BWW Review: 'NIGHT, MOTHER, Hampstead Theatre
Hampstead Theatre gets back on its feet properly and reopens at full capacity bringing Stockard Channing back on stage, who was last on stage in London at Trafalgar Studios in 2017.
Cindy Marcolina - Page 28
BWW Review: THE DANTE PROJECT, Royal Opera House
Dante Alighieri is frequently said to be the Italian William Shakspeare, and he certainly is in many aspects.
BWW Review: 4:48 PSYCHOSIS, Network Theatre
“There’s no point in anything because I am going to die” Sarah Kane says 4:48 Psychosis.
Book Review: 50 WOMEN IN THEATRE
A brilliant new collection of voices has just hit bookshelves.
BWW Review: MRS GREEN, Bread & Roses Theatre
Lots has changed in the United Kingdom since the referendum in 2016, and so has in British theatre.
BWW Review: SNOWFLAKES, Old Red Lion Theatre
There are many plays that have been pushed back by the pandemic.
BWW Review: THE LAST FIVE YEARS, Garrick Theatre
There is something unexplainable and idiosyncratically intimate about Aria Entertainment’s The Last 5 Years.
BWW Review: MYTHOSPHERE, Stone Nest
On Shaftesbury Avenue, right opposite The Palace Theatre with its Cursed Child, a venue which holds a mesmerising surprise lies between a Wing Stop and an educational centre.
BWW Review: OPERATION MINCEMEAT, Southwark Playhouse
Move over Hamilton and Six.
BWW Review: DECIPHERING, New Diorama Theatre
In 1940 a group of four teenage friends, thinking they’d be crawling through a secret passage to the close-by Lascaux Manor, made one of the most astonishing discoveries of the 20th Century.
BWW Review: THE GRAND, King's Head Theatre
It’s the 11th of September at The Grand in Brighton, first in 1943, then 1982, and then 2001.
BWW Review: CATCHING COMETS, Pleasance Theatre
“I’m a part-time time-traveler!” Toby is an artist who moonlights (quite literally) in an observatory.
BWW Review: THE MEMORY OF WATER, Hampstead Theatre
Memories are fickle things.
BWW Review: IN THE SHADOW OF THE BLACK DOG, King's Head Theatre
“Where do men go to grieve?” a failed relationship, a fixer-upper job in a pub, a sudden fear of dying, and now his best friend’s suicide are breaking Daniel Hallissey’s character.
BWW Review: DEAR ELIZABETH, Theatro Technis
“I wish you weren’t so far away” says Robert Rowell to Elizabeth Bishop in the return of Gate Theatre’s 2019 production of Dear Elizabeth.
BWW Review: THE GOOD DAD (A LOVE STORY), The Hope Theatre
“Everything about him was too big, too heavy, too hard” and yet the abominations of his behaviour went unaddressed for the majority of Donna’s life.
BWW Review: KISS HER, Camden People's Theatre
In 1921, female homosexuality was discussed in Parliament for the very first time.
BWW Review: PAINTING BY NUMBERS, Lion & Unicorn Theatre
All artists must think they’re better than anybody else, even if only by a little bit, or they must be convinced they have something to say at least.
BWW Review: 100 PAINTINGS, Bread & Roses Theatre
In a room at the Savoy, an Artist is desperately trying to deliver 100 artworks to the new manager to pay the bills.
BWW Review: THREE WAY, The Lion & Unicorn Theatre
There are plenty of gay plays, some very successful and other less-so, that carefully depict life as a homosexual male.
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