Review: RIDE, Charing Cross Theatre
Still, Ride is an impressive feat in both material and execution.
Cindy Marcolina - Page 27
Latest Articles
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Naima Sjoholm writes an intriguing pastiche that toys with our perception of the plot.
Review: HIDDEN FIGURES: WW2, St. Peter's Church
Underneath an unassuming church in Bethnal Green, Party Geek and their creative director Paul King are single-handedly reframing the Second World War with a brilliant concept and an astonishing execution.
Review: CRUISE, Apollo Theatre
After a stellar outing last year and a nomination for Best New Play at the Olivier Awards, Jack Holden’s buzzing tale of a long-lost but never forgotten gay London is back with a smirk and a tear for a limited engagement in the West End.
Review: WONDERVILLE: MAGIC & CABARET, Wonderville
It’s a fantastic, highly entertaining night out that will leave you speechless from beginning to end.
Review: THE WEST, COLAB Tavern
The experience toes the line between hen-do fun and delightfully over-the-top kitschiness.
Review: AN UNEXPECTED TALE IN SMOKY MIDTOWN, Canal Café Theatre
Amanda Elizabeth Rischel writes a scratchy comedy infused with typically noir tropes.
Review: FOX-LIGHT, The Hope Theatre
It’s unfortunate how numb and aimless this piece is.
Review: THE SUN, THE MOUNTAIN, AND ME, Union Theatre
The Sun, the Mountain, and Me is an equally dark and vibrant look at men's mental health, tactfully showing the path to recovery for those who need it.
Review: CHESS - THE MUSICAL IN CONCERT, Theatre Royal Drury Lane
Nick Winston stages less of a concert and more of an almost-fully-formed production with clear-cut vision.
Review: TASTING NOTES, Southwark Playhouse
Just like some meetings should have been emails, some musicals should have been plays.
Review: THE TEMPEST, Shakespeare's Globe
Love Island meets Below Deck in Benidorm in this OTT aestival pastiche.
Review: JACK ABSOLUTE FLIES AGAIN, National Theatre
Jack Absolute Flies Again! Originally scheduled for the Spring of 2020, it took two years, a director change, and a cast reshuffling for the show to get off the ground.
Review: HUNGRY, Soho Theatre
“I thought I was being romantic, but I’m just being drunk and gay”.
Review: PATRIOTS, Almeida Theatre
A regime has fallen and the new ruling class is gearing up to take over.
Review: TITANIC LIVE, Royal Albert Hall
The tale of the RMS Titanic has been etched in the minds of millions for a century.
Review: REPORT TO AN ACADEMY, Old Red Lion Theatre
Many interpretations have been given to Franz Kafka’s novella A Report to an Academy, with academics taking different roads.
Review: MORAL PANIC, Riverside Studios
It’s a turbulent time in 1984 England.
Review: 9 CIRCLES, Park Theatre
Dante Alighieri built his idea of hell as a colossal conical structure that opens up underneath Jerusalem and reaches the centre of the Earth.
Review: BEAUTY AND THE BEAST, The London Palladium
The tale as old as time returns to the West End.
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