Review: ERMA BOMBECK: AT WIT’S END at Austin Playhouse
Funny, warm, and painfully relatable, Austin Playhouse’s Erma Bombeck: at wit's end transforms domestic chaos into razor-sharp comedy.
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Review: WAKEY, WAKEY. at Hyde Park Theatre
At first, Wakey, Wakey feels like an eccentric conversation filled with dry humor and scattered thoughts.
Review: THE WIZ at Bass Concert Hall
The Wiz at Bass Concert Hall delivers dazzling visuals, standout performances, and plenty of personality.
Nominations Announced For The 2026 Austin Theatre Critics Awards
The 2025–2026 Austin theatre season was bold, adventurous, thought-provoking, and funny as heck.
Review: THE ODD COUPLE at City Theatre Austin
City Theatre Austin revisits Neil Simon’s The Odd Couple with nostalgic charm, a detailed lived-in set, and an entertaining ensemble led by Darwin Ragsdale and Zachary Gamble.
Feature: HELLER AWARDS 2026 at Texas Performing Arts
The 13th Annual Heller Awards for Young Artists (HAYAs) took place last night, May 6, 2026, for the first time at Bass Concert Hall, the home of Broadway in Austin, presented by Texas Performing Arts and co-produced by Impact Arts.
Zach Theatre Announces 2026/2027 Season
On Tuesday night, Topfer Theatre was packed for Zach Theater’s 2026-2027 season announcement, and honestly, seeing that many people come out on a school night to celebrate regional theatre felt wonderful.
Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER at Austin Playhouse
Austin Playhouse’s A Gentleman’s Guide to Love and Murder, directed by Lara Toner Haddock, is a fast, witty farce about Monty Navarro and his murderous path to inheritance.
Review: TAKE CARE OF MY FRIEND at The Filigree Theatre
The world premiere of Kathleen Fletcher’s autobiographical Take Care of My Friend is a raw, funny, and unflinching portrait of life with OCD, anxiety, and depression.
Review: DEAR EVAN HANSEN at Zach Theater
Dear Evan Hansen at ZACH explores mental illness, grief, and the aftermath of a teenage tragedy in a hyperconnected world.
Review: THE FIRE RAISERS at The Hidden Room
The Hidden Room’s Fire Raisers is chilling and razor-sharp, where politeness becomes peril in a world where truth is seen and still ignored.
Review: MEN ON BOATS at City Theatre Austin
City Theatre Austin’s Men on Boats is a sharp historical comedy where an all women and non-binary ensemble dismantles frontier myth making.
Review: HEDWIG AND THE ANGRY INCH at ART At Ground Floor Theatre
Hedwig and the Angry Inch at Ground Floor Theatre delivers a stripped-down, electric experience, telling a story of identity, loss, and resilience.
Review: PRIVATE LIVES at Bandwagon Arts
Bandwagon Arts gives Noël Coward’s Private Lives a modern twist at Ground Floor Theatre.
Review: DEATHTRAP at The Wimberley Players
The Wimberley Players production of Deathtrap is a smart psychological thriller about ambition, legacy, and deception.
Review: REEFER MADNESS, THE MUSICAL at Austin Community College
Reefer Madness at ACC is a ferocious, laugh-out-loud takedown of moral panic, powered by fearless performances and razor-sharp satire.
Review: WITCH at HYDE PARK THEATRE
Hyde Park’s production of WITCH is sharp, funny, and quietly ferocious.
Review: THE TRIP TO BOUNTIFUL at City Theatre Austin
Some plays rush.
Review: BEEHIVE: THE 60S MUSICAL at TexArts
Big hair, bigger voices, and zero apologies.
Review: URINETOWN at Mary Moody Northen Theatre
Urinetown now playing at MMNT - A musical so funny it hits like a warning.
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