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VIDEO: Chilina Kennedy and Joaquina Kalukango Sing 'Someone to Love' From PARADISE SQUARE

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Paradise Square begins previews February 22, 2022 at the Barrymore Theatre (243 West 47th Street), where it opens March 20, 2022.

Paradise Square began its pre-Broadway engagement yesterday, November 2, at Chicago's James M. Nederlander Theatre (24 West Randolph Street). The production plays five weeks only through December 5, 2021.

Watch Chilina Kennedy and Joaquina Kalukango sing 'Someone to Love' below!

Visit www.broadwayinchicago.com for details.

Tickets are on sale at Telecharge.com for Paradise Square on Broadway. The first new musical announced for Broadway since the industry-wide shut down, Paradise Square begins previews February 22, 2022 at the Barrymore Theatre (243 West 47th Street), where it opens March 20, 2022.

In September, the Paradise Square cast assembled in New York City to record selections from the score, written by the team of composer Jason Howland (Beautiful: The Carole King Musical, Little Women - The Musical) and lyricists Nathan Tysen (Amélie, Tuck Everlasting) and Masi Asare (Monsoon Wedding, The Family Resemblance), with additional material by Larry Kirwan (Lead singer of Black 47). The musical features original songs as well as new material inspired in part by the songs of Stephen Foster.

In this tender and achingly beautiful duet, Chilina Kennedy as Annie Lewis (Beautiful: The Carole King Musical on Broadway) comforts her sister-in-law, Nelly O'Brien, played by Joaquina Kalukango (Best Actress Tony Award nominee for Slave Play), as both characters try to cope with an unimaginable loss.

The recording is produced by Grammy and Emmy Award winner Jason Howland and Grammy Award-winning producer Billy Jay Stein. Howland also provides musical direction, arrangements, and orchestrations for the recording. Garth H. Drabinsky serves as Executive Producer.

The distinguished creative team for Paradise Square features direction by two-time Tony Award nominee and National Medal of Arts recipient Moisés Kaufman (I Am My Own Wife, The Laramie Project), choreography by two-time Tony Award winner Bill T. Jones (Spring Awakening, Fela!), and a book by Christina Anderson (Good Goods, Inked Baby), Marcus Gardley (The House That Will Not Stand), Craig Lucas (The Light in the Piazza) and Larry Kirwan. Musical staging is by Alex Sanchez (Far From Heaven, City Center Encores!).

Paradise Square is produced by Garth H. Drabinsky (Kiss of the Spider Woman (Tony Award, Best Musical), Show Boat (Tony Award, Best Revival of a Musical), Ragtime, Fosse (Tony Award, Best Musical),Parade). Mr. Drabinsky's longtime colleague, documentary filmmaker Peter LeDonne (the Academy Award-nominated Curtain Call and Sister Rose's Passion) is co-producing.

Paradise Square stars Joaquina Kalukango (Tony Award nominee for Slave Play, Netflix's "One Night in Miami"), Chilina Kennedy (over 1,200 performances in Beautiful: The Carole King Musical on Broadway; International tour of The Band's Visit), Tony Award nominee John Dossett (Broadway's Pippin, Newsies, Gypsy, Ragtime), Sidney Dupont (Broadway's Beautiful: The Carole King Musical; National tours ofMemphis, A Chorus Line), A.J. Shively (Broadway's La Cage aux Folles, Bright Star), Matt Bogart (Broadway's Smokey Joe's Café, Jersey Boys), Nathaniel Stampley (Broadway's The Gershwins' Porgy and Bess, The Color Purple), Gabrielle McClinton (Broadway's Pippin, Chicago), Jacob Fishel (Broadway's Fiddler on the Roof) and Kevin Dennis (Canadian productions of Young Frankenstein, Assassins).

The multi-award-winning creative team features scenic design by Allen Moyer, costume design by Toni-Leslie James, lighting design by Donald Holder, and sound design by Jon Weston. Dramaturgy is by Thulani Davis and Sydné Mahone. Projection design is by Wendall K. Harrington.

ABOUT THE MUSICAL


New York City. 1863. The Civil War raged on. An extraordinary thing occurred amid the dangerous streets and crumbling tenement houses of the Five Points, the notorious 19th-century Lower Manhattan slum. For many years, Irish immigrants escaping the devastation of the Great Famine settled alongside free-born Black Americans and those who escaped slavery, arriving by means of the Underground Railroad. The Irish, relegated at that time to the lowest rung of America's social status, received a sympathetic welcome from their Black neighbors (who enjoyed only slightly better treatment in the burgeoning industrial-era city). The two communities co-existed, intermarried, raised families, and shared their cultures in this unlikeliest of neighborhoods.

The amalgamation between the communities took its most exuberant form with raucous dance contests on the floors of the neighborhood bars and dance halls. It is here in the Five Points where tap dancing was born, as Irish step dancing joyously competed with Black American Juba.


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