Kat Mokrynski - Page 4

Later this month, Samantha Barks will be embarking on the Cathedral Tour, in which she will travel to some of the UK’s spectacular cathedrals, performing whilst lit by candlelight. The show promises to be a once-in-a-lifetime evening, with Barks sharing personal stories through songs and conversations.

Liam Withnail: Big Strong Boy is an hour of comedy that has Withnail aiming to answer an important question about his life - is he happy? The show is inspired by a conversation that the comedian had with a friend when they were catching up, with the friend asking Withnail if they were happy living in Edinburgh after leaving his hometown of Dagenham.

On 23 November, ROAM A New Musical premiered in a staged concert production at the Shaftesbury Theatre. The show, with music and lyrics by Alexander Sage Oyen and a book by Michael Dovid, tells the story of a nomadic clan and their familial relationships using a roc-pop-Romani fusion score. Recently, we had the chance to speak with Ramin Karimloo, who plays Yoska, and Diego Rodriguez, who plays his son, Pesha. We discussed what it has been like preparing for the one-night performance, what it is like performing in revivals versus new work and even get their thoughts on mirrors in a rehearsal room!

Created by Akeim Toussaint Buck, Toussaint to Move: FREE is a dance performance that combines reggae dub culture and contemporary dance, allowing audience members to become immersed in the world created by the five performers - Aline Simo Kamga, Francesca Matthys, Jemima Tawose, Márcio Inácio and Manukaa Tony Kaaba.

Tom Rosenthal: Whatever People Say I Am, That’s What I Am is, essentially, a form of lecture on the 2006 Arctic Monkeys’ debut album, Whatever People Say I Am, That’s What I’m Not - the title of the show is a bit of a hint!

After some feedback from her last show, Urooj Ashfaq has returned with a new hour as a transformed woman. How to Be a Baddie has Ashfaq leaving behind the good-girl expectations that were set in the show that won her the Best Newcomer award at the 2023 Edinburgh Comedy Awards. But what inspired this change?

Last month, Moulin Rouge! The Musical welcomed new cast members, including Karis Anderson as Satine and Alistair Brammer as Christian, the two leads of the show. Recently, we had the chance to speak with Anderson and Brammer about taking on the respective roles of Satine and Christian in Moulin Rouge! The Musical. We discussed what made each of them want to be a part of the production, what makes this such a unique musical and even some of their favourite moments from the show!

Today, Ben Forster’s album, Musicals Greatest Hits, is released. The album has songs from shows that Forster has starred in, like “Gethsemane” from Jesus Christ Superstar and “Music Of The Night” from The Phantom of the Opera, as well as others like “The Winner Takes It All” from Mamma Mia! and Wicked’s “For Good.”

Even from the title of Bloody Mary and the Nine Day Queen, one can tell whose side writer Gareth Hides is on. The new musical, directed by Adam Stone, tells the story of Mary I of England (Cezarah Bonner) and Lady Jane Grey (Anna Unwin), cousins who were caught up in a battle for the Queendom after the death of Edward VI (played by a literal puppet), the son of Henry VIII. The title of the show comes from the nicknames for the two women, with Mary executing Jane after convicting her of treason for her nine-day reign as Queen of England and Ireland.

“If you can’t love yourself, how in the hell are you gonna love somebody else?” This RuPaul quote may seem like a lofty topic for an hour-long comedy show, but Helen Bauer is ready to tackle it. Even though the audience might only see one person on the stage, Helen Bauer: Bless Her is a two-woman show, as Bauer brings her eight-year-old self into the spotlight at the request of her therapist.

Directed by Jon Brittain, Janine Harouni: This Is What You Waited For has had Harouni travelling around the world, landing in London with her longest stint at Soho Theatre

Recently, we had the chance to speak with David Reed and Humphrey Kerr about Sherlock Holmes & The 12 Days of Christmas. We discussed what inspired them to create the show, taking on the iconic roles of Sherlock Holmes and John Watson, and even what it has been like collaborating with Tim Rice and Andrew Lloyd Webber!

Recently, we had the chance to speak with Lizzi Gee, who is both the director and choreographer for this production of Ride the Cyclone. We discussed what it has been like taking on both of these creative roles, how it feels to be working on the European premiere of the work and even what she hopes audience members will take away from the show as a whole.

After successful runs in Sheffield and London, Kenrex is arriving at The Other Palace in December. The show, written by Jack Holden and Ed Stambollouian with music by John Patrick Elliott, tells the tale of Ken Rex McElroy, a criminal who faced the consequences of his actions at the hands of the townspeople of Skidmore, Missouri in 1981. Holden takes on all of the roles, with Elliott accompanying with live music on stage as well.

To begin with a warning - if you’re not into audience participation, this might not be the show for you. Daisy Doris May: Big Night Out has the comedian bringing several of her iconic characters into the same show, with all of them going to the same club. The audience members are waiting in the queue to get in, interacting with each of May’s characters as they shatter the fourth wall into a million pieces.

Do you remember the book that made you fall in love with reading? Maybe it was a book you read in grade school that has stuck with you for your whole life, or even a book that a friend recommended. For Gay Gulman, that book is The Monster At The End of This Book, in which Grover from Sesame Street begs the reader to stop reading the book, as, one might guess, there is a monster at the end that Grover is afraid of. For Gulman, the opening line Grover has on the copyright page, “This is a very dull page,” rivals that of Dickens with “It was the best of times, it was the worst of times” and Moby Dick’s “Call me Ishmael.”