Review: AGE OF CONTENT at Grand Théâtre
In this vivid piece, the company explores the condition of young life in the age of social media, where individuality is constantly performed, consumed, imitated, and discarded.
The latest reviews and critic recommendations from Luxembourg.
In this vivid piece, the company explores the condition of young life in the age of social media, where individuality is constantly performed, consumed, imitated, and discarded.
Verdi’s Nabucco arrived at the Grand Théâtre of Luxembourg in a production that combined vocal force, visual ambition and a striking sense of immersion
Last week, the Grand Théâtre de Luxembourg hosted Söhne, a contemporary theatrical work that sets out to explore identity, belonging, and the fractures of modern masculinity.
At the Grand Théâtre last weekend, Elizabeth Costello.
This week, for our 100th review in Luxembourg, we decided to check out Puccini’s La Bohème at the Grand Théâtre
What did our critic think of BALLET FLAMENCO DE ANDALUCIA at Grand Théâtre?
Last week, we had the pleasure of attending Ballet BC’s three-part performance at the Grand Théâtre of Luxembourg.
There are shows that invite the audience to watch, and others where you cannot help but participate.
Last week at the Grand Théâtre of Luxembourg, Laura Bachman’s new creation Commençons par faire l’amour premiered as an intimate, yet universal meditation on love, memory, and gender.
Last week, BroadwayWorld had the pleasure of attending Händel’s Orlando at the Grand Théâtre de Luxembourg, where this remarkable ensemble delivered a visually imaginative and emotionally grounded interpretation of the Baroque classic.
This week’s presentation of Deadline at the Grand Théâtre offered a striking encounter of sound, movement and visual tone.
Last week, the Grand Théâtre of Luxembourg welcomed Idomeneo, re di Creta, Mozart’s grand opera seria, in a production by the Grand Théâtre de Genève, in collaboration with the Philharmonic of Luxembourg.
Last week, Broadway World attended the world-renowned musical Mamma Mia! at Luxembourg’s Rockhal.
As the year drew to a close, Broadway World selected Pauline Bureau’s play Neige to cap off 2024.
Last week, Broadway World treated itself to Mozart’s famous opera Così fan tutte.
This weekend, we had the pleasure of covering In the Bushes, a dance performance directed by Léa Tirabasso, one of Luxembourg's most prominent artistic figures.
The past few weeks have truly been remarkable.
This week, we had the privileged of attending Rambert’s formidable show Peaky Blinders: The Redemption of Thomas Shelby.
The weekend of Les Misérables.
Last week, we had the pleasure of attending Romeo Castellucci’s Bérénice, a show based on the 17th century play by Jean Racine.
To kick off the 2024-25 season, we had the pleasure of covering Lone Wolf, performed at our esteemed Grand Théâtre.
For our last review of the 2023-24 season, we attended the play Cock at the Théâtre des Capucins, produced by our esteemed Théâtres de la Ville and directed by Anne Simon.
The play focuses on four characters, as they meet for drinks after a university faculty party.
At the helm of a formidable cast of actors and musicians, Bellorini and his company crafted a memorable show with a uniquely layered narrative, that surely touched the hearts and minds of everyone in the audience.