Jade Kops - Page 10

Alana Valentine’s WAYSIDE BRIDE draws on real experiences from interviews and a personal connection to share the stories Of Reverend Ted Noff’s unusual ministry. 

Director Constantine Costi pulls off the seemingly impossible of squeezing in a 17 piece orchestra, under the Baton of Brian Castles-Onion, a dancer and 6 singers into the small space of the Old Fitz Theatre to present an entrancing interpretation of Kurt Weill (Music) and Bertolt Brecht's (text/lyrics) THE SEVEN DEADLY SINS ballet with songs and MAHAGONNY SONGSPEIL song cycle.

Under Craig Baldwin’s direction, Sydney audiences are given a glimpse into the impassioned arguments that the American conservative Christian community have been making in favour of having their beliefs be the cornerstone of US politics in HEROES OF THE FORTH TURNING.

BLITHE SPIRIT, the satirical farce about the pitfalls of interrupting the souls of those past on for personal amusement plays out at the Sydney Opera House.

What a joy to see an enormous production of The Phantom of the Opera on Sydney harbour against the city skyline. And enormous is the word. The stage is 2.5 times larger than any indoor Australian stage.

Director Simon Phillips has transferred one of Alfred Hitchcock’s expert works to the auditorium. Almost word for word, scene for scene and shot for shot. In a world where the theatre scene consists of reinventing films for the stage, this piece is the cinema masterpiece live on stage.

White Pearl astounds with colourful layers. Anchuli Felicia King’s work is a tour de force that explores themes of power, racism, feminism, beauty standards, consumerism and cultural diversity.

@BernieDieter @jaimime @sydneyfringe BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On BERNIE DIETER'S CLUB KABARETT

Dolly Parton (Music and Lyrics) and Patricia Resnick’s (Book) musical adaptation of Resnick and Colin Higgins 1980’s ‘labour film’ 9 TO 5 bursts onto the Sydney stage with a fabulous and fun celebration of female empowerment. 

Director Roger Hodgman brings Pete Townsend’s Tommy to the Australian stage.

Like the determined dancers that feature in its story, Director and Choreographer Amy Campbell’s A CHORUS LINE has pushed through the multiple pandemic related setbacks to finally open at Sydney Opera House’s Drama Theatre.

While much of Alan Turing’s work was the subject of the Official Secrets Act, his personal life was not afforded the same anonymity and details of his sexuality overshadowed his achievements for many years.  Hugh Whitemore’s BREAKING THE CODE seeks to balance the scales of the awareness of Turing achievements along with the outdated laws on homosexuality that saw the father of computer science convicted and subjected to hormone therapy which eventually broke him, physically and mentally.

Making his musical theatre directorial debut, Jake Tyler delivers a wonderful production of HEATHERS-THE MUSICAL for The Mitchell Old Company, a new independent theatre company.

Part dramatic monologue, part TED Talk, Noëlle Janaczewska’s THE END OF WINTER is a moving personal story of one woman’s awareness of loss on multiple levels as she contemplates the future of her favourite season.

Anchored in history and reality, Nathan Maynard’s AT WHAT COST? brings the story of treatment of Tasmania’s Indigenous population to the forefront as a modern generation deals with a new form of appropriation and exploitation.

Tracey Trinder’s play KILLING KATIE: CONFESSIONS OF A BOOK CLUB is a hilarious and honest look at the realities of female relationships. 

Bangarra Dance Theatre and Sydney Theatre Company, in their first co-production present the world premiere of WUDJANG: NOT THE PAST. An epic scale contemporary corroboree, and Bangarra’s largest stage production to date.

The multi-talented Casey Donovan delivered a captivating concert at Sydney Festival, showcasing her vocal versatility and ability to tap into the true emotion of the music she sings. 

Glace Chase (Writer and Performer) takes the classic story of secret love with someone not deemed ‘acceptable’ to their family and friends’ expectations and adds an extra layer of complexity in her new play TRIPLE X.

The eagerly awaited pairing of Conor McPherson’s writing and directing with the music of Bob Dylan’s career, GIRL FROM THE NORTH COUNTRY arrives at the Theatre Royal, Sydney.