BWW Review: THE INVISIBLE HAND, Kiln Theatre
“Making money can get intoxicating”, especially the kind of money American banker Nick Bright starts making his capturers from a drab cell in rural Pakistan.
Cindy Marcolina - Page 30
BWW Review: I DIDN'T WANT THIS. I JUST WANTED YOU, Hen And Chickens
The United States of America: Land of the free, home of the brave.
BWW Review: ROMEO AND JULIET, Regent's Park Open Air Theatre
“Two households, both alike in dignity”, and so begins arguably Shakespeare’s most popular tragedy.
BWW Review: UNDER MILK WOOD, National Theatre
“To begin at the beginning”, Welsh poet Dylan Thomas never got to fulfil his true dream for his troubled radio play Under Milk Wood.
BWW Review: AMELIE THE MUSICAL, Criterion Theatre
Twenty years ago, the world fell in love with a quirky young woman by the name of Amélie Poulain.
BWW Review: THE MONEY, County Hall
The boundaries of immersive theatre have always been fairly blurry in London.
BWW Review: PUBLIC DOMAIN, Vaudeville Theatre
In September 2006, all people with an internet connection and a valid email address aged 13 and above were able to sign up to a website that was going to change the world.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Shakespeare's Globe
One of London’s most venerated theatres, Shakespeare's Globe has re-opened its doors with Sean Holmes’s gaudy 2019 production of A Midsummer Night’s Dream.
BWW Review: A MIDSUMMER NIGHT'S DREAM, SHAKE Festival Online
With spring quickly approaching and lockdown measures slowly easing, there probably isn’t a better piece of theatre to accompany the warmer weather and cheerier moods than A Midsummer Night’s Dream.
BWW Review: THE PICTURE OF DORIAN GRAY, Online
Adapting classic works for the modern day is a double-edged sword.
BWW Review: GOOD GRIEF, Platform Presents
Lorien Haynes’s Good Grief is hard to pin down.
BWW Review: THE DUMB WAITER, Hampstead Theatre
Hampstead Theatre are reopening their doors after an exceptionally difficult year with their long-delayed production of Harold Pinter’s The Dumb Waiter.
BWW Review: THE FLYING LOVERS OF VITEBSK, Bristol Old Vic At Home
Even though we entered the last month of 202 and we saw the end of a second lockdown in England, the unfortunate theatres around the country that happen to find themselves in Tier 3 are still closed to the public.
BWW Review: THE LEGEND OF MOBY DICK WHITTINGTON, YouTube
Not even a pandemic could stop brilliant comedy trio Sleeping Trees to spread their customary Christmas cheer.
BWW Interview: Clare Perkins Talks EMILIA Ahead Of Online Stream
Morgan Lloyd Malcolm's groundbreaking piece Emilia gets another outing in online form after empowering audiences on the Southbank and in the West End last year.
BWW Review: DANTE'S IN-FURLOUGH, The Vaults
There’s no better climate than a global pandemic for the Devil to get married, don’t you think? And they (yes, they - if we need to have one genderqueer character on the theatre scene, it definitely needs to be Lucifer) are inviting you to their hellish royal wedding reception.
BWW Interview: Hayley Wareham Talks BOTTLED on BBC Radio 4
After a stellar run at the VAULT Festival, Hayley Wareham's debut play Bottled has been turned by the writer into a radio drama.
BWW Review: THE WRITER'S TOOLKIT by Paul Kalburgi, Nick Hern Books
Practical guides for writers come a dime a dozen these days, but writer and producer Paul Kalburgi approaches the subject from a different path.
BWW Review: 52 SOULS
This summera??s final installment of digital theatre shows created by Chronic Insanity comes in the riveting form of 52 monologues that deal with mortality and death.
BWW Review: BLINDNESS, Donmar Warehouse
The buzz that usually pervades the West End is subdued, even on a Saturday afternoon with the sun shining bright and hot.
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