Tristram Kenton
Tristram Kenton is a theatre professional with credits tracked on BroadwayWorld.
Latest News on Tristram Kenton:
Photos
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
A scene from Churchill In Moscow by Howard Brenton @ Orange Tree Theatre. Directed by Tom Littler.
(Opening 11-02-2025)
©Tristram Kenton 02-25
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
02/11/2025
From: Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
-credittristramkenton.jpg?format=auto&width=600)
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from Anything Goes by Cole Porter @ Barbican Theatre. Directed and Choreographed by Kathleen Marshall.
(Opening 23-07-2021)
©Tristram Kenton 07-21
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Date:
06/20/2022
From: No te pierdas las imágenes de ANYTHING GOES en directo
A scene from As You Like It by William Shakespeare @ Shakespeare's Globe. Directed by Federay Holmes and Elle While.
(Opening 17-05-18)
©Tristram Kenton 05-18
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristram
Date:
05/17/2018
From: Photo Flash: First Look at AS YOU LIKE IT and HAMLET at Shakespeare's Globe
,mattkingsmith(mechanical),alanpagan(mechanical),georgefouracres(quince)anddavidganly(bottom).photo-tristramkenton.jpg?format=auto&width=600)
Rehearsal photographs showing A Midsummer Night's Dream @ Lyric Theatre, Hammersmith. Directed by Sean Holmes.
(Taken 28-03-18)
©Tristram Kenton 03-18
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.c
Date:
04/04/2018
From: Photo Flash: Inside Rehearsal for the UK Tour of A MIDSUMMER NIGHT'S DREAM
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.jpg?format=auto&width=600)
News
Photos: ENO's ANGEL'S BONE Begins Performances at the London Coliseum
by A.A. Cristi - Oct 16, 2026
Get a first look at English National Opera's Angel's Bone at the London Coliseum. The production, directed by Kip Williams and conducted by Baldur Brönniman, features Allison Cook, Rodney Earl Clarke, Mariam Wallentin and Matthew McKinney.
by A.A. Cristi - Oct 16, 2026
Get a first look at English National Opera's Angel's Bone at the London Coliseum. The production, directed by Kip Williams and conducted by Baldur Brönniman, features Allison Cook, Rodney Earl Clarke, Mariam Wallentin and Matthew McKinney.
Review: MANON, Royal Ballet & Opera
by Matthew Paluch - Oct 14, 2026
It's impressive to have the same work showing at two companies simultaneously, and such is the case for Kenneth MacMillan’s 1974 full-evening work Manon. The ballet is currently in season at the Paris Opera and also opened last night at the Royal Ballet and Opera. Leading the cast are Francesca Hayward and Marcelino Sambé as the doomed lovers Manon and Des Grieux.
by Matthew Paluch - Oct 14, 2026
It's impressive to have the same work showing at two companies simultaneously, and such is the case for Kenneth MacMillan’s 1974 full-evening work Manon. The ballet is currently in season at the Paris Opera and also opened last night at the Royal Ballet and Opera. Leading the cast are Francesca Hayward and Marcelino Sambé as the doomed lovers Manon and Des Grieux.
Review: A CENTENARY CELEBRATION, Royal Ballet & Opera
by Matthew Paluch - Oct 9, 2026
The Royal Ballet season opens on the main stage with a special programme: A Centenary Celebration. 100 years ago Ninette de Valois founded The Academy of Choreographic Art, and the rest is history. What followed was The Royal Ballet School and two companies. So sitting in the Royal Ballet and Opera in 2026 watching a performance that includes the RBS, Royal Ballet and Birmingham Royal Ballet is indeed an experience to behold.
by Matthew Paluch - Oct 9, 2026
The Royal Ballet season opens on the main stage with a special programme: A Centenary Celebration. 100 years ago Ninette de Valois founded The Academy of Choreographic Art, and the rest is history. What followed was The Royal Ballet School and two companies. So sitting in the Royal Ballet and Opera in 2026 watching a performance that includes the RBS, Royal Ballet and Birmingham Royal Ballet is indeed an experience to behold.
Guest Post: 'I Didn't Come From Opera, I Came From Everywhere Else': Artist Mariam Wallentin On Collaborative Storytelling In ENO's ANGEL'S BONE
by Guest Author - Oct 7, 2026
The Swedish cross-genre artist tells BroadwayWorld about working with Kip Williams, moving the production from Manchester's Aviva Studios to the London Coliseum, and the toll of performing Angel's Bone's darkest scenes.
by Guest Author - Oct 7, 2026
The Swedish cross-genre artist tells BroadwayWorld about working with Kip Williams, moving the production from Manchester's Aviva Studios to the London Coliseum, and the toll of performing Angel's Bone's darkest scenes.
Photos: ONCE UPON A TIME IN SOKOTO at Royal & Derngate
by A.A. Cristi - Oct 2, 2026
See production photos from Once Upon a Time in Sokoto, directed by Roy Alexander Weise and featuring Adeola Yemitan, Antonia Layiwola, Bayo Gbadamosi and Will Atiomo.
by A.A. Cristi - Oct 2, 2026
See production photos from Once Upon a Time in Sokoto, directed by Roy Alexander Weise and featuring Adeola Yemitan, Antonia Layiwola, Bayo Gbadamosi and Will Atiomo.
Photos: Beverley Knight, Naomi Katiyo, and More in SYLVIA UK Tour
by Stephi Wild - Sep 29, 2026
New production photos have been released for Sylvia as it begins its UK tour, which will culminate in five performances only at the Royal Albert Hall this November. Check out the photos here!
by Stephi Wild - Sep 29, 2026
New production photos have been released for Sylvia as it begins its UK tour, which will culminate in five performances only at the Royal Albert Hall this November. Check out the photos here!
Review: BLOODSPORT: AFTER HELEN OF TROY, Starring Michelle Dockery, Stratford East
by Cindy Marcolina - Sep 11, 2026
After discussing gossip and patriarchy with Anne Boleyn in 1536, Ava Pickett keeps exploring the female spheres through the figure of Helen of Troy in Bloodsport. The war is over, and Helen has returned home. She has been brought back home, to be specific. Her husband is ecstatic, but her former best friend and confidante, Cee, doesn’t take the news well. Pickett reframes the Trojan War, setting it in contemporary Essex, in a play that raises a multitude of intersectionally feminist questions.
by Cindy Marcolina - Sep 11, 2026
After discussing gossip and patriarchy with Anne Boleyn in 1536, Ava Pickett keeps exploring the female spheres through the figure of Helen of Troy in Bloodsport. The war is over, and Helen has returned home. She has been brought back home, to be specific. Her husband is ecstatic, but her former best friend and confidante, Cee, doesn’t take the news well. Pickett reframes the Trojan War, setting it in contemporary Essex, in a play that raises a multitude of intersectionally feminist questions.
Review: LOVE’S LABOUR’S LOST, Shakespeare’s Globe
by Debbie Gilpin - Jul 30, 2026
The flimsy theme holding together this year’s summer season at Shakespeare’s Globe is ‘1599 or 1939’, which has allowed them to stage a work by Brecht as well as several Shakespeare plays which are frequent flyers at this theatre complex. Fortunately it leaves room for something which hasn’t been produced for either stage since Michelle Terry’s inaugural season in 2018; this Love’s Labour’s Lost, however, finds itself in the outdoor Globe Theatre and with a distinctive Spanish flavour.
by Debbie Gilpin - Jul 30, 2026
The flimsy theme holding together this year’s summer season at Shakespeare’s Globe is ‘1599 or 1939’, which has allowed them to stage a work by Brecht as well as several Shakespeare plays which are frequent flyers at this theatre complex. Fortunately it leaves room for something which hasn’t been produced for either stage since Michelle Terry’s inaugural season in 2018; this Love’s Labour’s Lost, however, finds itself in the outdoor Globe Theatre and with a distinctive Spanish flavour.
Review: ARIADNE AUF NAXOS, Glyndebourne Festival
by Aliya Al-Hassan - Jul 20, 2026
Richard Strauss's opera within an opera, Ariadne aux Naxos, is a curious beast: a hybrid of spoken word and singing, a mix of musical influences and themes which ask whether high art can ever mix with popular entertainment. Two rival musical companies – a burlesque group and a serious opera company – must give their performances simultaneously at the request of the richest man in Vienna.
by Aliya Al-Hassan - Jul 20, 2026
Richard Strauss's opera within an opera, Ariadne aux Naxos, is a curious beast: a hybrid of spoken word and singing, a mix of musical influences and themes which ask whether high art can ever mix with popular entertainment. Two rival musical companies – a burlesque group and a serious opera company – must give their performances simultaneously at the request of the richest man in Vienna.
Review: LA FILLE DU REGIMENT, Royal Ballet And Opera
by Franco Milazzo - Jul 9, 2026
All's fair in love and war — at least until the hero storms in on a tank. With Tamsin Greig playing a hilarious cameo, Laurent Pelly's production of Donizetti's comic opera returns to Covent Garden for its fifth outing.
by Franco Milazzo - Jul 9, 2026
All's fair in love and war — at least until the hero storms in on a tank. With Tamsin Greig playing a hilarious cameo, Laurent Pelly's production of Donizetti's comic opera returns to Covent Garden for its fifth outing.
Review: I PURITANI, Royal Ballet And Opera
by Franco Milazzo - Jul 2, 2026
Thirty-four years is a long time to leave an opera in the attic, and I puritani has spent most of that period gathering dust for good reason. Bel canto — that Parisian tradition of vocal style over dramatic substance producing works that, to many, are all fur coat and no knickers — has never quite recovered its mass audience since the Sutherland-Callas generation retired, and Bellini's last opera, which substitutes plot for vocal spectacle with a candour that even its admirers find trying, is not the obvious place to start rebuilding one. That Richard Jones has now properly turned his attention to it for the first time in his long career suggests either a late conversion to the cause or, more plausibly, that he has simply run out of twentieth-century miseries to reframe as grand opera.
by Franco Milazzo - Jul 2, 2026
Thirty-four years is a long time to leave an opera in the attic, and I puritani has spent most of that period gathering dust for good reason. Bel canto — that Parisian tradition of vocal style over dramatic substance producing works that, to many, are all fur coat and no knickers — has never quite recovered its mass audience since the Sutherland-Callas generation retired, and Bellini's last opera, which substitutes plot for vocal spectacle with a candour that even its admirers find trying, is not the obvious place to start rebuilding one. That Richard Jones has now properly turned his attention to it for the first time in his long career suggests either a late conversion to the cause or, more plausibly, that he has simply run out of twentieth-century miseries to reframe as grand opera.
Review: BILLY BUDD, Glyndebourne
by Aliya Al-Hassan - Jun 29, 2026
It is 75 years since Benjamin Britten's Billy Budd first appeared on stage: a collaboration between himself and novelist EM Forster to adapt Herman Melville’s novella.
by Aliya Al-Hassan - Jun 29, 2026
It is 75 years since Benjamin Britten's Billy Budd first appeared on stage: a collaboration between himself and novelist EM Forster to adapt Herman Melville’s novella.
Interview: 'I'm Intrigued By John Watson': Actor Jyuddah Jaymes on Curiosity and Suspense in SHERLOCK HOLMES
by Kat Mokrynski - May 26, 2026
The game is afoot at Regent’s Park Open Air Theatre! Sherlock Holmes, written by Joel Horwood and directed by Sean Holmes, opened earlier this month, bringing with it a new interpretation of Sir Arthur Conan Doyle’s iconic characters of Sherlock [Joshua James] and his companion, Dr John Watson [Jyuddah Jaymes]. Recently, we had the chance to speak with Jaymes about taking on the role of Watson. We discussed how he first got started in the world of theatre, what it is like to be putting his own spin on such an iconic character and even what it’s like to perform in an outdoor theatre!
by Kat Mokrynski - May 26, 2026
The game is afoot at Regent’s Park Open Air Theatre! Sherlock Holmes, written by Joel Horwood and directed by Sean Holmes, opened earlier this month, bringing with it a new interpretation of Sir Arthur Conan Doyle’s iconic characters of Sherlock [Joshua James] and his companion, Dr John Watson [Jyuddah Jaymes]. Recently, we had the chance to speak with Jaymes about taking on the role of Watson. We discussed how he first got started in the world of theatre, what it is like to be putting his own spin on such an iconic character and even what it’s like to perform in an outdoor theatre!
Review: GENTLEMAN JACK, Sadler's Wells
by Franco Milazzo - May 21, 2026
At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations. That’s not to say they have a uniform quality - Rambert’s Peaky Blinders: The Redemption Of Thomas Shelby blew the roof off Sadler’s Wells while Birmingham Royal Ballet’s tribute to Black Sabbath was an unholy mess. No, the main qualm is that it all smacks of hopping onto a passing bandwagon and hoping fervent fans of the source material fill the stalls.
by Franco Milazzo - May 21, 2026
At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations. That’s not to say they have a uniform quality - Rambert’s Peaky Blinders: The Redemption Of Thomas Shelby blew the roof off Sadler’s Wells while Birmingham Royal Ballet’s tribute to Black Sabbath was an unholy mess. No, the main qualm is that it all smacks of hopping onto a passing bandwagon and hoping fervent fans of the source material fill the stalls.
Review: SHERLOCK HOLMES, Regent's Park Open Air Theatre
by Gary Naylor - May 14, 2026
Something for everyone in Joshua James's tremendous turn as the great detective
by Gary Naylor - May 14, 2026
Something for everyone in Joshua James's tremendous turn as the great detective
Photos: English National Opera’s ANGEL’S BONE In Rehearsal
by A.A. Cristi - Apr 24, 2026
English National Opera will present Du Yun’s Pulitzer Prize-winning opera Angel’s Bone in a new production directed by Kip Williams, with performances scheduled at Aviva Studios in Manchester. See photos from inside rehearsal.
by A.A. Cristi - Apr 24, 2026
English National Opera will present Du Yun’s Pulitzer Prize-winning opera Angel’s Bone in a new production directed by Kip Williams, with performances scheduled at Aviva Studios in Manchester. See photos from inside rehearsal.
Photos: Inside Rehearsals for English National Opera's ANGEL’S BONE
by Chloe Rabinowitz - Apr 24, 2026
English National Opera (ENO) will present Du Yun’s Pulitzer Prize-winning opera Angel’s Bone at the London Coliseum in October, following its UK premiere in Greater Manchester in May. See rehearsal photos here!
by Chloe Rabinowitz - Apr 24, 2026
English National Opera (ENO) will present Du Yun’s Pulitzer Prize-winning opera Angel’s Bone at the London Coliseum in October, following its UK premiere in Greater Manchester in May. See rehearsal photos here!
Photos: SHERLOCK HOLMES in Rehearsal at Regent's Park Open Air Theatre
by Stephi Wild - Apr 15, 2026
Regent’s Park Open Air Theatre has released all new rehearsal photos for the world premiere of Sherlock Holmes, a new mystery by Joel Horwood. Check out the photos here!
by Stephi Wild - Apr 15, 2026
Regent’s Park Open Air Theatre has released all new rehearsal photos for the world premiere of Sherlock Holmes, a new mystery by Joel Horwood. Check out the photos here!
Review: MAYERLING, Royal Ballet And Opera
by Matthew Paluch - Mar 31, 2026
Mayerling is an experience - let no one tell you otherwise. Kenneth MacMillan’s 1978 ballet delves into the true story of the 19th century Austro-Hungarian court, and specifically the experience of the heir apparent; Crown Prince Rudolf.
by Matthew Paluch - Mar 31, 2026
Mayerling is an experience - let no one tell you otherwise. Kenneth MacMillan’s 1978 ballet delves into the true story of the 19th century Austro-Hungarian court, and specifically the experience of the heir apparent; Crown Prince Rudolf.
Photos: First Look At Northern Ballet's GENTLEMAN JACK; THE EXTRAORDINARY STORY OF ANNE LISTER
by Gillian Blum - Mar 7, 2026
Check out production photos from the world premiere of Northern Ballet’s new full-length ballet — Gentleman Jack — which is set to captivate audiences as part of a nationwide tour.
by Gillian Blum - Mar 7, 2026
Check out production photos from the world premiere of Northern Ballet’s new full-length ballet — Gentleman Jack — which is set to captivate audiences as part of a nationwide tour.
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