BWW Review: BACON, Finborough Theatre
“The memories are imprinted in my mind like ink that spreads”.
Cindy Marcolina - Page 26
BWW Review: GHOSTS OF THE TITANIC, Park Theatre
Just a few days after it was announced that Ernest Shackleton’s Endurance was found in near-perfect conditions off the coast of Antarctica after it sank in 1915, a play about another tragic, marginally more famous shipwreck opens at the Park Theatre.
BWW Review: BLOODY DIFFICULT WOMEN, Riverside Studios
Let’s rewind to 2016.
BWW Review: AFTER THE END, Theatre Royal Stratford East
The theatre gods work in mysterious ways.
BWW Review: WHEN WE DEAD AWAKEN, The Coronet Theatre
The Norwegian Ibsen Company return to London with Ibsen’s swansong.
BWW Review: UNCANNY VALLEY, Battersea Arts Centre
We’ve been saying it for decades, robots are going to take over the world.
BWW Review: SHROUD, Playground Theatre
We never go too long without learning new details of the heinous crimes committed by the Catholic Church.
BWW Review: RAIN AND ZOE SAVE THE WORLD, Jermyn Street Theatre
Being seventeen is hard enough without having to shoulder a climate emergency.
BWW Review: STEVE, Seven Dials Playhouse
The theatre formerly known as Tristan Bates, located just across the road from the Palace in the West End, has undergone a refurbishment and come out of the pandemic with a brand new name and snazzy facelift.
BWW Review: JOSHUA (AND ME), The Hope Theatre
Hannah is the youngest of three siblings.
BWW Review: NEVER NOT ONCE, Park Theatre
Eleanor (Meaghan Martin) is the daughter of Allison (Flora Montgomery) and Nadine (Amanda Bright).
BWW Review: INSTRUCTIONS FOR A TEENAGE ARMAGEDDON, Southwark Playhouse
“Thirteen is young for an existential crisis”.
BWW Review: HAMLET, Holy Trinity Church, Guildford
There’s a certain gravitas that follows Hamlet, a reverence that seems to accompany the great Dane alone.
BWW Review: HAMLET, Sam Wanamaker Playhouse
As if the Sam Wanamaker Playhouse wasn’t already atmospheric enough, it feels like a special treat to witness their first candlelit Hamlet.
BWW Interview: Michele Austin Talks CYRANO DE BERGERAC at the Harold Pinter Theatre
The last time we had a chat with Michele Austin we lived in a different world.
BWW Review: SAVING MOZART (CONCEPT ALBUM), Spotify
Since Hamilton debuted in 2015, the biographical musical genre has been at an all-time high.
BWW Review: FREUD'S LAST SESSION, King's Head Theatre
Great minds meet at symposiums, state dinners, in literary circles, in the theatre.
BWW Review: CONUNDRUM, Young Vic
“I know who I am”, Fidel’s mantra echoes throughout Paul Anthony Morris’s play.
BWW Review: THE 4TH COUNTRY, Park Theatre
Irish politics is, usually, abundant with stereotypes according to British theatre.
BWW Review: SPRING AWAKENING, Almeida Theatre
So many musicals wish they were as cool, progressive, provocative as Spring Awakening still is since its premiere Off-Broadway in 2006.
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