Jade Kops
REVIEW: Pantomime meets musical theatre for the Monty Python fans in SPAMALOT
REVIEW: Six New Queens Take To The Stage as SIX Returns To Sydney
Review: Stephein Sondheim;s PUTTING IT TOGETHER Contemplates Human Relationships at Foundry Theatre
REVIEW: THE PHANTOM OF THE OPERA Returns to Handa Opera On Sydney Harbour With A Revival Of Simon Phillips’ 2022 Production.
REVIEW: Yve Blake Gives Shakespeare’s Tragedy Of Macbeth A Contemporary Teen Treatment With MACKENZIE
Latest Articles
REVIEW: Suzie Miller Turns The Spotlight on Women In Australian Rules Football with STRONG IS THE NEW PRETTY
The history of the long overdue inclusion of women into the Australian Football League (AFL) is latest subject of Suzie Miller’s unique brand of theatre in STRONG IS THE NEW PRETTY.
REVIEW: WE ARE THE TIGERS Melds Musical Theatre With American High School Tropes And Horror With Hilarious Outcomes
Preston Max Allen’s (Music, Lyrics, Book) WE ARE THE TIGERS Is an American teen coming of age story with a deadly twist.
REVIEW: Pantomime meets musical theatre for the Monty Python fans in SPAMALOT
SPAMALOT, otherwise known as Monty Pythony’s Spamalot: A New Musical (Lovingly) Ripped Off from the Motion Picture Monty Python and the Holy Grail is an absurd spoof on the already absurd.
REVIEW: Six New Queens Take To The Stage as SIX Returns To Sydney
Almost ten years on from its premiere at the 2017 Edinburgh Fringe Festival, Lucy Moss and Toby Marlow’s (both Book, Music and Lyrics) musical rock concert about the six wives of Henry VIII is back with a whole new cast of Queens.
REVIEW: CIRQUE ALICE Pairs Lewis Carroll’s Fantasy World With Circus, Comedy, Magic and Music.
Drawing inspiration from Lewis Carroll’s children’s novel, CIRQUE ALICE is Producers Tim Lawson and Simon Painter’s latest circus spectacular to tour to Sydney.
REVIEW: Satirical Take On Big Business, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING Remains Relevant As Corporations Continue To See It As A Handbook, Not A Caution
The satirical musical of what should be a corporate myth, that someone with no experience can rise to the top of the corporate ladder, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, is presented in classic Broadway style at Hayes Theatre.
REVIEW: The Cult Classic Coming Of Age Story, HEATHERS THE MUSICAL Captivates A New Generation
September first, 2026, Andy Fickman (Director) and Gary Lloyd’s (Choreographer and Associate Director) production of HEATHERS THE MUSICAL opens in Sydney’s Roslyn Packer Theatre.
REVIEW: RETURN OF THE GODZ Blends Incredible Circus Skills, Endearing Comedy And Ancient and Classical Mythology
Head First Acrobats’ latest circus show, RETURN OF THE GODZ pairs barely clad living gods, circus skills and comedy for an evening of awe and absurdity.
REVIEW: The Regent’s Park Open Air Theatre Production of FIDDLER ON THE ROOF Arrives In Sydney
Jordan Fein’s (Director) production of FIDDLER ON THE ROOF, originally staged at Regent’sPark Open Air Theatre in 2024 is presented on the Theatre Royal stage with an Australian cast.
REVIEW: Marcia Hines Turns Up The Heat For Winter with VELVET INFERNO
Marcia Hines leads a new incarnation of the disco, cabaret, circus experience with VELVET INFERNO.
REVIEW: BENNELONG IN LONDON Is An Artfully Expressed Conversation Across Centuries To Set The Record Straight.
Jane Harrison’s newest work BENNELONG IN LONDON explores what the iconic Indigenous Elder might have to say if he had the chance to influence a 21st century actor’s expression of his life.
REVIEW: PRIDE AND PREJUDICE *SORT OF Reimagines The Story Being Told By The People Austen Barely Considered
Isobel McArthur’s Olivier Award Winning PRIDE AND PREJUDICE *SORT OF is a fantastically irreverent retelling of Jane Austen’s famous novel of manners.
REVIEW: Wonderfully Nostalgic, THE ADDAMS FAMILY THE MUSICAL Is A Delightful Escape
Inspired by Charles Addams’ characters, THE ADDAMS FAMILY THE MUSICAL is a delightfully “kooky” homage to the source material and the subsequent television and cinema legacy.
REVIEW: THIRTY-SIX Is An Insight Into The Lives, Loves, Fears And Hopes Of Trans Women, Told With Heart, Humour, Power and Passion.
Written by Jo Clifford and Bayley Turner, THIRTY-SIX is a beautifully presented insight into their experiences as trans women.
Review: NAILS: THE MUSICAL In Concert Is A Fabulous New Queer Musical
NAILS: THE MUSICAL In Concert is a fabulous new Australian work that combines women’s sport with heartwarming queer coming of age stories that reinforce that life isn’t always simple.
REVIEW: Australian Shakespeare Company Presents A New Tech Enhanced Staging Of HAIR THE TRIBAL LOVE-ROCK MUSICAL
Almost 60 years after its off-Broadway debut, HAIR THE TRIBAL LOVE-ROCK MUSICAL is both a time capsule of a different time and a reminder that there are still things that need changing.
REVIEW: Jonny Hawkins’ Latest Solo Performance, TRUCK DRIVER Is An Honest, Humorous and Humbling Insight Into Australians Not Usually Seen On Stage.
Jonny Hawkins (writer and performer) and Nell Ranney’s (director) TRUCK DRIVER is an incredible new Australian work that centres on the men that keep Australia moving, the owner-drivers of freight trucks.
REVIEW: Yve Blake Gives Shakespeare’s Tragedy Of Macbeth A Contemporary Teen Treatment With MACKENZIE
An hilarious homage and caution about teenage fame and unchecked egos, the Tragedy Of Macbeth is transformed in MACKENZIE.
REVIEW: IZZARD: THE TRAGEDY OF HAMLET Is A Phenomenal Solo Retelling Of Shakespeare’s Play
Suzy Eddie Izzard brings her one woman show IZZARD: THE TRAGEDY OF HAMLET to stun Sydney audiences.
REVIEW: Brilliantly Insane, DIRTY ROTTEN SCOUNDRELS Is A Clever Classic Comedy Musical
Rebecca McNamee (Director) delivers a fabulous new production of David Yazbek (Music and Lyrics) and Jeffrey Lane’s (Book) musical adaptation of DIRTY ROTTEN SCOUNDRELS.
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