BWW Review: LIFE AND DEATH OF A JOURNALIST, VAULT Festival
Laura (Lucy Roslyn) has just returned from Hong Kong after reporting from the protests.
Cindy Marcolina - Page 33
BWW Review: ALICE, VAULT Festival
Actor and writer Emily Renée pens a story about family love, coincidences, immigration, and all the elements that, combined, build an identity.
BWW Review: WIGS SNATCHED, PERCEPTIONS DESTROYED, VAULT Festival
Erinn Dhesi invites her audience to an educated analysis of social media usage, its effects on perception and lifestyle, and how cultivating an identity has become a feasible female-centric career.
BWW Review: JEKYLL / HYDE, VAULT Festival
The premise of Fire Hazard Games' latest feat is simple: a series of horrendous crimes are being discovered by the police and there are reasons to believe you are involved.
BWW Review: ESSENCE, VAULT Festival
Elyot is a peculiar man.
BWW Review: NEARLY HUMAN, VAULT Festival
a?oeExcept for Hydrogen, all the atoms that make each of us up [.
BWW Review: THE FUTURE IS MENTAL, VAULT Festival
This year, Network Theatre Company take their audience to an unspecified futuristic time with The Future is Mental, an anthology of six short plays that are heavily recalling of Black Mirror.
BWW Review: ANGELS, VAULT Festival
Three strippers are working in a decadent venue in London.
BWW Review: HOW WE LOVE, VAULT Festival
Same-sexual relationships of any kind are illegal in Nigeria.
BWW Review: NOTCH, VAULT Festival
Croatian writer and performer Danaja Wass brings her latest project Notch to VAULT Festival directed by Madelaine Moore.
BWW Review: MADAME OVARY, VAULT Festival
After a triumphant presence at Edinburgh Festival Fringe last year, Rosa Hesmondhalgh has taken Madame Ovary back to London for what's looking like another bewilderingly successful run.
BWW Review: BE MORE CHILL, The Other Palace
It's safe to say that Be More Chill's journey to the major stages has been decidedly unconventional.
BWW Review: THE UPSTART CROW, Gielgud Theatre
Born out of the celebrations for the 400th anniversary of Shakespeare's death in 2016, Ben Elton's sit-com Upstart Crow went on to have three series and multiple Christmas specials.
BWW Review: CROOKS 1926, King William IV
COLAB Theatre have woven another thrilling adventure: the company strikes gold with the Peaky Blinder infused Crooks 1926.
BWW Review: ROLE PLAY GOURMET, VAULT Festival
Mixing theatre and food has become a bit of a craze in the past couple of years, so it was only a matter of time before shows involving food were introduced in festivals.
BWW Review: STICKY DOOR, VAULT Festival
Katie Arnstein returns to VAULT Festival after Bicycles and Fish and Sexy Lamp to complete her It's a Girl! trilogy presenting Sticky Door directed by Ellen Howard.
BWW Review: BIBLE JOHN, VAULT Festival
In 1969, a serial killer brutally murdered three women in Scotland.
BWW Review: ASK ME ANYTHING, VAULT Festival
The Paper Birds tackle all the important stuff and then some in their groundbreaking and format defying Ask Me Anything.
BWW Review: THE SIX WIVES OF HENRY VIII, King's Head Theatre
After the press murders their Richard III and everything seems lost, Stu McLoughlin notices that Howard Coggins looks like Henry VIII.
BWW Review: RHUBARB GHETTO, VAULT Festival
Billy (Damian Lynch) and Scarlet (Izabella Urbanowicz) meet in a damp underpass covered in graffiti.
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