Sabrina Wallace - Page 4

Proof at Georgetown Palace Playhouse is a thoughtful production with a clever set full of glowing equations. Patti Maisano leads with heart, and Gerry Stamatelatos adds charm as Hal. Small space, big questions. #ATXTheatre #BWW

Award-winning Proof finds a new staging at Georgetown Palace Playhouse this summer under the direction of Jesse Drollette. #mentalillness #genius #maths #BWW

Gilbert & Sullivan Austin's H.M.S. Pinafore sets sail with sharp satire, standout ensemble work, & pitch-perfect wit. Highlights: “When I Was a Lad” + a Cousin who steals every scene. Victorian absurdity never felt so fresh. Anchors ahoy!

Directed with heart, performed with soul, For The Pleasure of Seeing Her Again is a luminous tribute to mothers, memory, and the quiet magic of everyday life. #ATXTheatre #BWW

Grand Hotel is a reminder that even in the most gilded rooms, behind the velvet curtains and crystal chandeliers, the true drama lies in the lives of those passing through—and in what they leave behind. #ATXTheatre #BWW

Since We’ve No Place to Go trades Hallmark holiday tropes for something messier, funnier, and deeply human. Real performances with heat and heart. Now playing through 6/1. #ATXTheatre #BWW

We're celebrating the 2024–2025 live theatre season AND the return of the Austin Theatre Critics Awards! For a complete list of nominations, read our article in BroadwayWorld! #ATXTheatre #BWW Get your free tickets for the event on June 9th, 2025!

Rumors at City Theatre: Neil Simon’s farce at its most absurd! No life lessons here, just pure, well-paced chaos and big laughs. Sometimes that's exactly what we need.

Annie is a heartfelt, faithful revival and a timeless message of hope. The red-haired orphan and her cast of outcasts left the audience smiling and on its feet, proving once more that “The sun’ll come out tomorrow”

What the Constitution Means to Me at ZACH Theatre isn’t just a play — it’s a reckoning. With fierce performances, blistering honesty, and questions we can’t ignore, this production dares us to confront the systems we take for granted. Unmissable.

FEAST is a cynical, poetic, and unflinching reminder of our flawed humanity: we don’t learn from our mistakes. The cycle of greed, power, and self-destruction keeps repeating. It is a reckoning for the monsters we’ve become—and the ones we’ve allowed to thrive.

The Illusionary Games of Edward Rye at The Filigree Theatre is a spellbinding thriller on power, illusion, & manipulation. Ashley Griffin’s sharp script and Elizabeth V. Newman’s deft direction make this worldwide premiere a must-see!

Austin Playhouse’s Dirty Rotten Scoundrels is a masterclass in mischief—slick, funny, and full of heart. A talented cast takes audiences on a whip-smart, musically-charged, and laugh-packed ride to the Riviera Riviera.

The Baron’s Men production of All for One (written and directed by Aaron Niemuth and Laura Trezise) flips the musketeer tale on its head—giving women the swords, the secrets, and the spotlight. Sharp, funny, and refreshingly female-forward.

Mary Moody Northen Theatre’s production of Walden (remix) is a moving sci-fi drama that critiques climate apathy, corporate greed, and the pressure on younger generations to clean up the mess we are handing them. It is bold and thought-provoking, even if preachy at times.