Kat Mokrynski - Page 4

Ghost Stories, written by Jeremy Dyson and Andy Nyman, promises audience members at the Peacock Theatre “moments of extreme shock and tension,” warning potential ticket bookers that the show is “unsuitable for anyone under the age of 15” and recommending that those of a “nervous disposition” should “think very seriously before attending.” It’s quite the list of warnings, making one question exactly what they are going to witness in the play.

Hexmoor Wizarding Prison, created by Sam Shearman and written and directed by Tanner Paul, invites audience members to explore a mysterious wizarding prison under Alcotraz, another alcohol-fueled prison theatre experience from Inventive Productions.

Recently, we had the chance to speak with Max Bennett, who plays the role of Saturninus in Titus Andronicus. We discussed how he first got started in the world of theatre, what it’s like performing at the Hampstead Theatre and even how Shakespeare helped him understand musicals!

Thor Stenhaug: One Night Stand Baby has quite the simple concept - the title basically says it all. Thor Stenhaug, a Norwegian comedian living in the UK, is the result of a one night stand between his mother and father, who met when his mother was a student and his father was in the Army.

How does one know when they have completed what they have been put on this planet to do? Is it when they win an award? Is it when they raise a child they’ve dreamed of having? Or is it when they have a show at Soho Theatre and have put a white box on display on a pedestal? For Joz Norris, it’s the latter.

After a run at the Manchester International Festival, A Single Man, “a vital portrait of queer love and loss,” is currently performing at the Linbury Theatre at the Royal Opera & Ballet. The show, choreographed by Jonathan Watkins, is a reimagining of the novel by Christopher Isherwood, which follows the story of George, a man grieving the loss of his partner, Jim. Watkins is joined by singer-songwriter John Grant and composer Jasmin Kent Rodgman, who have contributed the music of the work.

Since transforming the Playhouse Theatre in 2021, Cabaret has been the toast of London, with thousands of audience members flocking to the revival of Kander and Ebb’s iconic work. Recently, we had the chance to speak with Reeve Carney and Eva Noblezada, who will be taking over the role of Emcee Sally Bowles, respectively. We discussed what it is like to be returning to London together, and even what they both hope audiences take away from this production of Cabaret.

After 86 concerts spanning over the past eight weeks, the 130th season of the Proms has come to a close, ending with the iconic Last Night of the Proms at the Royal Albert Hall, which has hosted over 3,000 musicians these past few months. This performance brings together the BBC Singers, BBC Symphony Chorus and BBC Symphony Orchestra under conductor Elim Chan, with some special guests joining in for the 3 ½-hour performance.

Penn & Teller, the undisputed masters of modern magic are celebrating their Penn & Teller, the undisputed masters of modern magic are celebrating their incredible 50th Anniversary. Taking place at The London Palladium from Saturday 13 September 2025, the 11-date residency will mark the duo’s first ever West End run of a show. Renowned for their jaw-dropping performances, a joyous exploration of magic and comedy, Penn & Teller first performed together on 19 August 1975 and are now arguably the world’s most famous magicians.

Glenn Moore: Please Sir, Glenn I Have Some Moore? does not begin in classic comedy show fashion, with the comedian introducing themselves in the third person before running on stage to applause. Instead, as soon as the lights dim, Moore simply begins telling a story, walking onto the stage without even a moment for the audience to applaud.

Recently, we had the chance to speak with Oliver Johnstone about playing Marlow in Romans: A Novel. We discussed what his research process is like for getting into character, the importance of discussing the role of masculinity in modern times and even what it’s like to perform in a new work versus a classic piece like a Shakespeare play.

OSCAR at The Crown, a “high-energy, dance party musical” from Mark Mauriello and Andrew Barret Cox, has audiences enter an underground bunker into a dystopian world where people hide in exile because of what makes them different. They worship Julie from The OC and get their names from members of the Real Housewives series, save for Oscar Wilde, who leads the groups of exiles through never-ending song and dance. 

Entering the Royal Albert Hall for St. Vincent’s performance at the BBC Proms feels like any other classical performance. The orchestra is in their usual place, warming up as audience members take their seats. However, this is anything but a normal showing at the Proms - quickly proven by the roar of approval from the crowd as St. Vincent (Annie Clark) takes to the stage with conductor Jules Buckley.

Tony Award winning Laura Benanti, will make her London debut on Tuesday 2 September at Underbelly Boulevard Soho transferring direct from a sold-out run at Edinburgh Fringe Festival with her one-woman comedy show Laura Benanti: Nobody Cares. BroadwayWorld had a quick catch up with Laura ahead of the show.

Recently, we had the chance to chat with Danny Bayne, who is playing Basil Fawlty. We discussed what it was like growing up as a fan of comedies like Fawlty Towers, what he’s looking forward to on tour and why he thinks it’s important that the cast on stage aren’t simply doing impressions of their screen predecessors.

What do you get when you combine a desire to find a way to optimise happiness, an Australian comedian and a healthy dose of graphs? You get Tom Cashman: 2 Truths, 1 Lie & 17 Slight Exaggerations. Fresh from a run at the Edinburgh Festival Fringe, Cashman brings his show to London’s Soho Theatre.

What if, instead of being based in a castle in Denmark in the late Middle Ages, Hamlet was set at a backyard barbecue in the United States in modern times? That’s exactly what audiences witness in James Iijames’s Pulitzer Prize-winning Fat Ham, which follows Juicy (Olisa Odele), a young, queer black man confronted by the ghost of his father, Pap (Sule Rimi), who tells him he must kill his uncle for revenge.

Recently, we had the chance to talk with Tony Hirst, who plays David, the father of James. We discussed what it has been like to take on the role of someone in real life, how it feels for Hirst to be working with one of his favourite playwrights, and even the unexpected audience reactions the play has had over its multiple runs.

Ever since I was first introduced to Igor Stravinsky’s “The Rite of Spring” in a course I took in university on Western Theatrical Dance, I have been in love with the piece. Two years ago, The Rite of Spring was performed at the BBC Proms in Prom 63: The Rite By Heart, which told the story of how Stravinsky created the piece and had the Aurora Orchestra perform it entirely from memory. It makes sense that when the BBC Proms announced Boléro and The Rite of Spring this year that I would be instantly wanting to see it!