Tristram Kenton
Latest News on Tristram Kenton:
Photos: Arthur Miller's BROKEN GLASS at the Young Vic (Feb 25, 2026)
Review: THE SINGING MERMAID, artsdepot (Feb 16, 2026)
Review Roundup: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Starring Mark Addy & Jenna Russell (Feb 11, 2026)
Photos: Arthur Miller's BROKEN GLASS at the Young Vic (Feb 25, 2026)
Review: THE SINGING MERMAID, artsdepot (Feb 16, 2026)
Review Roundup: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Starring Mark Addy & Jenna Russell (Feb 11, 2026)
Photos
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
-credittristramkenton.jpg?format=auto&width=600)
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from As You Like It by William Shakespeare @ Shakespeare's Globe. Directed by Federay Holmes and Elle While.
(Opening 17-05-18)
©Tristram Kenton 05-18
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristram
Date:
05/17/2018
From: Photo Flash: First Look at AS YOU LIKE IT and HAMLET at Shakespeare's Globe
,mattkingsmith(mechanical),alanpagan(mechanical),georgefouracres(quince)anddavidganly(bottom).photo-tristramkenton.jpg?format=auto&width=600)
Rehearsal photographs showing A Midsummer Night's Dream @ Lyric Theatre, Hammersmith. Directed by Sean Holmes.
(Taken 28-03-18)
©Tristram Kenton 03-18
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.c
Date:
04/04/2018
From: Photo Flash: Inside Rehearsal for the UK Tour of A MIDSUMMER NIGHT'S DREAM
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.jpg?format=auto&width=600)
Videos
Photos and Video: First Look at West End's SWEENEY TODD with Michael Ball & Imelda Staunton
by Nicole Rosky - 2012-01-19 10:11:50
News
Photos: Arthur Miller's BROKEN GLASS at the Young Vic
by Stephi Wild - Feb 25, 2026
All new production photos have been released for Arthur Miller’s psychological drama Broken Glass directed by Olivier Award nominee Jordan Fein. Learn more and check out the photos here!
by Stephi Wild - Feb 25, 2026
All new production photos have been released for Arthur Miller’s psychological drama Broken Glass directed by Olivier Award nominee Jordan Fein. Learn more and check out the photos here!
Review: THE SINGING MERMAID, artsdepot
by Christiana Rose - Feb 16, 2026
Set beneath a vibrant circus tent filled with sparkling multicoloured lights and fluttering flags, the production opens with a jovial instrumental atmosphere that immediately invites children into the world of the show.
by Christiana Rose - Feb 16, 2026
Set beneath a vibrant circus tent filled with sparkling multicoloured lights and fluttering flags, the production opens with a jovial instrumental atmosphere that immediately invites children into the world of the show.
Review Roundup: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Starring Mark Addy & Jenna Russell
by Aliya Al-Hassan - Feb 11, 2026
Harold Fry was never meant to be a hero. An ordinary man in an ordinary life until a letter from a long-lost friend sends him out the front door… and he keeps on walking. From Devon’s quiet lanes to the windswept streets of Berwick-upon-Tweed, his journey becomes a pilgrimage of love, redemption, and second chances. Strangers turn into companions, kindness appears in unexpected places, and the road reveals more than Harold ever imagined. Back home, his wife Maureen begins her own journey, one that might bring them together again.
by Aliya Al-Hassan - Feb 11, 2026
Harold Fry was never meant to be a hero. An ordinary man in an ordinary life until a letter from a long-lost friend sends him out the front door… and he keeps on walking. From Devon’s quiet lanes to the windswept streets of Berwick-upon-Tweed, his journey becomes a pilgrimage of love, redemption, and second chances. Strangers turn into companions, kindness appears in unexpected places, and the road reveals more than Harold ever imagined. Back home, his wife Maureen begins her own journey, one that might bring them together again.
Review: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Theatre Royal Haymarket
by Aliya Al-Hassan - Feb 11, 2026
First seen in Chichester last summer, The Unlikely Pilgrimage of Harold Fry now makes its joyful arrival into London. Based on the 2012 novel by Rachel Joyce which became a 2023 film, the show is a musical that cleverly acts as a snapshot of modern Britain and a study into the complexities and darkness of grief and sadness within a marriage.
by Aliya Al-Hassan - Feb 11, 2026
First seen in Chichester last summer, The Unlikely Pilgrimage of Harold Fry now makes its joyful arrival into London. Based on the 2012 novel by Rachel Joyce which became a 2023 film, the show is a musical that cleverly acts as a snapshot of modern Britain and a study into the complexities and darkness of grief and sadness within a marriage.
Photos: THE UNLIKELY PILGRIMAGE OF HAROLD FRY at Theatre Royal Haymarket
by Stephi Wild - Feb 10, 2026
New production photos have been released for the new British Musical, The Unlikely Pilgrimage of Harold Fry based on Rachel Joyce’s best-selling novel with music and lyrics by Passenger. CHeck out the photos here!
by Stephi Wild - Feb 10, 2026
New production photos have been released for the new British Musical, The Unlikely Pilgrimage of Harold Fry based on Rachel Joyce’s best-selling novel with music and lyrics by Passenger. CHeck out the photos here!
Review: MAGGOTS, Bush Theatre
by Cindy Marcolina - Feb 8, 2026
If you input “what does death smell like?” into Google, you’ll get a variety of results saying that it depends on the conditions of the body. That’s what Linda searches after she hasn’t seen her neighbour in some time. Life at Laurel House will never be the same; loneliness kills in Farah Najib’s tender play. In essence, Maggots covers the systemic failure of those in power. When the housing service finally shows up, it’s too late for the tenants in the build
by Cindy Marcolina - Feb 8, 2026
If you input “what does death smell like?” into Google, you’ll get a variety of results saying that it depends on the conditions of the body. That’s what Linda searches after she hasn’t seen her neighbour in some time. Life at Laurel House will never be the same; loneliness kills in Farah Najib’s tender play. In essence, Maggots covers the systemic failure of those in power. When the housing service finally shows up, it’s too late for the tenants in the build
Review: LOST ATOMS, Lyric Hammersmith Theatre
by Cindy Marcolina - Feb 4, 2026
There’s nothing like a great love story. Jess and Robbie met and instantly fell head over heels for each other – well, almost. Then, it was bliss until it wasn’t. Stuck in a liminal space, they disclose their own versions of the facts. Frantic Assembly take on romance and loss in their new production, which originally premiered in Leicester last year. Lost Atoms candidly analyses the everyday tragedies that bring a relationship to an end. It’s uplifting, moving, and desperate in all the right moments. Written by Anna Jordan and directed by Scott Graham, the show doesn’t hide a grander purpose. There’s no apocalypse, no war, no climate emergency that’s being directly addressed – we just have two people trying to make it work. And that’s their crux.
by Cindy Marcolina - Feb 4, 2026
There’s nothing like a great love story. Jess and Robbie met and instantly fell head over heels for each other – well, almost. Then, it was bliss until it wasn’t. Stuck in a liminal space, they disclose their own versions of the facts. Frantic Assembly take on romance and loss in their new production, which originally premiered in Leicester last year. Lost Atoms candidly analyses the everyday tragedies that bring a relationship to an end. It’s uplifting, moving, and desperate in all the right moments. Written by Anna Jordan and directed by Scott Graham, the show doesn’t hide a grander purpose. There’s no apocalypse, no war, no climate emergency that’s being directly addressed – we just have two people trying to make it work. And that’s their crux.
Review: THE NUTCRACKER, Royal Ballet And Opera
by Vikki Jane Vile - Nov 24, 2025
Ballet lovers will all have their own relationship with Sir Peter Wright’s The Nutcracker.
by Vikki Jane Vile - Nov 24, 2025
Ballet lovers will all have their own relationship with Sir Peter Wright’s The Nutcracker.
Review: PERSPECTIVES: BALANCHINE, MARSTON, PECK, Royal Ballet And Opera
by Matthew Paluch - Nov 17, 2025
The Royal Ballet season continues with Perspectives: Balanchine, Marston, Peck. A triple bill that will supposedly “ignite the imagination” - stir, perhaps; ignite, not quite.
by Matthew Paluch - Nov 17, 2025
The Royal Ballet season continues with Perspectives: Balanchine, Marston, Peck. A triple bill that will supposedly “ignite the imagination” - stir, perhaps; ignite, not quite.
Interview: 'It Has To Be Fresh”: Director and Choreographer Lynne Hockney on Reviving Sir Peter Hall's Iconic A MIDSUMMER NIGHT'S DREAM at Glyndebourne
by Aliya Al-Hassan - Oct 22, 2025
Celebrated choreographer and director Lynne Hockney has been involved in Sir Peter Hall’s iconic version of Benjamin Britten’s A Midsummer Night’s Dream at Glyndebourne since 2001. Now playing for the first time in the venue’s Autumn season, the production has been revived regularly since its premiere in 1981, bringing Shakespeare’s enchanting story of magic and mayhem to life. BroadwayWorld spoke to Hockney about her long association with the production, Sir Peter Hall’s enduring vision and how no one involved in the production is more important than anyone else.
by Aliya Al-Hassan - Oct 22, 2025
Celebrated choreographer and director Lynne Hockney has been involved in Sir Peter Hall’s iconic version of Benjamin Britten’s A Midsummer Night’s Dream at Glyndebourne since 2001. Now playing for the first time in the venue’s Autumn season, the production has been revived regularly since its premiere in 1981, bringing Shakespeare’s enchanting story of magic and mayhem to life. BroadwayWorld spoke to Hockney about her long association with the production, Sir Peter Hall’s enduring vision and how no one involved in the production is more important than anyone else.
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne
by Aliya Al-Hassan - Oct 20, 2025
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981. In 2025, it has lost none of its magic, with the Glyndebourne audience still wide-eyed at the visual feast on stage.
by Aliya Al-Hassan - Oct 20, 2025
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981. In 2025, it has lost none of its magic, with the Glyndebourne audience still wide-eyed at the visual feast on stage.
Photos: Frantic Assembly’s LOST ATOMS Begins UK Tour Following Curve Leicester Run
by A.A. Cristi - Sep 25, 2025
Production photos have been released for Lost Atoms, Frantic Assembly’s 30th anniversary production, now playing at Curve Leicester through 4 October 2025.
by A.A. Cristi - Sep 25, 2025
Production photos have been released for Lost Atoms, Frantic Assembly’s 30th anniversary production, now playing at Curve Leicester through 4 October 2025.
Review: THE SICILIAN VESPERS, Royal Ballet & Opera
by Franco Milazzo - Sep 22, 2025
The Sicilian Vespers is always going to be a challenging proposition. In a move smacking of sheer hubris, Verdi’s original version lasted over four hours and featured half an hour of ballet partway through. Stefan Herheim's production for the Royal Ballet & Opera removes that dance sequence but transports the plot from Palermo to Paris with the Sicilian rebel leader Jean Procida now portrayed as a mutinous ballet master. What next: Che Guevara as a South Kensington Zumba instructor?
by Franco Milazzo - Sep 22, 2025
The Sicilian Vespers is always going to be a challenging proposition. In a move smacking of sheer hubris, Verdi’s original version lasted over four hours and featured half an hour of ballet partway through. Stefan Herheim's production for the Royal Ballet & Opera removes that dance sequence but transports the plot from Palermo to Paris with the Sicilian rebel leader Jean Procida now portrayed as a mutinous ballet master. What next: Che Guevara as a South Kensington Zumba instructor?
Review: THIS BITTER EARTH, Soho Theatre
by Katie Kirkpatrick - Jun 25, 2025
This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love. First produced in 2017, the show follows the twists and turns in the relationship between Jesse (Omari Douglas), a Black writer, and his boyfriend Neil (Alexander Lincoln), a white BLM activist.
by Katie Kirkpatrick - Jun 25, 2025
This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love. First produced in 2017, the show follows the twists and turns in the relationship between Jesse (Omari Douglas), a Black writer, and his boyfriend Neil (Alexander Lincoln), a white BLM activist.
Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival
by Aliya Al-Hassan - May 19, 2025
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understanding of the comedy within. Annabel Arden's production makes a triumphant return to Glyndebourne because it does just that.
by Aliya Al-Hassan - May 19, 2025
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understanding of the comedy within. Annabel Arden's production makes a triumphant return to Glyndebourne because it does just that.
Review: NORTHERN BALLET - JANE EYRE, Sadler’s Wells
by Matthew Paluch - May 14, 2025
The dance world is all the richer for having different kinds of storytellers - no doubt. But equally, audience members will inevitably gravitate towards makers they feel a connection with. I should be clear - I don't connect with Cathy Marston’s take on narrative dance, or perhaps just Jane Eyre rather than her whole canon.
by Matthew Paluch - May 14, 2025
The dance world is all the richer for having different kinds of storytellers - no doubt. But equally, audience members will inevitably gravitate towards makers they feel a connection with. I should be clear - I don't connect with Cathy Marston’s take on narrative dance, or perhaps just Jane Eyre rather than her whole canon.
Review: EINKVAN, The Coronet Theatre
by Cindy Marcolina - May 9, 2025
This production is a treat. Einkvan (Everyman) is a play about connection, humanity, and intimacy. Written by Jon Fosse – the most performed Norwegian playwright after Ibsen and winner of the Nobel Prize in 2023 – it’s a haunting, longing journey. The search for compassion and kinship unfolds through parents who try to relate to their sons, to no avail. Blending dramatic practice with contemporary art and live footage, it’s very experimental, very European, and very peculiar. Directed by Kjersti Horn and presented in the original Norwegian with surtitles, it’s a deliciously highbrow, yet raw, experience.
by Cindy Marcolina - May 9, 2025
This production is a treat. Einkvan (Everyman) is a play about connection, humanity, and intimacy. Written by Jon Fosse – the most performed Norwegian playwright after Ibsen and winner of the Nobel Prize in 2023 – it’s a haunting, longing journey. The search for compassion and kinship unfolds through parents who try to relate to their sons, to no avail. Blending dramatic practice with contemporary art and live footage, it’s very experimental, very European, and very peculiar. Directed by Kjersti Horn and presented in the original Norwegian with surtitles, it’s a deliciously highbrow, yet raw, experience.
Review: ROMEO AND JULIET, Shakespeare's Globe
by Katie Kirkpatrick - May 6, 2025
In this version of the familiar story, we are whisked away to the 1800s American West. The sparring young men are now gun-touting cowboys, the ball is a barn dance, and the soundtrack is all banjos and whistles. It’s a bold transposition of the star-crossed Verona lovers, but one that works surprisingly well.
by Katie Kirkpatrick - May 6, 2025
In this version of the familiar story, we are whisked away to the 1800s American West. The sparring young men are now gun-touting cowboys, the ball is a barn dance, and the soundtrack is all banjos and whistles. It’s a bold transposition of the star-crossed Verona lovers, but one that works surprisingly well.
Review: THE PLAY'S THE THING: A ONE-PERSON HAMLET, Wilton's Music Hall
by Gary Naylor - Apr 4, 2025
More lost than gained in this abridged version of Shakespeare's longest play
by Gary Naylor - Apr 4, 2025
More lost than gained in this abridged version of Shakespeare's longest play
Review: TURANDOT, Royal Ballet And Opera
by Michael Higgs - Mar 20, 2025
With plenty of colour, masks, and a mystical ambience, Andrei Șerban’s 1984 production of Turandot feels just as fresh as ever. Paired with a stellar cast on top form, it represents a great success, all around.
by Michael Higgs - Mar 20, 2025
With plenty of colour, masks, and a mystical ambience, Andrei Șerban’s 1984 production of Turandot feels just as fresh as ever. Paired with a stellar cast on top form, it represents a great success, all around.
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