REVIEW: New Australian Work, THE DISMISSAL AN EXTREMELY SERIOUS MUSICAL COMEDY Is A Brilliant Exploration Of The Time Democracy Was Undermined By The Governor General.
Based on the real life story of when the razor gangs battled for supremacy on the streets of Sydney in the 1920’s, RAZOR GANG WARS is staged in the unique setting of a 200-year-old sandstone crypt beneath St James’ Church in Sydney
These are the GODZ of Sydney Fringe.
Marc Lucchesi, Sarah Nandagopan and Jayan Nandagopan (joint Writers and Composers) new work THE MARVELLOUS ELEPHANT MAN THE MUSICAL arrives in Sydney as part of its current tour of the Fringe Festival Circuit.
Christine Dunstan Productions and Director Darren Yap bring Tim McGarry’s stage adaptation of Colleen McCullough’s novel, TIM, to The Riverside Theatre.
Presented by Opera Australia, Cameron Mackintosh’s Revival of MISS SAIGON reunites the creatives from the 2004 Touring Production, which reached Australia in 2007, to reincorporate elements of the 1989 West End original while shifting the focus to make a more powerful message than the central love
Yoruba and Ngati Tuwharetoa musician Samuel Gaskin has created a multi art form performance that is a powerful celebration of indigenous culture using storytelling, original songs, and dance.
Kellen Blair (Book and Lyrics) and Joe Kinosian’s (Book and Lyrics) clever comic murder mystery MURDER FOR TWO is brought to life by Gabbi Bolt and Maverick Newman under Richard Carroll’s direction.
Presented as part of Belvoir St Theatre’s 25A series, SATURDAY GIRLS is an honest expression of the teen female experience with the added challenge of sexual discovery.
Highlighting mature women’s stories, THE WEEKEND is brought to the stage with Sarah Goodes (Director) presentation of Sue Smith’s adaptation of Charlotte Wood’s 2019 novel of the same name.
ELVIS - A MUSICAL REVOLUTION is an enlightening and entertaining new bio-musical about the late Elvis Presley.
Australian singer and actress Bernadette Robinson brings her latest vocal tribute to Sydney with her latest cabaret concert, DIVAS.
Director Ian Michael delivers a captivatingly beautiful expression of Nick Payne’s contemplation of the effect the theory of multiple universes on a heartbreaking love story in CONSTELLATIONS.
Debra Oswald’s MR BAILEY’S MINDER has a new resonance in an age when the ‘greats’ are finally held to the same standard as the rest of society and their bad behavior is no longer ignored.
Victorian Opera’s incoming Artistic Director Stuart Maunder AM revives his a deliciously dark but incredibly clear expression of Stephen Sondheim (Music and Lyrics) and Hugh Wheeler’s (Book) SWEENEY TODD: THE DEMON BARBER OF FLEET STREET – A MUSICAL THRILLER.
Director Kip Williams delivers a captivating production of Tommy Murphy’s adaptation Nevil Shute’s 1957 novel ON THE BEACH.
Mike Lew(playwright/adaptor) reworks Shakespeare’s tragedy for a modern audience with TEENAGE DICK.
Michelle Law (playwright) draws on childhood memories of when she finally saw people like herself on screen to create MISS PEONY, a work that celebrates retaining a connection to her heritage while challenging what it means to identify as Chinese in 21st century Australia.
International icon of intelligent cabaret, Reuben Kaye, has finally been able to present THE BUTCH IS BACK in Sydney and the 1600 strong audience at Enmore Theatre couldn’t have been happier to have the Melbourne born Glamazon grace the Sydney stage after the April show was cancelled due to securi
