Tristram Kenton
Latest News on Tristram Kenton:
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne (Oct 20, 2025)
Photos: Frantic Assembly’s LOST ATOMS Begins UK Tour Following Curve Leicester Run (Sep 25, 2025)
Review: THE SICILIAN VESPERS, Royal Ballet & Opera (Sep 22, 2025)
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne (Oct 20, 2025)
Photos: Frantic Assembly’s LOST ATOMS Begins UK Tour Following Curve Leicester Run (Sep 25, 2025)
Review: THE SICILIAN VESPERS, Royal Ballet & Opera (Sep 22, 2025)
Photos
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
-credittristramkenton.jpg?format=auto&width=600)
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from As You Like It by William Shakespeare @ Shakespeare's Globe. Directed by Federay Holmes and Elle While.
(Opening 17-05-18)
©Tristram Kenton 05-18
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristram
Date:
05/17/2018
From: Photo Flash: First Look at AS YOU LIKE IT and HAMLET at Shakespeare's Globe
,mattkingsmith(mechanical),alanpagan(mechanical),georgefouracres(quince)anddavidganly(bottom).photo-tristramkenton.jpg?format=auto&width=600)
Rehearsal photographs showing A Midsummer Night's Dream @ Lyric Theatre, Hammersmith. Directed by Sean Holmes.
(Taken 28-03-18)
©Tristram Kenton 03-18
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.c
Date:
04/04/2018
From: Photo Flash: Inside Rehearsal for the UK Tour of A MIDSUMMER NIGHT'S DREAM
.jpg?format=auto&width=600)
.jpg?format=auto&width=600)
Videos
Photos and Video: First Look at West End's SWEENEY TODD with Michael Ball & Imelda Staunton
by Nicole Rosky - 2012-01-19 10:11:50
News
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne
by Aliya Al-Hassan - Oct 20, 2025
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981. In 2025, it has lost none of its magic, with the Glyndebourne audience still wide-eyed at the visual feast on stage.
by Aliya Al-Hassan - Oct 20, 2025
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981. In 2025, it has lost none of its magic, with the Glyndebourne audience still wide-eyed at the visual feast on stage.
Photos: Frantic Assembly’s LOST ATOMS Begins UK Tour Following Curve Leicester Run
by A.A. Cristi - Sep 25, 2025
Production photos have been released for Lost Atoms, Frantic Assembly’s 30th anniversary production, now playing at Curve Leicester through 4 October 2025.
by A.A. Cristi - Sep 25, 2025
Production photos have been released for Lost Atoms, Frantic Assembly’s 30th anniversary production, now playing at Curve Leicester through 4 October 2025.
Review: THE SICILIAN VESPERS, Royal Ballet & Opera
by Franco Milazzo - Sep 22, 2025
The Sicilian Vespers is always going to be a challenging proposition. In a move smacking of sheer hubris, Verdi’s original version lasted over four hours and featured half an hour of ballet partway through. Stefan Herheim's production for the Royal Ballet & Opera removes that dance sequence but transports the plot from Palermo to Paris with the Sicilian rebel leader Jean Procida now portrayed as a mutinous ballet master. What next: Che Guevara as a South Kensington Zumba instructor?
by Franco Milazzo - Sep 22, 2025
The Sicilian Vespers is always going to be a challenging proposition. In a move smacking of sheer hubris, Verdi’s original version lasted over four hours and featured half an hour of ballet partway through. Stefan Herheim's production for the Royal Ballet & Opera removes that dance sequence but transports the plot from Palermo to Paris with the Sicilian rebel leader Jean Procida now portrayed as a mutinous ballet master. What next: Che Guevara as a South Kensington Zumba instructor?
Review: THIS BITTER EARTH, Soho Theatre
by Katie Kirkpatrick - Jun 25, 2025
This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love. First produced in 2017, the show follows the twists and turns in the relationship between Jesse (Omari Douglas), a Black writer, and his boyfriend Neil (Alexander Lincoln), a white BLM activist.
by Katie Kirkpatrick - Jun 25, 2025
This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love. First produced in 2017, the show follows the twists and turns in the relationship between Jesse (Omari Douglas), a Black writer, and his boyfriend Neil (Alexander Lincoln), a white BLM activist.
Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival
by Aliya Al-Hassan - May 19, 2025
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understanding of the comedy within. Annabel Arden's production makes a triumphant return to Glyndebourne because it does just that.
by Aliya Al-Hassan - May 19, 2025
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understanding of the comedy within. Annabel Arden's production makes a triumphant return to Glyndebourne because it does just that.
Review: NORTHERN BALLET - JANE EYRE, Sadler’s Wells
by Matthew Paluch - May 14, 2025
The dance world is all the richer for having different kinds of storytellers - no doubt. But equally, audience members will inevitably gravitate towards makers they feel a connection with. I should be clear - I don't connect with Cathy Marston’s take on narrative dance, or perhaps just Jane Eyre rather than her whole canon.
by Matthew Paluch - May 14, 2025
The dance world is all the richer for having different kinds of storytellers - no doubt. But equally, audience members will inevitably gravitate towards makers they feel a connection with. I should be clear - I don't connect with Cathy Marston’s take on narrative dance, or perhaps just Jane Eyre rather than her whole canon.
Review: EINKVAN, The Coronet Theatre
by Cindy Marcolina - May 9, 2025
This production is a treat. Einkvan (Everyman) is a play about connection, humanity, and intimacy. Written by Jon Fosse – the most performed Norwegian playwright after Ibsen and winner of the Nobel Prize in 2023 – it’s a haunting, longing journey. The search for compassion and kinship unfolds through parents who try to relate to their sons, to no avail. Blending dramatic practice with contemporary art and live footage, it’s very experimental, very European, and very peculiar. Directed by Kjersti Horn and presented in the original Norwegian with surtitles, it’s a deliciously highbrow, yet raw, experience.
by Cindy Marcolina - May 9, 2025
This production is a treat. Einkvan (Everyman) is a play about connection, humanity, and intimacy. Written by Jon Fosse – the most performed Norwegian playwright after Ibsen and winner of the Nobel Prize in 2023 – it’s a haunting, longing journey. The search for compassion and kinship unfolds through parents who try to relate to their sons, to no avail. Blending dramatic practice with contemporary art and live footage, it’s very experimental, very European, and very peculiar. Directed by Kjersti Horn and presented in the original Norwegian with surtitles, it’s a deliciously highbrow, yet raw, experience.
Review: ROMEO AND JULIET, Shakespeare's Globe
by Katie Kirkpatrick - May 6, 2025
In this version of the familiar story, we are whisked away to the 1800s American West. The sparring young men are now gun-touting cowboys, the ball is a barn dance, and the soundtrack is all banjos and whistles. It’s a bold transposition of the star-crossed Verona lovers, but one that works surprisingly well.
by Katie Kirkpatrick - May 6, 2025
In this version of the familiar story, we are whisked away to the 1800s American West. The sparring young men are now gun-touting cowboys, the ball is a barn dance, and the soundtrack is all banjos and whistles. It’s a bold transposition of the star-crossed Verona lovers, but one that works surprisingly well.
Review: THE PLAY'S THE THING: A ONE-PERSON HAMLET, Wilton's Music Hall
by Gary Naylor - Apr 4, 2025
More lost than gained in this abridged version of Shakespeare's longest play
by Gary Naylor - Apr 4, 2025
More lost than gained in this abridged version of Shakespeare's longest play
Review: TURANDOT, Royal Ballet And Opera
by Michael Higgs - Mar 20, 2025
With plenty of colour, masks, and a mystical ambience, Andrei Șerban’s 1984 production of Turandot feels just as fresh as ever. Paired with a stellar cast on top form, it represents a great success, all around.
by Michael Higgs - Mar 20, 2025
With plenty of colour, masks, and a mystical ambience, Andrei Șerban’s 1984 production of Turandot feels just as fresh as ever. Paired with a stellar cast on top form, it represents a great success, all around.
Review: JASMIN VARDIMON: NOW, Sadler's Wells East
by Louise Penn - Mar 6, 2025
With NOW standing for many nows, thens, nowheres, future nows, past nows, and present nows, Jasmin Vardimon offers up revisited classic choreography fused with new material to create a beautiful and intense way to celebrate the company's 25th anniversary. Offering a window into the world through movement, music and video, NOW is a playful and political piece.
by Louise Penn - Mar 6, 2025
With NOW standing for many nows, thens, nowheres, future nows, past nows, and present nows, Jasmin Vardimon offers up revisited classic choreography fused with new material to create a beautiful and intense way to celebrate the company's 25th anniversary. Offering a window into the world through movement, music and video, NOW is a playful and political piece.
Review: CHURCHILL IN MOSCOW, Orange Tree Theatre
by Aliya Al-Hassan - Feb 12, 2025
In 1942 Moscow a top-secret meeting occured between Winston Churchill and Joseph Stalin as the Nazis rampaged through Europe and into the Soviet Union. This world premiere of Howard Brenton’s play imagines the attempts at diplomacy, political clashes and eye-watering amounts of drinking that may have occured as the two men thrashed out a deal to try to save the world.
by Aliya Al-Hassan - Feb 12, 2025
In 1942 Moscow a top-secret meeting occured between Winston Churchill and Joseph Stalin as the Nazis rampaged through Europe and into the Soviet Union. This world premiere of Howard Brenton’s play imagines the attempts at diplomacy, political clashes and eye-watering amounts of drinking that may have occured as the two men thrashed out a deal to try to save the world.
Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
by Stephi Wild - Feb 11, 2025
All new production photos have been released for Churchill in Moscow at Orange Tree Theatre ahead of press night this evening. Check out the photos here!
by Stephi Wild - Feb 11, 2025
All new production photos have been released for Churchill in Moscow at Orange Tree Theatre ahead of press night this evening. Check out the photos here!
Review: HANSEL AND GRETEL, Royal Ballet and Opera
by Gary Naylor - Dec 29, 2024
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
by Gary Naylor - Dec 29, 2024
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
Critics' Choice: Cheryl Markosky's Best Shows of 2024
by Cheryl Markosky - Dec 12, 2024
Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.
by Cheryl Markosky - Dec 12, 2024
Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.
Review: THE SNOWMAN, Peacock Theatre
by Alice Cope - Nov 25, 2024
Now in its 27th year in London, The Snowman returns to Sadler’s Wells Peacock Theatre, offering a festive treat for families.
by Alice Cope - Nov 25, 2024
Now in its 27th year in London, The Snowman returns to Sadler’s Wells Peacock Theatre, offering a festive treat for families.
Review: THE SOUND VOICE PROJECT, Royal Ballet and Opera
by Gary Naylor - Nov 15, 2024
Words run out, as The Voice is lost and recovered
by Gary Naylor - Nov 15, 2024
Words run out, as The Voice is lost and recovered
Review: RIGOLETTO, London Coliseum
by Franco Milazzo - Oct 31, 2024
There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival.
by Franco Milazzo - Oct 31, 2024
There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival.
Photos: CHICAGO UK and Ireland Tour
by Stephi Wild - Oct 29, 2024
All new production photos have been released for the UK and Ireland tour of the multi award-winning CHICAGO. Check out the photos here!
by Stephi Wild - Oct 29, 2024
All new production photos have been released for the UK and Ireland tour of the multi award-winning CHICAGO. Check out the photos here!
Review: THE WILD DUCK, Coronet Theatre
by Cheryl Markosky - Oct 24, 2024
The Coronet's co-production with the Norwegian Ibsen Company (NIC) and Bergen's Den Nationale Scene examines the dangers of idealism through the story of the Ekdal family ripped apart by the arrival of Hjalmar Ekdal's childhood friend, Gregers Werle (also the son of wealthy industrialist Hakon). Read the review.
by Cheryl Markosky - Oct 24, 2024
The Coronet's co-production with the Norwegian Ibsen Company (NIC) and Bergen's Den Nationale Scene examines the dangers of idealism through the story of the Ekdal family ripped apart by the arrival of Hjalmar Ekdal's childhood friend, Gregers Werle (also the son of wealthy industrialist Hakon). Read the review.
Videos