BWW Review: TELEGRAMS FROM THE NOSE at Grand Théâtre
by David Sousa Lopes - November 16, 2020
A bold and irreverent composition of styles, formats and topics of reflection.
by David Sousa Lopes - November 16, 2020
A bold and irreverent composition of styles, formats and topics of reflection.
BWW Review: SOPRO at Grand Théâtre
by David Sousa Lopes - November 02, 2020
Last week we had the pleasure of seeing Sopro, a show that might very well have been the most interesting we have covered in 2020.
by David Sousa Lopes - November 02, 2020
Last week we had the pleasure of seeing Sopro, a show that might very well have been the most interesting we have covered in 2020.
BWW Review: HEDDA GABLER at Grand Théatre
by David Sousa Lopes - October 19, 2020
Our first play of the season was Ibsen’s Hedda Gabler, the realist masterpiece which gave us one of the most psychologically complex characters of the late 19th century.
by David Sousa Lopes - October 19, 2020
Our first play of the season was Ibsen’s Hedda Gabler, the realist masterpiece which gave us one of the most psychologically complex characters of the late 19th century.
BWW Review: IVANOV at Grand Théâtre
by David Sousa Lopes - March 08, 2020
This week we had the pleasure of covering Anton Chekhov's Ivanov. This timeless classic was directed by Myriam Muller and presented at the Grand Théâtre for four consecutive nights.
by David Sousa Lopes - March 08, 2020
This week we had the pleasure of covering Anton Chekhov's Ivanov. This timeless classic was directed by Myriam Muller and presented at the Grand Théâtre for four consecutive nights.
BWW Review: TRAPTOWN at Grand Théâtre
by David Sousa Lopes - February 11, 2020
The show we are covering this week is Wim Vandekeybus's TrapTown, a thought-provoking performance composed by multiple artistic elements, brought together on stage to narrate a singular epic tale.
by David Sousa Lopes - February 11, 2020
The show we are covering this week is Wim Vandekeybus's TrapTown, a thought-provoking performance composed by multiple artistic elements, brought together on stage to narrate a singular epic tale.
BWW Review: ARCTIQUE at Grand Théâtre
by David Sousa Lopes - January 31, 2020
Alone in a dark vessel with a somber past, six strangers begin to put together the real reason that joined their fates, as they fight for survival in the freezing waters of the North.
by David Sousa Lopes - January 31, 2020
Alone in a dark vessel with a somber past, six strangers begin to put together the real reason that joined their fates, as they fight for survival in the freezing waters of the North.
BWW Review: SESSIONS at Grand Théâtre
by David Sousa Lopes - January 26, 2020
Session, the curious artistic experiment presented this week at the Grand Théâtre by choreographers Colin Dunne and Sidi Larbi Cherkaoui.
by David Sousa Lopes - January 26, 2020
Session, the curious artistic experiment presented this week at the Grand Théâtre by choreographers Colin Dunne and Sidi Larbi Cherkaoui.
BWW Review: UN ENNEMI DU PEUPLE at Grand Théâtre
by David Sousa Lopes - January 19, 2020
Henrik Ibsen might have written it in the late 19th century, but it remains just as relevant today.
by David Sousa Lopes - January 19, 2020
Henrik Ibsen might have written it in the late 19th century, but it remains just as relevant today.
BWW Review: THE STRANGE TALE OF CHARLIE CHAPLIN AND STAN LAUREL at Théâtre Des Capucins
by David Sousa Lopes - January 11, 2020
You thought you knew more or less what to expect but, somehow, the entire show turned out to be a very refreshing surprise. Two days ago, the Théâtre des Capucins opened its doors to The Strange Tale of Charlie Chaplin and Stan Laurel, a Told by an Idiot production, written and directed by Paul Hunter.
by David Sousa Lopes - January 11, 2020
You thought you knew more or less what to expect but, somehow, the entire show turned out to be a very refreshing surprise. Two days ago, the Théâtre des Capucins opened its doors to The Strange Tale of Charlie Chaplin and Stan Laurel, a Told by an Idiot production, written and directed by Paul Hunter.
BWW Review: CABARET at Grand Théâtre
by David Sousa Lopes - January 08, 2020
We would be going against Broadway World's nature, if we were to suggest that we don't have a soft spot for musical theatre. So you know we just couldn't miss this production of Cabaret.
by David Sousa Lopes - January 08, 2020
We would be going against Broadway World's nature, if we were to suggest that we don't have a soft spot for musical theatre. So you know we just couldn't miss this production of Cabaret.
BWW Review: RUY BLAS at Grand Théâtre
by David Sousa Lopes - December 13, 2019
When the Grand Théâtre announced Yves Beaunesne's adaptation of Ruy Blas, we simply could not miss it. Despite our extremely tight schedule these last months, there are things for which you simply have to make time.
by David Sousa Lopes - December 13, 2019
When the Grand Théâtre announced Yves Beaunesne's adaptation of Ruy Blas, we simply could not miss it. Despite our extremely tight schedule these last months, there are things for which you simply have to make time.
BWW Review: DEALING WITH CLAIR at Théâtre Des Capucins
by David Sousa Lopes - December 04, 2019
We sure have missed covering theatre plays in English. Last Thursday, the Théâtre des Capucins opened its doors to Dealing with Clair, a play by British playwright Martin Crimp, which touches upon multiple social dynamics of 1980s London.
by David Sousa Lopes - December 04, 2019
We sure have missed covering theatre plays in English. Last Thursday, the Théâtre des Capucins opened its doors to Dealing with Clair, a play by British playwright Martin Crimp, which touches upon multiple social dynamics of 1980s London.
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