Ghost Stories, written by Jeremy Dyson and Andy Nyman, promises audience members at the Peacock Theatre “moments of extreme shock and tension,” warning potential ticket bookers that the show is “unsuitable for anyone under the age of 15” and recommending that those of a “nervous dispositio
Hexmoor Wizarding Prison, created by Sam Shearman and written and directed by Tanner Paul, invites audience members to explore a mysterious wizarding prison under Alcotraz, another alcohol-fueled prison theatre experience from Inventive Productions.
Recently, we had the chance to speak with Max Bennett, who plays the role of Saturninus in Titus Andronicus.
Thor Stenhaug: One Night Stand Baby has quite the simple concept - the title basically says it all.
How does one know when they have completed what they have been put on this planet to do? Is it when they win an award? Is it when they raise a child they’ve dreamed of having? Or is it when they have a show at Soho Theatre and have put a white box on display on a pedestal? For Joz Norris, it’s t
After a run at the Manchester International Festival, A Single Man, “a vital portrait of queer love and loss,” is currently performing at the Linbury Theatre at the Royal Opera & Ballet.
Since transforming the Playhouse Theatre in 2021, Cabaret has been the toast of London, with thousands of audience members flocking to the revival of Kander and Ebb’s iconic work.
After 86 concerts spanning over the past eight weeks, the 130th season of the Proms has come to a close, ending with the iconic Last Night of the Proms at the Royal Albert Hall, which has hosted over 3,000 musicians these past few months.
Penn & Teller, the undisputed masters of modern magic are celebrating their Penn & Teller, the undisputed masters of modern magic are celebrating their incredible 50th Anniversary.
Glenn Moore: Please Sir, Glenn I Have Some Moore? does not begin in classic comedy show fashion, with the comedian introducing themselves in the third person before running on stage to applause.
Recently, we had the chance to speak with Oliver Johnstone about playing Marlow in Romans: A Novel.
OSCAR at The Crown, a “high-energy, dance party musical” from Mark Mauriello and Andrew Barret Cox, has audiences enter an underground bunker into a dystopian world where people hide in exile because of what makes them different.
Entering the Royal Albert Hall for St.
Tony Award winning Laura Benanti, will make her London debut on Tuesday 2 September at Underbelly Boulevard Soho transferring direct from a sold-out run at Edinburgh Fringe Festival with her one-woman comedy show Laura Benanti: Nobody Cares.
Recently, we had the chance to chat with Danny Bayne, who is playing Basil Fawlty.
What do you get when you combine a desire to find a way to optimise happiness, an Australian comedian and a healthy dose of graphs? You get Tom Cashman: 2 Truths, 1 Lie & 17 Slight Exaggerations.
What if, instead of being based in a castle in Denmark in the late Middle Ages, Hamlet was set at a backyard barbecue in the United States in modern times? That’s exactly what audiences witness in James Iijames’s Pulitzer Prize-winning Fat Ham, which follows Juicy (Olisa Odele), a young, queer b
Actor Tony Hirst shares insights on his role in PUNCH, working with playwright James Graham, and the impact of true stories in theater.
Ever since I was first introduced to Igor Stravinsky’s “The Rite of Spring” in a course I took in university on Western Theatrical Dance, I have been in love with the piece.
We had the chance to speak with Leonard about taking on the role of Pierre Peters.
