Member of the Critics' Circle (Drama) with a master's in dramaturgy. Also a script reader and huge supporter of new work. @Cindy_Marcolina on X; cindymarcolina.bsky.social on BlueSky
Next up in the National Theatre at Home series of broadcasts we find a gem of a play coming straight from their archives, Lorraine Hansberry's staggeringly topical Les Blancs.
Rapper, beatboxer, theatre maker, and BAC Beatboxing Academy's artistic director Conrad Murray has released No Milk For The Foxes on YouTube, his 2015 co-production with Camden People's Theatre starring himself and Paul Cree.
Commissioned as part of the events marking the centenary of the First World War, Sound&Fury's Charlie Ward is now available as a standalone online experience.
The present pandemic has moved everything online, so in Exit Productions's Jury Duty the Ministry of Justice have been required to relocate their trials out of the courts and into the ether.
Back in 2016 the NBC lot in Los Angeles transformed into 1962 Baltimore for the televised special Hairspray Live!, the fourth of the network's made-for-tv musicals.
Director and producer Mark Dooley has just released Repeat Attenders, a direct look into the lives of musical theatre superfans in the form of a documentary.
Bitter Pill Theatre's contribution to the lockdown content audiences get to enjoy for free comes in the form of The Painkiller Project, a podcast that edges towards radio drama.
The Royal Albert Hall continue their online programming in spite of closing their doors, bringing to our screens a ray of sunshine in the shape of Marisha Wallace to ease the lockdown.
Back in 2019, the former Queen's Theatre on Shaftesbury Avenue was temporarily closed down to transform the building into the Sondheim Theatre and give its favourite tenant, Les Misérables, a major revamp.