Joshua Wright - Page 39

Since Giselle opened in Paris in 1841, its poignant themes of betrayal and mercy have been captivating audiences worldwide. With music by Adolphe Adam and choreography based on Petipa’s late-19th-century revivals, Giselle has become the epitome of Romantic-era ballet.

What did the critics think of Huzzah!, the new musical by Nell Benjamin (Legally Blonde, Mean Girls, the Globe's Come Fall in Love–The DDLJ Musical) and Laurence O'Keefe (Legally Blonde, Heathers the Musical, Bat Boy)?

Producers of Broadway’s Cabaret at the Kit Kat Club have moved to dismiss an investor lawsuit. A newly filed email shows counsel accusing the plaintiff of rejecting financial transparency offers and threatening press coverage.

Shakespeare Theatre Company is currently presenting Merry Wives, and we spoke to Jacob Ming-Trent about the production. The first show of STC’s forthcoming 40th Anniversary Season, Merry Wives is adapted by Jocelyn Bioh and directed by Taylor Reynolds (Studio Theatre’s Fat Ham). Merry Wives plays STC’s Harman Hall through October 5.

Get a first look at Everyman Theatre's production of August Wilson's Pulitzer Prize-winning play, The Piano Lesson. Directed by Everyman Theatre's Associate Artistic Director and Resident Company Member Paige Hernandez.  

Go inside the first curtain call for the National Tour of The Outsiders at Shea's Theatre in Buffalo. The tour is teching and having its first performances in Buffalo before officially opening October 8th in Tulsa, Oklahoma.

Lee Kirk’s new Chicago-set drama Ashland Avenue is now on stage through October 12 at The Goodman Theatre. What did the critics think?

Based on the Oscar-winning movie, Finding Neverland tells the uplifting story behind one of the world’s most beloved characters: Peter Pan. Playwright J.M. Barrie struggles to find inspiration until he meets four young brothers and their beautiful, widowed mother. Spellbound by the boys’ enchanting make-believe adventures, he sets out to write a play that will astound London theatergoers.

Sandra Oh,freshly off her acclaimed performances in Shakespeare in the Park’s Twelfth Night, will make her Met debut as the Duchess of Krakenthorp in Laurent Pelly’s production of Donizetti’s La Fille du Régiment on October 17.

Watch Jessica Phillips prefor the title track from the new musical, 'What We Leave Behind', playing Sept 24-Oct 5, 2025 at Theatre Raleigh. Phillips is accompanied by Music Director Beth G Tankersley.

Penn State will close WPSU, its PBS/NPR affiliate, by June 2026 after trustees rejected a $17 million subsidy plan to transfer the station’s assets to WHYY.

Gary Schweikhart, board president of the Carbonell Awards, South Florida's Theater & Arts Honors, today announced the top finalists in 20 competitive categories for the 2024-2025 theater season.

Theatre Raleigh will continue its 2025 season with the developmental production of 'What We Leave Behind,' a powerful and deeply personal new musical exploring love, resilience and the impact of chronic illness on family.

Get a first look at Alliance Theatre and The Atlanta Opera co-production of new staging of Fiddler on the Roof, now on stage through October 5, 2025, at the Alliance Theatre.

In The Cottage a woman decides to expose her latest affair to both her husband—and her lover's wife. As secrets unravel and passions collide, the meaning of love, identity, and marriage are all thrown into question, and served in a way only the British can serve it: with tea.

The Kennedy Center has fired Kevin Struthers, senior director of music programming, ending his 30-year tenure and adding to a series of staff departures under President Donald Trump’s leadership.

PYGmalion Productions has been denied state funding after officials cited Utah’s anti-DEI law. The theater says its mission to champion women’s stories was deemed discriminatory.

Shakespeare Theatre Company has shared casting for its holiday presentation of Guys and Dolls. In addition to previously announced Broadway stars, the cast includes both local favorites and fresh talents to the STC stage.

Prepare for a dark journey through the sinister streets of Victorian London with Sweeney Todd. Follow the vengeful barber as he seeks justice, aided by the cunning Mrs. Lovett and her rather… unique meat-pie business.

Suicide—a simple word with a devastating impact. It’s a theme that has fueled countless dramatic works, but it’s a reality that the theater community knows all too well. Tragically, many beloved artists have faced mental health struggles, with some choosing to end their lives.