Moises Kaufman and his Tectonic Theater Project have written a play documenting the aftermath of the savage killing of Matthew Shepard, including the perspectives of both friends and strangers: The Laramie Project. This innovative theatrical composition, structured not in scenes, but in "moments," addresses the various issues relating to the tragedy of Shepard, a young gay man whose murder has since become a symbol for America's struggle against intolerance. Kaufman's approach is actor-based, as opposed to text-based; a side-effect of this actor-based approach is that in print form it seems as though something is missing. However, the play promises to move the reader with its authentic portrayal of a small town facing a terrifying event.
Copyright 2001 Cahners Business Information, Inc. (Publishers Weekly)
