Jade Kops
REVIEW: Wonderfully Nostalgic, THE ADDAMS FAMILY THE MUSICAL Is A Delightful Escape
REVIEW: PRIDE AND PREJUDICE *SORT OF Reimagines The Story Being Told By The People Austen Barely Considered
Review: Stephein Sondheim;s PUTTING IT TOGETHER Contemplates Human Relationships at Foundry Theatre
Review: THE BOOK OF MORMON Returns To Sydney Even Better Than Before
REVIEW: Psychological Thriller THE TALENTED MR. RIPLEY at The Sydney Theatre Company Stage
REVIEW: BENNELONG IN LONDON Is An Artfully Expressed Conversation Across Centuries To Set The Record Straight.
Jane Harrison’s newest work BENNELONG IN LONDON explores what the iconic Indigenous Elder might have to say if he had the chance to influence a 21st century actor’s expression of his life.
REVIEW: PRIDE AND PREJUDICE *SORT OF Reimagines The Story Being Told By The People Austen Barely Considered
Isobel McArthur’s Olivier Award Winning PRIDE AND PREJUDICE *SORT OF is a fantastically irreverent retelling of Jane Austen’s famous novel of manners.
REVIEW: Wonderfully Nostalgic, THE ADDAMS FAMILY THE MUSICAL Is A Delightful Escape
Inspired by Charles Addams’ characters, THE ADDAMS FAMILY THE MUSICAL is a delightfully “kooky” homage to the source material and the subsequent television and cinema legacy.
REVIEW: THIRTY-SIX Is An Insight Into The Lives, Loves, Fears And Hopes Of Trans Women, Told With Heart, Humour, Power and Passion.
Written by Jo Clifford and Bayley Turner, THIRTY-SIX is a beautifully presented insight into their experiences as trans women.
Review: NAILS: THE MUSICAL In Concert Is A Fabulous New Queer Musical
NAILS: THE MUSICAL In Concert is a fabulous new Australian work that combines women’s sport with heartwarming queer coming of age stories that reinforce that life isn’t always simple.
REVIEW: Australian Shakespeare Company Presents A New Tech Enhanced Staging Of HAIR THE TRIBAL LOVE-ROCK MUSICAL
Almost 60 years after its off-Broadway debut, HAIR THE TRIBAL LOVE-ROCK MUSICAL is both a time capsule of a different time and a reminder that there are still things that need changing.
REVIEW: Jonny Hawkins’ Latest Solo Performance, TRUCK DRIVER Is An Honest, Humorous and Humbling Insight Into Australians Not Usually Seen On Stage.
Jonny Hawkins (writer and performer) and Nell Ranney’s (director) TRUCK DRIVER is an incredible new Australian work that centres on the men that keep Australia moving, the owner-drivers of freight trucks.
REVIEW: Yve Blake Gives Shakespeare’s Tragedy Of Macbeth A Contemporary Teen Treatment With MACKENZIE
An hilarious homage and caution about teenage fame and unchecked egos, the Tragedy Of Macbeth is transformed in MACKENZIE.
REVIEW: IZZARD: THE TRAGEDY OF HAMLET Is A Phenomenal Solo Retelling Of Shakespeare’s Play
Suzy Eddie Izzard brings her one woman show IZZARD: THE TRAGEDY OF HAMLET to stun Sydney audiences.
REVIEW: Brilliantly Insane, DIRTY ROTTEN SCOUNDRELS Is A Clever Classic Comedy Musical
Rebecca McNamee (Director) delivers a fabulous new production of David Yazbek (Music and Lyrics) and Jeffrey Lane’s (Book) musical adaptation of DIRTY ROTTEN SCOUNDRELS.
Review: The Musical Adaptation of TOOTSIE Is The Latest Fun Filled Offering At Teatro At The Italian Forum
Heartwarming and hilarious, the musical theatre adaption of TOOTSIE has its Australian Premiere at Teatro At The Italian Forum.
REVIEW: Reuben Kaye Delivers Another Intelligent And Insightful Cabaret with His Latest Show HARD TO SWALLOW
HARD TO SWALLOW is the latest cabaret from Reuben Kaye and it is everything audiences have come to expect from the incredibly intelligent performer who blends ‘no holds barred’ political and social commentary with clever new music and a liberal dose of fabulously funny filth.
REVIEW: The Power Of Female Friendship Features In STEEL MAGNOLIAS
Set in the late 1980’s, Robert Harling’s STEEL MAGNOLIAS expresses the enduring power of the sisterhood in helping face the challenges of life.
REVIEW: Disney’s THE LION KING Returns To Sydney To Delight A New Generation With Julie Taymor’s Award Winning Production
Almost 30 years since it’s Broadway premier in 1997, THE LION KING still brings gasps of awe as Julie Taymor’s musical theatre adaptation of Walt Disney Animation’s 1994 film returns to the Sydney stage.
Review: ANASTASIA, The Fairytale Imagining Of The Last Romanov Arrives In Sydney
ANASTASIA is Stephen Flaherty (Music), Lynn Ahrens (Lyrics) and Terrence McNally’s (Book) musical theatre fairytale imagining of the last Romanov, inspired by 20th Century Fox Animation’s 1997 movie of the same name.
REVIEW: Mystery, Romance, Thriller, Or Red Flag Alert… Jez Butterworth’s THE RIVER Takes Time To Digest
The purpose of Jez Butterworth’s 2012 play THE RIVER is as elusive as its subject matter, the Sea Trout.
REVIEW: Fabulously Feminist Classic Australian Novel, MY BRILLIANT CAREER Is Given The Musical Theatre Treatment And It Is Brilliant.
Miles Franklin’s best known work, MY BRILLIANT CAREER is given the musical theatre treatment for a modern age by Sheridan Harbridge (Book), Dean Bryant (Book and Lyrics) and Mathew Frank (Music) and the outcome is amazing.
REVIEW: On Your Feet Australia Presents the Australian Premiere of Feel Good Musical THE PROM
THE PROM, the hilarious new musical with a heartwarming outcome from Matthew Sklar (Music), Chad Beguelin (Lyrics and Book) and Bob Martin (Book), finally arrives in Australia, premiering at the new Teatro At The Italian Forum Theatre in Leichhardt.
REVIEW: THE PHANTOM OF THE OPERA Returns to Handa Opera On Sydney Harbour With A Revival Of Simon Phillips’ 2022 Production.
As part of the 40th Anniversary Celebrations of Andrew Lloyd Webber (Music and Book)), Charles Hart (Lyrics) and Richard Stilgoe’s (Lyrics and Book) famous musical, Opera Australia has revived its production of THE PHANTOM OF THE OPERA for the 2026 Handa Opera on Sydney Harbour season.
REVIEW: The Deceptive Power Of Acting On Performers Plays Out With Hilarious Comedy In STAGE KISS
Alice Livingstone (Director) brings Sarah Ruhl’s (Playwright) study of human behaviour and the blurring of acting and actual to the New Theatre stage.
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