LUXEMBOURG THEATRE NEWSROOM - Page 2

The play focuses on four characters, as they meet for drinks after a university faculty party.

At the helm of a formidable cast of actors and musicians, Bellorini and his company crafted a memorable show with a uniquely layered narrative, that surely touched the hearts and minds of everyone in the audience.

Last week, we had the pleasure of attending Joseph Stein’s timeless classic Fiddler on the Roof, courtesy of our esteemed Grand Théâtre

In this timeless tale of love and tragedy, the hero Orpheus (Marie-Claude Chappuis) ventures to the depths of the underworld to retrieve his deceased wife, Eurydice (Mirella Hagen), only to discover that even when working under the grace of gods, fate can be very hard to overcome.

Last Friday, we attended the premiere of Lemi Ponifasio’s Love to Death, the anticipated third instalment of the Red Bridge Project.

Just a few days after Message in a Bottle, Broadway World had the pleasure of attending the premiere of Danse Macabre.

To start off 2024, we attended the premiere of Message in a Bottle, a Sadler’s Wells and Universal Music UK production, choreographed and directed by Kate Prince.

What would do if you were given one wish by the devil? And even if your wish was vain, could you truly make the best of your new life?

There were so many interesting elements, that the reader will surely allow us to break from our usual three-medal article, in order to included every reason why you should be watching this show.

For our first show of the season, Broadway World attended the premiere of MacBeth, hosted by our esteemed Grand Théâtre of Luxembourg.

This weekend, Broadway World attended the premiere of The Writer, hosted by the Théâtre des Capucins.

We sat with Alice Borgers, who played Camille in last week’s On Ne Badine pas Avec l'Amour.

This week, Broadway World attended the premiere of Alfred de Musset’s classic On Ne Badine pas Avec l’Amour at the Grand Théâtre of Luxembourg.

This week, Broadway World had the pleasure of attending Songes d'une Nuit.

This week we had the pleasure of attending Patricia Guerrero’s Deliranza, an ambitious dance production with an innovative take on flamenco, built on a combination of the classic Spanish art style and a surreal narrative tone.

What better way to start 2023 than with a visit to our esteemed Grand Théâtre of Luxembourg? The play that got the year started for us was FC Bergman’s 300 el x 50 el x 30 el.

This week, the Grand Théâtre of Luxembourg presented us with with Botis Seva’s BLKGOD, a remarkable dance performance reflecting on the ugly nature of modern social relations, on the burdens of self-awareness and on youth’s constant treading on the slopes of self-destruction.

Following up on our last review, this weekend we had the pleasure of attending Eternal Road, a performance about the life and career of Kurt Weill.

This week, it was our pleasure to attend the premiere of Kurt Weill’s Rise and Fall of the City of Mahagonny at our esteemed Grand Théâtre of Luxembourg.

What did our critic think of PINA BAUSCH at Grand Théâtre? We kick off our 2022/23 season with the performance The Play with the Boat, by the widely acclaimed Tanztheater Wuppertal Pina Bausch.

The show we covered this week was the Life & Times of Michael K, a play based on the novel of the same name by J.

This might have been the event of the season, so we will allow ourselves to break tradition from our usual format and simply list the elements that made this show so great.

Last week, Broadway World had the chance to attend the last performance of Der Zauberberg, the theater adaptation of Thomas Mann’s most acclaimed work.

An unexpected tapestry of art in many of its forms - dance, music, film and poetry - a unique composition of movement, sound and spoken word.

This weekend, Broadway World had the pleasure of attending the premiere of Bizet’s Carmen at the Grand Théâtre of Luxembourg.