BWW Review: WHAT THE DOLLS SAW, VAULT Festival
The world's greatest dollmaker has just died and his family have come together to mourn the death of their father and husband.
Cindy Marcolina - Page 38
Latest Articles
BWW Review: REPUBLIC, VAULT Festival
The nation of Mars is finally free.
BWW Review: GORGON: A HORROR STORY, VAULT Festival
It's very hard to distillate horror and put it on stage.
BWW Review: IN MY LUNGS THE OCEAN SWELLS, VAULT Festival
Julie (Jenny Walser) and Simon (Jack Brownridge-Kelly) grew up in a small fishing village at the end of the world, in Cornwall.
BWW Review: THE LOST HOURS, VAULT Festival
On a morning in late January in 1989, Salvador Dalí was dying at the age of 84 after changing the art world forever.
BWW Review: PATRICIA GETS READY (FOR A DATE WITH THE MAN WHO USED TO HIT HER), VAULT Festival
Patricia has spent the past year recovering from an abusive relationship.
BWW Review: THE GRIM, VAULT Festival
VAULT Festival is notorious for its offerings of promenade and immersive shows.
BWW Review: LOST LAOWAIS, VAULT Festival
In Beijing, four expats at different stages of emigration are grappling with how Chinese society perceives them.
BWW Review: THE JOURNEY OF A WARLIKE MIND, VAULT Festival
Ana Luiza Ulsig brings the result of a nervous breakdown to VAULT Festival.
BWW Review: FIRST TIME, VAULT Festival
After an acclaimed debut in Edinburgh last summer, Nathaniel Hall is bringing his autobiographical one-man show First Time to VAULT Festival before heading off on tour to tell his story of shame and acceptance.
BWW Review: FRANKIE FOXSTONE A.K.A. THE PROFIT: WALKING TOUR, VAULT Festival
Young property developer Frankie Foxstone has her eyes on the Waterloo area.
BWW Review: SOMETHING AWFUL, VAULT Festival
Soph (Natalya Martin) and Jel (Monica Anne) love sitting in the dark reading creepypasta on the internet.
BWW Review: KUNENE AND THE KING, Ambassadors Theatre
An acclaimed classical actor is struggling with his terminal diagnosis while preparing for the role of a lifetime.
BWW Review: MACBETH, Wilton's Music Hall
The curse struck again on press night of The Watermill Theatre's London transfer of Macbeth, with Lauryn Redding (allegedly) dislocating both knees during Paul Hart's energetic opening.
BWW Review: SEX/CRIME, Soho Theatre
A and B meet to recreate the feats of a famously homosexual serial killer who's haunting the streets of London.
BWW Review: FACES IN THE CROWD, Gate Theatre
A nameless woman starts writing a novel in Mexico City.
BWW Review: YOU STUPID DARKNESS!, Southwark Playhouse
Every Tuesday night, four volunteers gather in a drab branch of Brightline taking phone calls from strangers facing hardship.
BWW Review: THE GIRL WITH GLITTER IN HER EYE. The Bunker Theatre
Helen is finally getting the artistic opportunity she's been coveting, while Phil is being dragged down by her own secret.
BWW Review: HAMLET: ROTTEN STATES, The Hope Theatre
The new year has officially seen the passing of the artistic direction baton from Matthew Parker to Kennedy Bloomer at The Hope Theatre.
BWW Review: COPS, Southwark Playhouse
It's 1957 in Chicago.
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