Kat Mokrynski - Page 3

Recently, we had the chance to speak with Lizzi Gee, who is both the director and choreographer for this production of Ride the Cyclone. We discussed what it has been like taking on both of these creative roles, how it feels to be working on the European premiere of the work and even what she hopes audience members will take away from the show as a whole.

To begin with a warning - if you’re not into audience participation, this might not be the show for you. Daisy Doris May: Big Night Out has the comedian bringing several of her iconic characters into the same show, with all of them going to the same club. The audience members are waiting in the queue to get in, interacting with each of May’s characters as they shatter the fourth wall into a million pieces.

Do you remember the book that made you fall in love with reading? Maybe it was a book you read in grade school that has stuck with you for your whole life, or even a book that a friend recommended. For Gay Gulman, that book is The Monster At The End of This Book, in which Grover from Sesame Street begs the reader to stop reading the book, as, one might guess, there is a monster at the end that Grover is afraid of. For Gulman, the opening line Grover has on the copyright page, “This is a very dull page,” rivals that of Dickens with “It was the best of times, it was the worst of times” and Moby Dick’s “Call me Ishmael.”

After performing as Atticus Finch in the West End production of To Kill A Mockingbird, Richard Coyle returns to the role, this time on a tour of the UK and Ireland. Recently, we had the chance to chat with Coyle about coming back to the play. We discussed what made him want to return to the role, how the tour has been going so far and what he thinks keeps To Kill A Mockingbird so relevant over sixty years since it was first published.

Cinephiles, get your popcorn ready - Cabbage the Clown is here to take you on a journey to Cinemadrome (definitely not Cineworld). Cabbage the Clown: Cinemadrome, written and performed by Eliza Nelso, brings audiences into the world of Cabbage, who is working a shift at the Cinemadrome, constantly moving between the checking stand, concessions and checking the bins.

From the start of Elouise Eftos: Australia’s First Attractive Comedian, Eftos makes it clear that this isn’t going to be the classic self-deprecating comedy show, walking on stage to lip-sync to a personalised version of the iconic Basic Instinct scene. From there, audiences are introduced to Eftos with a video about how she went viral in Australia after claiming to be “Australia’s First Attractive Comedian” - roll credits!

The West End’s production of MJ the Musical will be coming to a close in February 2026, after opening in March last year. Recently, we had the chance to speak with Jamaal Fields-Green, who is the only person to have played Michael Jackson on Broadway, on tour across North America and now in the West End! We discussed what the process is like to become the iconic performer, his favourite Michael Jackson songs and some of the differences between the West End and Broadway. 

After previous runs in 2022 and 2023, The Book Thief musical finally arrives in London. The Book Thief: A Concert Production was originally scheduled to be performed for one night only on 19 October, but two more performances have been added on 26 October due to popular demand. Recently, we had the chance to speak with Melanie La Barrie, who is playing the role of Death in this production of The Book Thief. We discussed what made her want to be a part of the show, what it is like to perform in a concert production versus a full staged one and even what is appealing to her about playing characters who take on the role of the narrator!

Personality: The Lloyd Price Musical in Concert, starring Cedric Neal as Lloyd Price, arrives at the Southbank Centre’s Queen Elizabeth Hall on 11 October. We had the chance to chat with Neal about what it is like to be taking on the role of the innovative artist, whose work was recorded by legends like Elvis Presley, Aretha Franklin and Paul McCartney. We discussed how he “stumbled into” musical theatre, how concert productions of shows have evolved and even his personal connections to Lloyd Price and his music.

Ghost Stories, written by Jeremy Dyson and Andy Nyman, promises audience members at the Peacock Theatre “moments of extreme shock and tension,” warning potential ticket bookers that the show is “unsuitable for anyone under the age of 15” and recommending that those of a “nervous disposition” should “think very seriously before attending.” It’s quite the list of warnings, making one question exactly what they are going to witness in the play.

Hexmoor Wizarding Prison, created by Sam Shearman and written and directed by Tanner Paul, invites audience members to explore a mysterious wizarding prison under Alcotraz, another alcohol-fueled prison theatre experience from Inventive Productions.

Recently, we had the chance to speak with Max Bennett, who plays the role of Saturninus in Titus Andronicus. We discussed how he first got started in the world of theatre, what it’s like performing at the Hampstead Theatre and even how Shakespeare helped him understand musicals!

Thor Stenhaug: One Night Stand Baby has quite the simple concept - the title basically says it all. Thor Stenhaug, a Norwegian comedian living in the UK, is the result of a one night stand between his mother and father, who met when his mother was a student and his father was in the Army.

How does one know when they have completed what they have been put on this planet to do? Is it when they win an award? Is it when they raise a child they’ve dreamed of having? Or is it when they have a show at Soho Theatre and have put a white box on display on a pedestal? For Joz Norris, it’s the latter.

After a run at the Manchester International Festival, A Single Man, “a vital portrait of queer love and loss,” is currently performing at the Linbury Theatre at the Royal Opera & Ballet. The show, choreographed by Jonathan Watkins, is a reimagining of the novel by Christopher Isherwood, which follows the story of George, a man grieving the loss of his partner, Jim. Watkins is joined by singer-songwriter John Grant and composer Jasmin Kent Rodgman, who have contributed the music of the work.

Since transforming the Playhouse Theatre in 2021, Cabaret has been the toast of London, with thousands of audience members flocking to the revival of Kander and Ebb’s iconic work. Recently, we had the chance to speak with Reeve Carney and Eva Noblezada, who will be taking over the role of Emcee Sally Bowles, respectively. We discussed what it is like to be returning to London together, and even what they both hope audiences take away from this production of Cabaret.

After 86 concerts spanning over the past eight weeks, the 130th season of the Proms has come to a close, ending with the iconic Last Night of the Proms at the Royal Albert Hall, which has hosted over 3,000 musicians these past few months. This performance brings together the BBC Singers, BBC Symphony Chorus and BBC Symphony Orchestra under conductor Elim Chan, with some special guests joining in for the 3 ½-hour performance.

Penn & Teller, the undisputed masters of modern magic are celebrating their Penn & Teller, the undisputed masters of modern magic are celebrating their incredible 50th Anniversary. Taking place at The London Palladium from Saturday 13 September 2025, the 11-date residency will mark the duo’s first ever West End run of a show. Renowned for their jaw-dropping performances, a joyous exploration of magic and comedy, Penn & Teller first performed together on 19 August 1975 and are now arguably the world’s most famous magicians.

Glenn Moore: Please Sir, Glenn I Have Some Moore? does not begin in classic comedy show fashion, with the comedian introducing themselves in the third person before running on stage to applause. Instead, as soon as the lights dim, Moore simply begins telling a story, walking onto the stage without even a moment for the audience to applaud.