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Kat Mokrynski - Page 5

Kat Mokrynski

Kat Mokrynski is currently a writer for BroadwayWorld UK, having previously written for BroadwayWorld as a part of the Student Blogger programme from November 2019 to September 2022. Some of her favourite shows include Les Misérables, Come From Away, The Play That Goes Wrong, Groundhog Day and David Byrne's American Utopia. She enjoys interviewing people involved in the theatre industry and reviewing a range of shows, from one-hour comedies to four-hour immersive experiences. Kat recently graduated from King's College London with a Master's Degree in Arts and Cultural Management. 

When she's not working or seeing as many shows as possible across London, you can usually find Kat wandering around historic sites, watching TikToks or traveling around the UK.

You can follow Kat on Twitter @larkofparis

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Latest Articles

Review: TOUSSAINT TO MOVE: FREE, Sadler's Wells East

Review: TOUSSAINT TO MOVE: FREE, Sadler's Wells East

November 7, 2025

Created by Akeim Toussaint Buck, Toussaint to Move: FREE is a dance performance that combines reggae dub culture and contemporary dance, allowing audience members to become immersed in the world created by the five performers - Aline Simo Kamga, Francesca Matthys, Jemima Tawose, Márcio Inácio and

Review: HELEN BAUER: BLESS HER, Soho Theatre

Review: HELEN BAUER: BLESS HER, Soho Theatre

October 27, 2025

“If you can’t love yourself, how in the hell are you gonna love somebody else?” This RuPaul quote may seem like a lofty topic for an hour-long comedy show, but Helen Bauer is ready to tackle it.

Review: GARY GULMAN: GRANDILOQUENT, Soho Theatre

Review: GARY GULMAN: GRANDILOQUENT, Soho Theatre

October 14, 2025

Do you remember the book that made you fall in love with reading? Maybe it was a book you read in grade school that has stuck with you for your whole life, or even a book that a friend recommended.

Review: GHOST STORIES, Peacock Theatre

Review: GHOST STORIES, Peacock Theatre

October 6, 2025

Ghost Stories, written by Jeremy Dyson and Andy Nyman, promises audience members at the Peacock Theatre “moments of extreme shock and tension,” warning potential ticket bookers that the show is “unsuitable for anyone under the age of 15” and recommending that those of a “nervous dispositio




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