BWW Review: GATSBY, Southwark Playhouse
Every once in a while, we fall prey to the glitz and glam of F.
Cindy Marcolina - Page 27
Book Review: 100 PLAYS TO SAVE THE WORLD
In the best-case scenario, by the end of the 21st century, the Earth will “only” become warmer by 1.
BWW Review: CRATCHIT, Park Theatre
When the air gets chillier and talks of Christmas plans begin to pop up in conversation, London starts swarming with every variation of A Christmas Carol known to man.
BWW Interview: Kat Ronney and Michael Elcock Talk HEX at National Theatre
Right before Hex started its previews this past weekend, we sat down with cast members Kat Ronney and Michael Elcock to talk about the National Theatre's new original musical.
BWW Review: THE CHILD IN THE SNOW, Wilton's Music Hall
It doesn’t take much for Wilton’s Music Hall to be atmospheric.
BWW Review: SLEEPING BEAUTY AND THE BEAST and PUSS IN MOON BOOTS, Battersea Arts Centre and On Demand
The Sleeping Trees are doing it all.
BWW Review: THE TEMPEST, Jermyn Street Theatre
Oh, how life changes in 20 months.
BWW Review: RARE EARTH METTLE, Royal Court Theatre
Rare Earth Mettle doesn’t need any more publicity.
BWW Review: FOUR QUARTETS, Harold Pinter Theatre
Other than being the source material for the plotless musical Cats and its equally abysmal film, T.
BWW Review: THE COMEDY OF ERRORS, Barbican
“These jokes are 400 years old, help me out here!” Dromio of Syracuse begs the audience at the Barbican.
BWW Review: LITTLE WOMEN, Park Theatre
The March sisters seem to spike in popularity every decade or so, due to films, series or feminist movements.
BWW Review: VANYA AND SONIA AND MASHA AND SPIKE, Charing Cross Theatre
It’s diminutive to say that a lot has changed in the past nine years.
BWW Review: DEATH OF ENGLAND: FACE TO FACE, Sky Arts
The team behind Death of England and its spin-off-slash-standalone-sequel Death of England: Delroy have been busy since their last involvement with the material, with Delroy dramatically closing on press night due to the measure of the second lockdown.
BWW Review: SIX SERPENTS AND A TARANTULA, Hen & Chickens Theatre
A town in the middle of nowhere, a violent relationship, a heinous crime, a tell-all letter.
BWW Review: INNOCENCE, Bread & Roses Theatre
There aren’t that many plays that deal with grooming and David Mamet’s Oleanna is the one piece that always springs to mind.
BWW Interview: Landi Oshinowo Chats The 10th Anniversary of MATILDA THE MUSICAL
As the celebrations for the 10th anniversary of Matilda The Musical heat up in the West End, we spoke to Landi Oshinowo, who plays Mrs Phelps, Matilda's local librarian, at the Cambridge Theatre.
BWW Review: FOOTFALLS & ROCKABY, Jermyn Street Theatre
Samuel Beckett is no stranger to Jermyn Street Theatre.
BWW Review: THE OCEAN AT THE END OF THE LANE, Duke Of York's Theatre
“Remembering is not different from imagining” says Old Mrs Hemlock to the Boy, all grown up now, as he tries to secure his recollection of the past.
BWW Review: PRIDE & PREJUDICE (SORT OF*), Criterion Theatre
As far as entertainment goes, our multiple lockdowns ended up being characterised by distinct obsessions.
BWW Review: THE BATTERSEA POLTERGEIST - LIVE!, The Clapham Grand
Sixty-three Wycliffe Road is a quiet terraced house in Battersea, just south of the River Thames.
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