Sabrina Wallace - Page 5

FEAST is a cynical, poetic, and unflinching reminder of our flawed humanity: we don’t learn from our mistakes. The cycle of greed, power, and self-destruction keeps repeating. It is a reckoning for the monsters we’ve become—and the ones we’ve allowed to thrive.

The Illusionary Games of Edward Rye at The Filigree Theatre is a spellbinding thriller on power, illusion, & manipulation. Ashley Griffin’s sharp script and Elizabeth V. Newman’s deft direction make this worldwide premiere a must-see!

Austin Playhouse’s Dirty Rotten Scoundrels is a masterclass in mischief—slick, funny, and full of heart. A talented cast takes audiences on a whip-smart, musically-charged, and laugh-packed ride to the Riviera Riviera.

The Baron’s Men production of All for One (written and directed by Aaron Niemuth and Laura Trezise) flips the musketeer tale on its head—giving women the swords, the secrets, and the spotlight. Sharp, funny, and refreshingly female-forward.

Mary Moody Northen Theatre’s production of Walden (remix) is a moving sci-fi drama that critiques climate apathy, corporate greed, and the pressure on younger generations to clean up the mess we are handing them. It is bold and thought-provoking, even if preachy at times.

City Theatre’s production of The Cover of Life arrives just in time for Women’s History Month. A heartfelt story that lifts the veil on the lives of women whose stories have long gone untold: the wives and mothers who held their homes together during WWII. Worth a trip to the East Side next weekend!

Sondheim’s Company, a landmark musical theatre for its structural innovation and unflinching gaze into adult relationships, gets a dazzling new revival in Austin. It showcases the depth of talent we host in this city. And as we can’t take the subway there, RUN, don’t walk, to the Dell Performing Arts Center. It is so much fun!

In an in-depth interview, Roustabout Theatre Company co-founders Seth David Mitchell and Adam Roberts discuss their vision for the company, their appreciation for Austin's artistic talent, and their upcoming debut production of Stephen Sondheim’s Company.

Funny Girl dazzles! A powerhouse lead, a lush score & a showstopping number in 'Don't Rain on My Parade' make this production a must-see. A story of love, loss & resilience that is still relevant #FunnyGirlTour #BWW

Tick, Tick... Boom! at TexArts is a thrilling ride with great comedic timing, sharp choreography, NYC ‘90s vibes, & a killer live band. Loved the Latin rep!#ATXTheatre #BWW

Nunsense delivers two hours of nonstop laughter as the Little Sisters of Hoboken stage a riotous variety show to fund burials after a convent mishap. Irreverent, charming, and a jolly good time! #ATXTheatre

Filigree’s production of Dr. Jekyll and Mr. Hyde strips away the Gothic veneer, revealing a raw, existential terror: the duality within us all. Unforgettable performances and masterful direction make this more than a retelling—it’s a reckoning.

A sharp, funny, and gripping script—paired with stellar performances and an immersive Orca set—makes Jarrott Productions' The Shark Is Broken, a must-see for cinephiles and theater lovers alike! #ATXTheatre #BroadwayWorld

Raul Garza’s She Was Here explores generations of Latin mothers and daughters, capturing evolving relationships and cultural expectations. The script needs development but holds great potential for a powerful, emotional, female-driven story.

Different Stages production of “26 Miles” is a heartfelt road trip through family, culture, and identity. Cantu and Medina shine as a mother-daughter duo reconnecting across the cultural divide. Highly Recommended!

Peter Pan dazzles with stunning sets, magical flying effects, and catchy new songs. This Peter Pan may never want to grow up, but it certainly deserves to be part of the conversation on how we tell timeless stories for modern audiences.

City Theatre’s Reckless explores absurdity and loss but falters with sluggish pacing and a script full of gaps. Stellar performances by Eric Kessler and Tracy Hurd shine, yet the dark humor doesn’t fully connect on a cold winter night.