Review: BEETLEJUICE at Hollywood Pantages
With all its visual delights on full display, the non-Equity production directed by Catie Davis (from the original direction by Alex Timbers) is a carnival of the macabre....
Review: Arthur Miller’s THE PRICE at Pacific Resident Theatre through April 12
Thanks to de Santos’ insightful direction, the on-going dialogues never seem to drag and the action flows at a pace which keeps the audience interested in just what happens between these well-written characters....
Review: RED HARLEM at Company Of Angels
In the premiere of RED HARLEM at Company of Angels, director Bernadette Speakes’s production offers some frequently dynamic staging which is brought down by a mixed bag of acting performances and the heavy-handed messaging of Henderson’s script....
Review: HONOUR by Ruskin Group Theatre
Director Max Mayer keeps the action authentic and story realistically contrite after helping execute the play’s workshop, making this production an especially meaningful return to the material....
Review: RICHARD III at A Noise Within
Embodied by the exciting Ann Noble and surrounded by a solid cast, Richard and his dastardly deeds are every inch at home within the world of Guillermo Cienfuegos’s sweet and seedy production of RICHARD III for A Noise Within....
Review: NATURAL SELECTION AT THE ZEPHYR THEATRE at Zephyr Theatre
NATURAL SELECTION is an excessive existential exploration of the ways women encounter their own subjectification. Playwright Stacy Adelman, gets the point across – in the first 20 minutes. ...
Review: British Farce THE COTTAGE At Torrance Theater Company
Hilarity ensues as alcohol is consumed, leading to brilliant cat and mouse games during which laughs abound....
Review: HERE LIES LOVE at Mark Taper Forum
With so many delights and leaning heavily into both the political moment that is recounts and what America is experiencing in the here and now, HERE LIES LOVE rocks as aggressively as it rallies....
Review: APPLAUSE at Eli & Edythe Broad Stage
Musical Theatre Guild, the Los Angeles-based company that produces staged readings of long-forgotten, rarely seen musicals, has done it again with a stellar and highly entertaining production of the 1970 musical Applause. ...
Review: THREE COCONUTS World Premiere Comedy at Miles Memorial Playhouse
I really enjoyed the story, acting and staging, along with recognizing the Yiddish comments, behavior and attitudes from my own life being raised by a close-knit Jewish family....
Review: AMADEUS at Pasadena Playhouse
Director Darko Tresnjak has crafted a visually-appealing world that unfortunately reduces the action of the play to broad strokes enacted in a toy theatre....
Review: SYLVIA SYLVIA SYLVIA at Geffen Playhouse
SYLVIA SYLVIA SYLVIA is trying to be perhaps too many things at once and not really succeeding at any of them....
Review: POETRY FOR THE PEOPLE at Fountain Theatre
These are words that both sing and challenge. If, like this reviewer, you were not previously acquainted with June Jordan, POETRY FOR THE PEOPLE is a crackling introduction....
Review: WHO'S AFRAID OF VIRGINIA WOLF? at South Coast Rep
South Coast Repertory’s production of Edward Albee’s dark psychological comedy 100% embodies all the epic frustration and athletic dysfunction which begins and ends with Martha. ...
Review: THE TYPIST at Hudson Guild Theater
Bitterman’s script encompasses so many universal truths about the battle of the sexes in working out relationships that everyone will identify with the ups and downs that challenge even the closest couple to survive and stay together. The dialogue is fast-paced and delivered with the necessary emo...
Review: ONCE at Chance Theatre
Once feels like a revelation, with all the delicate tenderness of a romantic ballad and the foot-stomping joy of a rustic Irish pub on music night....
Review: BROWNSTONE at Open Fist Theatre
The playwright’s story structure is engaging and West’s cast is rich with charisma, with the action fitting comfortably into Munroe’s smartly realized stage at the Atwater Village Theatre complex....
Review: BRANDON MAGGART AND THE GARDENIA at The Gardenia
Brandon Maggart helped close out The Gardenia's 45 years in West Hollywood with stories, songs, and tales of a life well lived. Daughter Maude Maggart joined for a poignant duet finale....
Review: LIFELINE at The Road Theatre
The writing is sharp and smart and in the end Robert Axelrod gives us, if not hope, a sense that, for as bad as things can get, we can power through....
Review: AVENUE Q at The Wisteria Theater
AVENUE Q is back at North Hollywood's Wisteria Theater with a superb cast and standout vocals that bring fresh life—and plenty of laughs—to the beloved, boundary-pushing musical....
Review: Eddie Izzard HAMLET at Ricardo Montalban Theatre
The almost bare bones solo turn – at the Ricardo Montalban Theatre for a quickie six-performance run - is Izzard’s homage to the original performance practices of William Shakespeare, and also to her early years as a street performer....
Review: World Premiere of WHAT OPA DID at Theatre 40 through 2/15
What Opa Did is masterful and brutally honest storytelling at its best, with each actor dedicated to showing each person as a human being, not just either good or bad, while trying to cope with the reality of their lives in Germany in World War II....
Review: KID GLOVES World Premiere Musical Comedy at Skylight Theatre
This world premiere musical comedy is fast-paced, hilarious, and sneakily poignant, skewering the utter depravity of reality TV and how it can corrupt even the most wholesome element of humanity – children!...
Review: ALL THE DEVILS ARE HERE at Broad Stage
Over a convivial 85 minutes directed by Simon Godwin, the shape-shifting Broadway vet Page holds us captive as he demonstrates why he is perpetually in demand as a classical actor, as an interpreter of Shakespeare, and certainly as an enactor of villains....
Review: AN INSPECTOR CALLS at Greystone Mansion
AN INSPECTOR CALLS is a bit of a soap opera by way of a particularly existential “Twilight Zone” episode while tackling class, entitlement, and status, making it as relevant as it was 60 years ago....
Next »
Page 1 of 20
Videos
























