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Cincinnati Theater Reviews

The latest reviews and critic recommendations from Cincinnati.

Our Cincinnati Critics

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Review: THE LION KING at the Aronoff Center

Review: THE LION KING at the Aronoff Center

by Ana-Brit Asplen — June 13, 2026

This grand and heartwarming spectacle is not only a fantastic stage musical appealing to all ages, but it also provides reminders about the dangers of tyranny and dictatorship, as well as the need for creativity and diversity in theatre.

Review: GREASE at The Carnegie

Review: GREASE at The Carnegie

by Ana-Brit Asplen — August 29, 2025

The catchy doo-wop and early rock n’ roll style of music alongside the fashion and other paraphernalia of the the 1950s give a nostalgic feeling for this classic show, but this production of Grease still has a necessary edge to make this show successful.

Review: ALWAYS... PATSY CLINE at The Carnegie

Review: ALWAYS... PATSY CLINE at The Carnegie

by Ana-Brit Asplen — July 29, 2025

With outstanding performances by the two actresses, stunningly creative design choices fitting of the time and setting, and a superb live band to provide an authentic twang sound, The Carnegie adds another hit to their roster.

Review: & JULIET at the Aronoff Center

Review: & JULIET at the Aronoff Center

by Ana-Brit Asplen — April 10, 2025

The first national Broadway tour of & Juliet exemplifies an unmatched energy that keeps its audiences invested, rivaling the NYC Broadway company in quality.

Review: SEUSSICAL at The Carnegie

Review: SEUSSICAL at The Carnegie

by Ana-Brit Asplen — February 6, 2025

The Carnegie and CCM bring together an exceptional cast and creative team to demonstrate a unique interpretation of Seussical, focusing heavily on the importance of imagination, storytelling, and unconventional thinking.

Review: HOW THE GRINCH STOLE CHRISTMAS at the Aronoff Center

Review: HOW THE GRINCH STOLE CHRISTMAS at the Aronoff Center

by Ana-Brit Asplen — December 13, 2024

With its spectacular design elements and a talented, lively cast, How the Grinch Stole Christmas is a great outing for any family looking to celebrate some holiday spirit, or really anyone who appreciates the classic story by Dr.

Review: MAMMA MIA! at the Aronoff Center

Review: MAMMA MIA! at the Aronoff Center

by Ana-Brit Asplen — September 9, 2024

Mamma Mia! is an absolute blast of a musical when it’s done right, and the current North American touring production goes above and beyond.

Review: TICK, TICK… BOOM! at The Carnegie

Review: TICK, TICK… BOOM! at The Carnegie

by Ana-Brit Asplen — July 21, 2024

From the point of the titular ticking noise haunting the theatre at the beginning of the show, The Carnegie’s production of Tick, Tick… Boom! captivates the audience and lets them live vicariously through the characters’ joy, heartache, distress, and growth all in the span of 100 minutes.

Review: THE ROCKY HORROR SHOW at The Carnegie

Review: THE ROCKY HORROR SHOW at The Carnegie

by Ana-Brit Asplen — June 30, 2024

The anticipation of The Carnegie’s production of The Rocky Horror Show has paid off with its exciting cast, creative designs, and taboo energy.

Review: CLUE at the Aronoff Center

Review: CLUE at the Aronoff Center

by Ana-Brit Asplen — May 15, 2024

Though the script is very similar to the 1985 movie of the same name and features many of the same iconic lines and story elements, this adaptation of Clue is successful in its own right.

Review: SIX at the Aronoff Center

Review: SIX at the Aronoff Center

by Ana-Brit Asplen — April 24, 2024

The energy was high on opening night as the sold-out crowd cheered loudly from the house from the very first beat and light shift.

Review: THE BOOK OF MORMON at the Aronoff Center

Review: THE BOOK OF MORMON at the Aronoff Center

by Ana-Brit Asplen — February 21, 2024

Whether or not this is the first production someone has seen of The Book of Mormon, the talent holds up as the actors fully embrace their roles, while the remaining elements still perfectly fit the show's intent as it spreads its messages all over the country.

Review: HELLO, DOLLY! at The Carnegie

Review: HELLO, DOLLY! at The Carnegie

by Ana-Brit Asplen — February 3, 2024

With the combination of great direction by Joe Bertucci and an excellent execution by the rest of the team, The Carnegie’s production of Hello, Dolly! is a fantastic example of how a Golden Age musical should be presented through a local company.

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