Cindy Marcolina - Page 36
Latest Articles
BWW Review: ONCE UPON A MATTRESS, Upstairs At The Gatehouse
Mary Rodger's (yes, daughter of that Richard Rodgers) 1959 musical Once Upon a Mattress makes an appearance in Highgate in a revival that, unfortunately, looks old and stuffy despite all the talent on stage.
BWW Review: CLOSED LANDS, VAULT Festival
In 1989, the fall of the Berlin Wall is a beacon of light and the emblem of freedom for everyone in the free world.
BWW Review: ALL QUIET ON THE WESTERN FRONT, VAULT Festival
Incognito Theatre are back at VAULT Festival with an adaptation of Erich Maria Remarque's All Quiet on the Western Front.
BWW Review: BIG, VAULT Festival
Fat Girl (Erin Gill) is in love with Pizza (Geraint Rhys).
BWW Review: THE REVENGER'S TRAGEDY, Barbican Centre
Not even the threatening pandemic managed to keep Cheek by Jowl to introduce the Babican Theatre to the brilliant company of Milan's Piccolo Teatro.
BWW Review: THE LAST FIVE YEARS, Southwark Playhouse
Jason Robert Brown's The Last Five Years has come back to London after a stint in the West End in 2016 as an intimate and exceptionally touching production directed by Jonathan O'Boyle.
BWW Review: TRAINERS (A THEATRICAL ESSAY), Gate Theatre
Trainers is one of those shows that have their public gaping at the stage.
BWW Review: DIVINA DE CAMPO, The Other Palace
Following their hyper-successful Sunday Favourites at The Other Palace, the venue are launching another series of one-off concerts that will see performers get up close and personal in an acoustic setting.
Celebrating Theatre and Its Supporters In Style At The 20th WhatsOnStage Awards
The theatre stars aligned this past Sunday for the 20th Annual WhatsOnStage Awards at the Prince of Wales Theatre, which shrug off its usual Mormon clothes for the occasion.
BWW Review: DARKFIELD, Lewis Cubitt Square
Vivid imaginations, beware! Immersive company Darkfield have taken over Lewis Cubitt Square in King's Cross with a collection of torment-inducing shows.
BWW Review: DON'T TALK TO STRANGERS, VAULT Festival
When the Voyager spacecrafts were launched in 1977, they contained two golden records that were meant to reproduce sounds and noises coming from Earth so that alien life could learn about us.
BWW Review: THIS QUEER HOUSE, VAULT Festival
A debut play is always tricky business and This Queer House is no exception, with poet Oakley Flanagan penning a piece that's all over the place stylistically and thematically.
BWW Review: LIFE AND DEATH OF A JOURNALIST, VAULT Festival
Laura (Lucy Roslyn) has just returned from Hong Kong after reporting from the protests.
BWW Review: ALICE, VAULT Festival
Actor and writer Emily Renée pens a story about family love, coincidences, immigration, and all the elements that, combined, build an identity.
BWW Review: WIGS SNATCHED, PERCEPTIONS DESTROYED, VAULT Festival
Erinn Dhesi invites her audience to an educated analysis of social media usage, its effects on perception and lifestyle, and how cultivating an identity has become a feasible female-centric career.
BWW Review: JEKYLL / HYDE, VAULT Festival
The premise of Fire Hazard Games' latest feat is simple: a series of horrendous crimes are being discovered by the police and there are reasons to believe you are involved.
BWW Review: ESSENCE, VAULT Festival
Elyot is a peculiar man.
BWW Review: NEARLY HUMAN, VAULT Festival
a?oeExcept for Hydrogen, all the atoms that make each of us up [.
BWW Review: THE FUTURE IS MENTAL, VAULT Festival
This year, Network Theatre Company take their audience to an unspecified futuristic time with The Future is Mental, an anthology of six short plays that are heavily recalling of Black Mirror.
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