Review: COMMENÇONS PAR FAIRE L'AMOUR at Grand Théâtre
by David Sousa Lopes - December 09, 2025
Last week at the Grand Théâtre of Luxembourg, Laura Bachman’s new creation Commençons par faire l’amour premiered as an intimate, yet universal meditation on love, memory, and gender.
by David Sousa Lopes - December 09, 2025
Last week at the Grand Théâtre of Luxembourg, Laura Bachman’s new creation Commençons par faire l’amour premiered as an intimate, yet universal meditation on love, memory, and gender.
Review: ORLANDO at Grand Théâtre
by David Sousa Lopes - November 21, 2025
Last week, BroadwayWorld had the pleasure of attending Händel’s Orlando at the Grand Théâtre de Luxembourg, where this remarkable ensemble delivered a visually imaginative and emotionally grounded interpretation of the Baroque classic.
by David Sousa Lopes - November 21, 2025
Last week, BroadwayWorld had the pleasure of attending Händel’s Orlando at the Grand Théâtre de Luxembourg, where this remarkable ensemble delivered a visually imaginative and emotionally grounded interpretation of the Baroque classic.
Review: DEADLINE at Grand Théâtre
by David Sousa Lopes - November 17, 2025
This week’s presentation of Deadline at the Grand Théâtre offered a striking encounter of sound, movement and visual tone. Through its bold atmospheric design and compelling choreographic language, the piece set a distinct mood from the outset and held it with clarity and force.
by David Sousa Lopes - November 17, 2025
This week’s presentation of Deadline at the Grand Théâtre offered a striking encounter of sound, movement and visual tone. Through its bold atmospheric design and compelling choreographic language, the piece set a distinct mood from the outset and held it with clarity and force.
Review: IDOMENEO, RE DI CRETA at Grand Théâtre
by David Sousa Lopes - October 22, 2025
Last week, the Grand Théâtre of Luxembourg welcomed Idomeneo, re di Creta, Mozart’s grand opera seria, in a production by the Grand Théâtre de Genève, in collaboration with the Philharmonic of Luxembourg.
by David Sousa Lopes - October 22, 2025
Last week, the Grand Théâtre of Luxembourg welcomed Idomeneo, re di Creta, Mozart’s grand opera seria, in a production by the Grand Théâtre de Genève, in collaboration with the Philharmonic of Luxembourg.
Review: MAMMA MIA! at Rockhal
by David Sousa Lopes - March 10, 2025
Last week, Broadway World attended the world-renowned musical Mamma Mia! at Luxembourg’s Rockhal. The show was so close to selling out when ticket sales opened that extra performances had to be added to accommodate the eager audience. As expected, for two and a half hours, we were delighted by some of the greatest hits of a generation, woven together to tell the well-known story of Donna, Sophie, and her three fathers. Let’s take a look at some of the highlights:
by David Sousa Lopes - March 10, 2025
Last week, Broadway World attended the world-renowned musical Mamma Mia! at Luxembourg’s Rockhal. The show was so close to selling out when ticket sales opened that extra performances had to be added to accommodate the eager audience. As expected, for two and a half hours, we were delighted by some of the greatest hits of a generation, woven together to tell the well-known story of Donna, Sophie, and her three fathers. Let’s take a look at some of the highlights:
Une Brève Histoire de Broadway
by Sidney Paterra - February 28, 2025
Vous voulez impressionner vos amis passionnés de théâtre, mais il vous manque quelques connaissances pour suivre la conversation ? BroadwayWorld est là pour vous aider à rattraper votre retard avec un bref aperçu de l’histoire du théâtre Broadway (ou theatre), de l’histoire de Broadway (la rue) et bien plus encore !
by Sidney Paterra - February 28, 2025
Vous voulez impressionner vos amis passionnés de théâtre, mais il vous manque quelques connaissances pour suivre la conversation ? BroadwayWorld est là pour vous aider à rattraper votre retard avec un bref aperçu de l’histoire du théâtre Broadway (ou theatre), de l’histoire de Broadway (la rue) et bien plus encore !
Les 15 Meilleures Villes du Monde Pour Voir du Théâtre
by Sidney Paterra - February 27, 2025
Prêt pour des vacances et envie d'intégrer des sorties au théâtre à votre itinéraire ? Vous avez de la chance, car le monde entier est une scène… littéralement ! BroadwayWorld a rassemblé une liste des quinze meilleures villes du monde pour voir du théâtre.
by Sidney Paterra - February 27, 2025
Prêt pour des vacances et envie d'intégrer des sorties au théâtre à votre itinéraire ? Vous avez de la chance, car le monde entier est une scène… littéralement ! BroadwayWorld a rassemblé une liste des quinze meilleures villes du monde pour voir du théâtre.
Wie Man an Einer Broadway-Lotterie Teilnimmt
by Sidney Paterra - February 04, 2025
Sowohl Touristen als auch Einheimische sind immer auf der Suche nach günstigen Broadway-Tickets! Während einige bereit sind, den vollen Preis im Voraus zu zahlen, haben andere clevere Wege gefunden, um Last-Minute-Broadway-Tickets zu ergattern – darunter die Teilnahme an Broadway-Lotterien.
by Sidney Paterra - February 04, 2025
Sowohl Touristen als auch Einheimische sind immer auf der Suche nach günstigen Broadway-Tickets! Während einige bereit sind, den vollen Preis im Voraus zu zahlen, haben andere clevere Wege gefunden, um Last-Minute-Broadway-Tickets zu ergattern – darunter die Teilnahme an Broadway-Lotterien.
Review: NEIGE at Grand Théâtre
by David Sousa Lopes - December 23, 2024
As the year drew to a close, Broadway World selected Pauline Bureau’s play Neige to cap off 2024. Premiering on December 17th at the Grand Théâtre of Luxembourg, this heartwarming reimagining of Snow White proved to be a fitting finale.
by David Sousa Lopes - December 23, 2024
As the year drew to a close, Broadway World selected Pauline Bureau’s play Neige to cap off 2024. Premiering on December 17th at the Grand Théâtre of Luxembourg, this heartwarming reimagining of Snow White proved to be a fitting finale.
Review: COSÌ FAN TUTTE at Grand Théâtre
by David Sousa Lopes - December 11, 2024
Last week, Broadway World treated itself to Mozart’s famous opera Così fan tutte. Once again, the Grand Théâtre proved to its audience the extent of its versatility, bringing an international cast to performe this timeless masterpiece, only a couple of weeks after presenting a local dance production.
by David Sousa Lopes - December 11, 2024
Last week, Broadway World treated itself to Mozart’s famous opera Così fan tutte. Once again, the Grand Théâtre proved to its audience the extent of its versatility, bringing an international cast to performe this timeless masterpiece, only a couple of weeks after presenting a local dance production.
Review: IN THE BUSHES at Grand Théâtre
by David Sousa Lopes - November 29, 2024
This weekend, we had the pleasure of covering In the Bushes, a dance performance directed by Léa Tirabasso, one of Luxembourg's most prominent artistic figures.
by David Sousa Lopes - November 29, 2024
This weekend, we had the pleasure of covering In the Bushes, a dance performance directed by Léa Tirabasso, one of Luxembourg's most prominent artistic figures.
Review: THE SOUND OF MUSIC at Kinneksbond
by David Sousa Lopes - November 12, 2024
The past few weeks have truly been remarkable. After Les Misérables and The Peaky Blinders, one might wonder how this small country could surprise us further. Well, it seems a local production of The Sound of Music has done just that.
by David Sousa Lopes - November 12, 2024
The past few weeks have truly been remarkable. After Les Misérables and The Peaky Blinders, one might wonder how this small country could surprise us further. Well, it seems a local production of The Sound of Music has done just that.
Review: RAMBERT DANCE: PEAKY BLINDERS at Grand Théâtre
by David Sousa Lopes - November 09, 2024
This week, we had the privileged of attending Rambert’s formidable show Peaky Blinders: The Redemption of Thomas Shelby. This was clearly one of the most anticipated shows of the season.
by David Sousa Lopes - November 09, 2024
This week, we had the privileged of attending Rambert’s formidable show Peaky Blinders: The Redemption of Thomas Shelby. This was clearly one of the most anticipated shows of the season.
Review: LES MISÉRABLES at Rockhal
by David Sousa Lopes - October 28, 2024
The weekend of Les Misérables. For those truly passionate about musicals, the Rockhal has just hosted one of the artistic highlights of the season: the World Tour of what is arguably one of the most famous shows of all time.
by David Sousa Lopes - October 28, 2024
The weekend of Les Misérables. For those truly passionate about musicals, the Rockhal has just hosted one of the artistic highlights of the season: the World Tour of what is arguably one of the most famous shows of all time.
Review: BÉRÉNICE at Grand Théâtre
by David Sousa Lopes - October 27, 2024
Last week, we had the pleasure of attending Romeo Castellucci’s Bérénice, a show based on the 17th century play by Jean Racine. Our leading actress was the great Isabelle Huppert, around whom an amazing constellation of artists delivered a unique retelling of this timeless tale.
by David Sousa Lopes - October 27, 2024
Last week, we had the pleasure of attending Romeo Castellucci’s Bérénice, a show based on the 17th century play by Jean Racine. Our leading actress was the great Isabelle Huppert, around whom an amazing constellation of artists delivered a unique retelling of this timeless tale.
Review: LONE WOLF at Grand Théâtre
by David Sousa Lopes - October 16, 2024
To kick off the 2024-25 season, we had the pleasure of covering Lone Wolf, performed at our esteemed Grand Théâtre. This creative show, crafted by Anne Simon and Isaac Bush, dives deep into the consequences of herd mentality and the impact it can have on both societies and individuals. The use of gibberish as the main mechanism of communication displayed just how universal these scenarios can be. With just a few performers and a handful of props, the play managed to reflect on three main angles of groupthink and peer pressure:
by David Sousa Lopes - October 16, 2024
To kick off the 2024-25 season, we had the pleasure of covering Lone Wolf, performed at our esteemed Grand Théâtre. This creative show, crafted by Anne Simon and Isaac Bush, dives deep into the consequences of herd mentality and the impact it can have on both societies and individuals. The use of gibberish as the main mechanism of communication displayed just how universal these scenarios can be. With just a few performers and a handful of props, the play managed to reflect on three main angles of groupthink and peer pressure:
Review: COCK at Théâtre Des Capucins
by David Sousa Lopes - May 25, 2024
For our last review of the 2023-24 season, we attended the play Cock at the Théâtre des Capucins, produced by our esteemed Théâtres de la Ville and directed by Anne Simon.
by David Sousa Lopes - May 25, 2024
For our last review of the 2023-24 season, we attended the play Cock at the Théâtre des Capucins, produced by our esteemed Théâtres de la Ville and directed by Anne Simon.
Review: WHO IS AFRAID OF VIRGINIA WOOLF? at Grand Théâtre
by David Sousa Lopes - May 21, 2024
The play focuses on four characters, as they meet for drinks after a university faculty party. Martha (Anna Steffens) and George (Luc Feit) are a dysfunctional and bitter middle-aged couple. At Martha’s suggestion, Nick (Benjamin Kaygun) and Honey (Jil Devresse) are invited over after the academic event for what could have been a friendly get-together.
by David Sousa Lopes - May 21, 2024
The play focuses on four characters, as they meet for drinks after a university faculty party. Martha (Anna Steffens) and George (Luc Feit) are a dysfunctional and bitter middle-aged couple. At Martha’s suggestion, Nick (Benjamin Kaygun) and Honey (Jil Devresse) are invited over after the academic event for what could have been a friendly get-together.
Review: DAVID ET JONATHAS at Grand Théâtre
by David Sousa Lopes - May 01, 2024
At the helm of a formidable cast of actors and musicians, Bellorini and his company crafted a memorable show with a uniquely layered narrative, that surely touched the hearts and minds of everyone in the audience.
by David Sousa Lopes - May 01, 2024
At the helm of a formidable cast of actors and musicians, Bellorini and his company crafted a memorable show with a uniquely layered narrative, that surely touched the hearts and minds of everyone in the audience.
Review: ANATEVKA at Grand Théâtre
by David Sousa Lopes - March 05, 2024
Last week, we had the pleasure of attending Joseph Stein’s timeless classic Fiddler on the Roof, courtesy of our esteemed Grand Théâtre
by David Sousa Lopes - March 05, 2024
Last week, we had the pleasure of attending Joseph Stein’s timeless classic Fiddler on the Roof, courtesy of our esteemed Grand Théâtre
Review: ORPHEE ET EURYDICE at Grand Théâtre
by David Sousa Lopes - February 11, 2024
In this timeless tale of love and tragedy, the hero Orpheus (Marie-Claude Chappuis) ventures to the depths of the underworld to retrieve his deceased wife, Eurydice (Mirella Hagen), only to discover that even when working under the grace of gods, fate can be very hard to overcome.
by David Sousa Lopes - February 11, 2024
In this timeless tale of love and tragedy, the hero Orpheus (Marie-Claude Chappuis) ventures to the depths of the underworld to retrieve his deceased wife, Eurydice (Mirella Hagen), only to discover that even when working under the grace of gods, fate can be very hard to overcome.
Review: LOVE TO DEATH at Grand Théâtre
by David Sousa Lopes - February 05, 2024
Last Friday, we attended the premiere of Lemi Ponifasio’s Love to Death, the anticipated third instalment of the Red Bridge Project. The show seeks to break our standard understanding of theatre, with a healthy and creative symbiosis between traditional dramatic elements and bits and pieces of the real world.
by David Sousa Lopes - February 05, 2024
Last Friday, we attended the premiere of Lemi Ponifasio’s Love to Death, the anticipated third instalment of the Red Bridge Project. The show seeks to break our standard understanding of theatre, with a healthy and creative symbiosis between traditional dramatic elements and bits and pieces of the real world.
Review: DANSE MACABRE at Grand Théâtre
by David Sousa Lopes - February 01, 2024
Just a few days after Message in a Bottle, Broadway World had the pleasure of attending the premiere of Danse Macabre. The two shows take radically different approaches to the same topic, perfectly displaying two possible dichotomies of storytelling.
by David Sousa Lopes - February 01, 2024
Just a few days after Message in a Bottle, Broadway World had the pleasure of attending the premiere of Danse Macabre. The two shows take radically different approaches to the same topic, perfectly displaying two possible dichotomies of storytelling.
Review: MESSAGE IN A BOTTLE at Grand Théâtre
by David Sousa Lopes - January 29, 2024
To start off 2024, we attended the premiere of Message in a Bottle, a Sadler’s Wells and Universal Music UK production, choreographed and directed by Kate Prince. The show tells us the story of a family pushed out of its homeland by the horrors of war and forced to migrate across the sea towards safety.
by David Sousa Lopes - January 29, 2024
To start off 2024, we attended the premiere of Message in a Bottle, a Sadler’s Wells and Universal Music UK production, choreographed and directed by Kate Prince. The show tells us the story of a family pushed out of its homeland by the horrors of war and forced to migrate across the sea towards safety.
Review: ALMA at Théâtre Des Capucins
by David Sousa Lopes - November 18, 2023
What would do if you were given one wish by the devil? And even if your wish was vain, could you truly make the best of your new life?
by David Sousa Lopes - November 18, 2023
What would do if you were given one wish by the devil? And even if your wish was vain, could you truly make the best of your new life?
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