Over the last eight years, the program has grown in leaps and bounds from being a certificate-based program to a degree-based one. One of the biggest reasons for the program’s success is definitely the faculty, including the two who are the subjects of this interview.
Did You Know These Broadway Revivals Started As Flops?
by Jennifer Ashley Tepper
- Jan 11, 2026
It wasn’t until later on in theatre history that revivals began including shows that weren’t initially well received or financially successful in their initial engagements. As musical theatre continued to evolve, and more shows entered the canon, a consensus began to grow about shows being worthy of additional exploration even if they hadn’t been hits the first time around. What about musicals that had been ahead of their time, musicals that had fallen prey to circumstances, early works by writers who became successful later on, and of course, shows that found an audience after closing via their cast recordings?
|
|