Amir ElSaffar's Two Rivers Ensemble Plays “Jazz Club” At The Soraya, 4/26

The Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) continues its intimate "Jazz Club" performances with jazz trumpeter Amir ElSaffar and his Two Rivers Ensemble on Thursday, April 26 at 8:00pm. ElSaffar was born to an American mother and an Iraqi father. After studying classical music in the U.S. and Iraqi maqam music in Baghdad, he forged his own path by mixing ornaments and microtones from Arab music with melodies and harmonies from the West. His unique fusion has won him accolades from DownBeat magazine and rowdy ovations at the Newport Jazz Festival.

Amir ElSaffar has been described as "uniquely poised to reconcile jazz and Arabic music," (the Wire) and "one of the most promising figures in jazz today" (Chicago Tribune). A recipient of the Doris Duke Performing Artist Award and a 2018 US Artist Fellow, ElSaffar is an expert trumpeter with a classical background, conversant not only in the language of contemporary jazz, but has created techniques to play microtones and ornaments idiomatic to Arabic music that are not typically heard on the trumpet. Additionally, he is a purveyor of the centuries old, now endangered, Iraqi maqam tradition, which he performs actively as a vocalist and santur player. As a composer, ElSaffar has used the subtle microtones found in Iraqi maqam music to create an innovative approach to harmony and melody, and has received commissions to compose for large and small jazz ensembles, traditional Middle Eastern ensembles, chamber orchestras, string quartets, and contemporary music ensembles, as well as dance troupes.

Described as "an imaginative bandleader, expanding the vocabulary of the trumpet and at the same time the modern jazz ensemble," (All About Jazz), ElSaffar is an important voice in an age of cross-cultural music making. ElSaffar has received commissions from the MAP Fund, Arab Fund for Arts and Culture (AFAC), Newport Jazz Festival, Metropolitan Museum of Art, Chamber Music America, Jazz Institute of Chicago, and is composer-in-residence at the Royaumont Foundation in France in 2017-2019.

ElSaffar's most recent release, Rivers of Sound: Not Two (2017, New Amsterdam Records) features his 17-piece Rivers of Sound Orchestra, consisting of musicians from a variety of musical backgrounds. Using resonance as its governing principle, the music incorporates elements of maqam modal music of the Middle East with jazz and other contemporary musical practices to create a unique microtonal musical environment that moves beyond the notions of style and tradition into a realm of uninhibited musical communication. Each musician of the orchestra interacts with the group through the combination of improvisation and composition, the merging of musical languages, maqam and polyphony, toward the goal of reaching a collective state of Tarab, or musical ecstasy.

The Rivers of Sound Orchestra is an expansion of ElSaffar's six-piece Two Rivers Ensemble. Active since 2006, this sextet explores the juncture between jazz and music of the Middle East. Their 2015 release, Crisis (Pi Recordings) is a reflection on a region in turmoil and strife: revolution, civil war, sectarian violence; a culture's struggle for survival. The music passionate and visceral, a cry from the heart. Crisis was commissioned by the Newport Jazz Festival, where at its 2013 premiere, it made a clear emotional connection to the audience, receiving a rousing standing ovation after just the first piece.

Single tickets beginning at $28 are now available. The final Jazz Club performance in the series is Terence Blanchard Breathless featuring the E-Collective (May 1 & 2). For more information or to purchase tickets, visit www.valleyperformingartscenter.org or call 818-677-3000. The Younes and Soraya Nazarian Center for the Performing Arts is located at 18111 Nordhoff Street, Northridge, CA 91330. Ticket prices subject to change.

About Amir El Saffar
In recent years, ElSaffar has turned his attention to composition, working with a variety of different ensembles and musical formats. In November, 2017, he premiered a new work Maqam/Brass Resonance, for seven winds and percussion, at the Berlin Jazz Festival. Two months prior to that, his work Interstices for Octet plus One, performed by the renowned Belgian contemporary ensemble, Ictus, premiered at the Royaumont Foundation in France. He has also composed the score for Ragamala Dance's acclaimed new work, Written in Water, which has been touring in the US since 2016. In 2014, his work Ashwaaq, for string quartet, voice, and santur, based on Sufi poetry of Ibn Arabi, was performed at the Aix and Avignon festivals in 2014.

This year, ElSaffar is working on a composition for Flamenco musicians and dancer, with Arabic musicians and electronics, commissioned by the Royaumont Foundation, which will premiere at the Flamenco Biennale in the Netherlands. He will also compose a chamber work for strings and clarinet for the Jazztopad Festival in Poland, and an orchestral work for the Eastern Sierra Symphony.

His Quintet release, Alchemy (2013, Pi Recordings), received significant acclaim, including from veteran jazz writer Howard Mandel, who dubbed ElSaffar an "exquisite alchemist," noting his ability to surmount the difficulties of bringing jazz and maqam together, "a challenge that he's accomplished with aplomb." The album was described as a "milestone session," in Point of Departure, and "radically contemporary in its sound even as it connects with music's most ancient roots" by the Irish Times.

Born near Chicago in 1977 to an Iraqi immigrant father and an American mother, ElSaffar was drawn to music at a young age, listening incessantly to LPs from his father's collection, which included Louis Armstrong, Ella Fitzgerald, and the Blues Brothers Soundtrack (but interestingly, no Iraqi music). His first musical training was at the age of five, singing in a Lutheran church choir at the school he attended. His mother, an avid lover of music, introduced him to the music of Bach and Haydn, and taught him to sing and play American folk songs on ukulele and guitar. ElSaffar eventually found his calling with the trumpet in his early teens.

Chicago offered many opportunities for the young trumpeter: he attended DePaul University, earning a degree in classical trumpet, and had the opportunity to study with the legendary principal trumpeter of the Chicago Symphony Orchestra, Bud Herseth. As a trumpeter of the Civic Orchestra of Chicago, ElSaffar worked with esteemed conductors such as Pierre Boulez, Mstislav Rostropovich, and Daniel Barenboim, and recorded on the latter's 1999 Teldec release "Tribute to Ellington," with members of the Chicago Symphony and Don Byron. Additionally, ElSaffar gained experience playing regularly in Chicago's Blues, Jazz, and Salsa clubs.

He moved to New York at the turn of the century where he performed in the ensembles of jazz legend Cecil Taylor. He also performed with Vijay Iyer and Rudresh Mahanthappa, who were in the early stages of their careers, making forays drawing upon their ancestral background toward forging a new sound.
Amir gradually found himself drawn to the Musical Heritage of his Father's native country: Iraq. In 2001, after winning the Carmine Caruso Jazz Trumpet Competition, he funded a trip to Baghdad to find and study with the few surviving masters of the Iraqi Maqam. Some were still in Baghdad, but he discovered that most had left the country. Amir spent the next five years pursuing these masters across the Middle East and Europe, learning everything he could about the tradition. During this period he learned to speak Arabic, sing maqam, and play the santoor. His main teacher during this period was vocalist Hamid Al-Saadi, currently the only living person who has mastered the entire Baghdadi Maqam tradition.

In 2006 founded Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. Later the same year, ElSaffar received commissions from the Painted Bride Arts Center in Philadelphia and from the Festival of New Trumpet Music (FONT), to compose Two Rivers, a suite invoking Iraqi musical traditions framed in a modern Jazz setting. ElSaffar has since received commissions from the Jazz Institute of Chicago (2008), the Jerome Foundation (2009), Chamber Music America (2009), Present Music (2010), The Metropolitan Museum of Art (2013), The Newport Jazz Festival (2013), Morgenland Festival (2013) and the Royaumont Foundation (2014), creating works integrating Middle Eastern tonalities and rhythms into an contemporary contexts.

He currently leads four critically-acclaimed ensembles: The 17-piece Rivers of Sound Orchestra; Two Rivers, which combines the musical languages and instrumentation of Iraqi Maqam and contemporary jazz; the Amir ElSaffar Quintet, performing ElSaffar's microtonal compositions with standard jazz instrumentation; Safaafir, the only ensemble in the US performing and preserving the Iraqi Maqam in its traditional format; and The Alwan Ensemble, the resident ensemble of Alwan for the Arts, specializing in classical music from Egypt, the Levant, and Iraq. In addition, he has worked with jazz legend Cecil Taylor, and prominent jazz musicians such as Mark Dresser, Gerry Hemingway, Marc Ribot, Henry Grimes, and Oliver Lake. ElSaffar has appeared on numerous recordings, and has released six under his own name, Maqams of Baghdad (2005), Two Rivers (2007), Radif Suite (2010), Inana (2011), Alchemy (2013), and Crisis (2015).

About Additional Jazz Club Event

Terence Blanchard Feat. The E-Collective, Breathless
May 1-2, 2018| 8PM
Five-time Grammy winner Terence Blanchard has composed scores for dozens of films, including all of those by director Spike Lee since 1991. Blanchard has layered funky grooves and R&B with powerful social and political messages to tremendous effect. The jazz composer-trumpeter created A Tale of God's Will (A Requiem for Katrina) as a meditation on the destruction and suffering left in the wake of Hurricane Katrina in New Orleans. With his E-Collective, Blanchard then debuted the album Breathless, tragically inspired by and dedicated to Eric Garner, the Staten Island man who was fatally suffocated in an altercation with police. Although Blanchard does not shy away from difficult topics, he is committed to the healing impact of his music.

About the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya)
The Soraya opened its 2017-2018 season on September 16 with a performance of AMADEUS Live (Milos Foreman's 1984 Academy Award-winning Best Picture with live orchestra) with the Los Angeles Chamber Orchestra and members of the LA Opera Chorus. The evening honored the Younes and Soraya Nazarian Foundation in recognition of the family's recent $17 million gift that will rename VPAC as the Younes and Soraya Nazarian Performing Arts Center, known as The Soraya. The gift is one of the largest in the history of the California State University and the system's largest single gift to support the arts; gift to support the programming and operations of the award-winning Valley Performing Arts Center - which has become one of the cultural jewels of the region in the six years since it opened.

The 2017-18 Soraya season signals a new era for the premier event venue. Under the leadership of Executive Director Thor Steingraber, the renamed Younes and Soraya Nazarian Performing Arts Center expands its programming and outstanding multidisciplinary performances. The mission of The Soraya is to present a wide variety of performances that not only includes new and original work from the Los Angeles region but also work from around the world that appeal to all of LA's rich and diverse communities.

Located on the campus of California State University, Northridge, The Soraya's season offers a vibrant performance program of nearly 50 classical and popular music, dance, theater, family and international events that will serve to establish The Soraya as the intellectual and cultural heart of the San Fernando Valley, and further establish itself as one of the top arts companies in Southern California. The award-winning, 1,700-seat theatre was designed by HGA Architects and Engineers and was recently cited by the Los Angeles Times as "a growing hub for live music, dance, drama and other cultural events."

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