Jade Kops - Page 12

I WANT TO KNOW WHAT LOVE IS shares the personal stories gathered from over 800 anonymous submissions in a powerful piece of verbatim theatre.

The ugly truth behind the faux ‘modern woke man’ is laid bare as ULSTER AMERICAN strips back the veneer with hilarious and horrific consequences.

Returning for and Encore season, Carissa Licciardello and Tom Wright’s adaptation of A ROOM OF ONE’S OWN reinforces how much gender inequality and its effect on opportunities for women remain almost a century after Virginia Woolf addressed the Newnham Arts Society at Newnham College and the ODTTA Society of Girton College in 1928.

Director Kate Champion presents a crisp expression of HONOUR, Joanna Murray-Smith’s study of the breakdown of a relationship based on the seductive nature of a power and influence imbalance. 

Captivating, heartwarming and heartbreaking, Jeanine Tesori (Music) and Lisa Kron’s (Book and Lyrics) adaptation of Alison Bechdel’s graphic memoir FUN HOME has finally opened in Sydney after a pandemic induced delay

Wendy Beckett’s (Writer and director) CLAUDEL exposes the challenges Camille Claudel faced when choosing to pursue a life as female artist in 19th Century Paris. 

Directors Kenneth Moraleda and Nicole Pignon bring Julie Koh (Librettist) and Paul Smith’s (Composer) new Australian satirical comic chamber opera CHOP CHEF to the stage. 

Multi award winning Australian opera singer Jacqui (Jacqueline) Dark returns to the Cabaret stage with JACQUI DARK IS ALIVE AND WELL AND LIVING IN NEWTOWN. 

THE REMOVALISTS, one of Williamson’s revolutionary works, is back at the New Theatre with gusto, guts and gravitas.

Capitalizing on the popularity of reconnecting with vintage aesthetics, Laura Wade’s (playwright) HOME, I’M DARLING considers the danger of delving too far into the retro fantasy and trying to recreate a 1950’s life in the 21st century.

Presenting both an insight into both the creative process behind adapting a play and the strength and frailty of human relationships, THE TWINS puts real life on stage as co- writers, Greg Fleet and Ian Darling are also the performers, portraying themselves.

Almost 60 years after the premiere of EXIT THE KING, Eugène Ionesco’s absurd tale of a self-centered belligerent King who refused to listen to his Queen as his kingdom crumbled retains a significance in the 21st century.

Multi-award-winning journalist Sally Sara uses her experience as an ABC Foreign Correspondent returning from years reporting from war zones as an inspiration for her first foray into writing for theatre with the powerful new work STOP GIRL.

Lin-Manuel Miranda’s multi award winning musical that broke the mold of musical theatre, HAMILTON, opens in Sydney.

At a time when women’s voices are still struggling to be heard, New York based Australian composer and lyricist Carmel Dean’s WELL-BEHAVED WOMEN is a wonderful battle cry of ballads about famous females from history to inspire modern generations to continue to break down the barriers. 

An evening to excite and satisfy your Irish palette. A Taste Of Ireland. Many flavours can be enjoyed in a performance that follows the history of the Celtic motherland.

Youth bite back to show us we can ask that question with joy. I’ve Been Meaning To Ask You is a wonderful combination of theatre, dance, participation, experience and performance

Seven years after its world premiere in Chicago, Branden Jacobs-Jenkins’ Obie Award winning APPROPRIATE is presented as part of Sydney Theatre Company’s 2021 season. 

Rwandan born Australian comedian, playwright and actor Oliver Twist brings his new solo play JALI to SBW Stables for Griffin Theatre Company’s 2021 season.

Glengarry Glen Ross presents the cutthroat world of real estate sales. The lengths these salesmen go to, to seal the deal, for continued success and to ensure survival.