Sally Henry Fuller

The students of City Springs Theatre Conservatory’s Pre-Professional companies concluded their school year with The Greatest Showcase- a full-length song and dance extravaganza with (parts of) 80 songs from the whole scrope of the Broadway canon.

The main draw of CABARET is the set, or more broadly, the atmosphere. Housed in the historic warehouse-turned multipurpose artistic venue Pullman Yards (known previously as home to the Van Gogh Experience), the Atlanta Opera takes full advantage of creating their set, stage, and even audience space from scratch.

After an extended break due to COVID, Bowman has returned to the magical story, which she says still challenges her daily as she continues discovering more about her character. BWW Atlanta caught up with the star to hear all about her take on the character, her unique tour experience with her husband, and more.

Hijinx. Misadventure. Door slams. What does it take to weave the intricacies of a farce? Playwright Chris Anthony Ferrer calls it “a very wild ride.”

I attended the City Springs Theatre Conservatory’s Pre-Pro 2022 Senior/Elite Company Showcase this weekend with every intention of keeping my “supportive friend” hat on, and none of writing a review. But when that showcase was over, I found myself wanting to shout from the rooftops how delightful it was.

As the triple threat performers of A CHORUS LINE take the stage at the Byers Theatre, they're bringing the same professionalism City Springs Theatre Company has come to be known for over the last four seasons. But this time, they're doing so after spending time under the direction and choreography of the international authority on all things A CHORUS LINE, Baayork Lee.

When Chani Maisonet took the stage as Diana Ross in AIN’T TOO PROUD - THE LIFE AND TIMES OF THE TEMPTATIONS last month, she savored every moment because she didn’t know when she might play the iconic Supreme again. But that’s par for the course for a swing like Maisonet. 

Whether it's a memory of seeing a middle school performance in an orchestra classroom like yours truly, watching the movie for a class, or starring as Tevye in your high school’s production, you would be hard-pressed to find someone who has no connection to the musical. And for cast members in the current National Tour like Jack O’Brien, that means being received by audiences like an old friend.

The Alliance Theatre’s world premiere of DARLIN' CORY has brought Sugarland frontman Kristian Bush and prolific playwright/novelist Phillip DePoy together to write this Appalachian myth a la HADESTOWN.

From being asked by director Stephen Chbosky to read for a completely different role in the middle of callbacks to being a featured artist on 'You Will be Found' - not to mention filming in the middle of a pandemic - Liz Kate says being in Dear Evan Hansen was unforgettable.

With AMELIE in its third month at the Criterion Theatre in the UK and a new cast album widely available since last summer, the quirky musical is establishing itself as a fan-favorite. 

This weekend, The Atlanta Opera and Kenny Leon’s True Colors Theatre Company joined forces to present their Concert for Unity, a celebration of Atlanta’s diversity through music.

In the latest episode of THE BROADWAY GINGER PODCAST, host Sally Fuller continues her conversation with special guest Craig A. Meyer to revisit some of the best performances he saw during his 20 years as a Tony Awards voter.

How did a '90s movie musical flop make a larger-than-life comeback when it premiered on stage 20 years later? THE BROADWAY GINGER PODCAST host Sally Fuller and guest host Ashley Elliott are answering that very question.

Last week, Sally and Ashley concluded their first season with a deep dive into CAMELOT, and now they are kicking off a mini series of bonus episodes in advance of January’s Season 2 launch. Beginning with “How to be a Classy Fangirl,” today’s episode breaks their usual mold of focusing on a single musical and instead sees the hosts sharing stories from their stage door experiences.

The American Musical Theatre was built on great songwriters whose names can't be said without their partners'. OKLAHOMA!, THE SOUND OF MUSIC, and CINDERELLA might as well be credited to one hyphenated name, Rodgers-and-Hammerstein. Today, they take a look at some equally inseparable duos with an emphasis on Lerner & Loewe and their masterpiece, CAMELOT.

How many exclamation points is too many? On Monday's episode of THE BROADWAY GINGER PODCAST, hosts Sally and Ashley explore the answer through the eyes of Lionel Bart, composer and lyricist of OLIVER!

The Pulitzer Prize for Drama almost always goes to a critically-acclaimed straight play by someone really serious like Eugene O’Neill or August Wilson, but on rare occasions, it goes to a musical. Only ten musicals have ever won.

There are few better moments for theatre people than discovering our favorite songwriting team has written more than just that one hit show we love (looking at you, Lin-Manuel Miranda). In Monday's episode, Sally and Ashley discuss when they have experienced such moments with Lin himself, Andrew Lippa, and Tom Jones/Harvey Schmidt of THE FANTASTICKS.

Musical theatre has a history of big, splashy, high-kicking casts, and that’s what many people think when they hear the word “musical.” The increasing trend for writers wanting to tell a poignant, dramatic story (and producers wanting to pay fewer actors) is to use a tiny cast of six or fewer to narrow the focus without getting distracted by glitter.