TimeLine Theatre Company Unveils Inaugural Season at New Uptown Home
The 2026-27 season includes the world premiere of The Birth of the Pill by Jessica Huang, and more.
TimeLine Theatre Company has revealed its 2026–27 Inaugural Season in the company’s first permanent home at 5035 N. Broadway in Uptown. This long‑awaited milestone launches a new era for TimeLine, inviting audiences to experience the company’s work in a dynamic, state‑of‑the‑art facility designed to enhance artistic possibilities and deepen community engagement for years to come.
Coinciding with the company’s 30th Anniversary, this inaugural season in Uptown showcases four productions that span continents, generations, and pivotal historical moments.
TimeLine’s 2026–27 Subscription Season includes:
The world premiere of The Birth of the Pill by Jessica Huang, based on the book by Pulitzer Prize-winning Chicago author Jonathan Eig, directed by Sandra Marquez—a bold and eye‑opening story about the controversial creation that reshaped women’s lives.
The Chicago premiere of the Olivier Award-winning Home, I’m Darling by Laura Wade, directed by TimeLine Company Member Mechelle Moe—a sharp, dark comedy examining nostalgia, marriage, and the seductive fantasy of a “simpler” past.
The Chicago premiere of The Far Country by Lloyd Suh, directed by TimeLine Company Member Helen Young—a sweeping immigration epic and 2023 Pulitzer Prize finalist exploring identity, sacrifice, and generational resilience in the shadow of exclusionary U.S. policy.
Merrily We Roll Along, music and lyrics by Stephen Sondheim, book by George Furth, based on the original play by George S. Kaufman and Moss Hart, directed by TimeLine Associate Artistic Director Nick Bowling—a Tony Award–winning musical unfolding in reverse, tracing the shifting relationships and ambitions of three friends over two decades.
Save up to 25% off regular ticket prices and enjoy ultimate flexibility, priority access, and preferred reserved seating with a TimeLine FlexPass. Four options, priced from $189 to $389, are now on sale. MyLine FlexPasses (exclusively for patrons age 18-35) are also available for $85 (after enrolling in our free MyLine program). For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com.
ABOUT TIMELINE THEATRE’S 2026–27 SUBSCRIPTION SEASON:
World Premiere
THE BIRTH OF THE PILL
by Jessica Huang
based on the book by Jonathan Eig
directed by Sandra Marquez
September – October 2026
The origin story of the birth control pill and an eye-opening world premiere about science, power, and the women who paid the price for progress.
In the mid‑20th century, a radical dream begins to take shape: a simple pill that would give women full control over their reproductive futures. Championing this groundbreaking idea are feminist activist Margaret Sanger, scientist Gregory Pincus, gynecologist John Rock, and philanthropist Katharine McCormick—visionaries working under intense secrecy amid legal, scientific, and religious roadblocks. Meanwhile, in Puerto Rico, clinical trials place the burden of experimentation on women like Ramona Delgado, whose lives and bodies become entangled in the quest for scientific advancement.
Commissioned and developed by TimeLine and based on the book by Pulitzer Prize-winning author Jonathan Eig (King: A Life), this world premiere brings an untold chapter of global history to the stage, probing urgent questions about consent, sacrifice, and the complicated cost of social change.
The commission and development of The Birth of the Pill was supported in part by the Joseph and Bessie Feinberg Foundation.
Chicago Premiere
HOME, I’M DARLING
by Laura Wade
directed by Mechelle Moe
November – December 2026
A darkly funny exploration of marriage, nostalgia, and the allure—and delusion—of the “perfect” past.
Judy and Johnny are living their dream: the idealized 1950s suburban life. As Judy doubles down on her fully immersive retro domestic fantasy, the seams of their hyper-curated life begin to fray. What begins as a lifestyle choice becomes a revealing—and unsettling—interrogation of gender roles, identity, and what it costs to perform happiness.
A smash hit on the West End and winner of the 2019 Olivier Award for Best New Comedy, Home, I’m Darling is a razor‑sharp satire that feels both timely and timeless.
Chicago Premiere
THE FAR COUNTRY
by Lloyd Suh
directed by Helen Young
February – March 2027
A sweeping, urgent, and deeply human epic about immigration, identity, and carving out a future in America.
In the wake of the Chinese Exclusion Act of 1882, Moon Gyet leaves his village in Taishan, China and travels to America, hoping to build a better life for his family. At San Francisco’s Angel Island immigration station, he enters a labyrinth of interrogation—where every answer, every detail, and every story could mean the difference between entry and deportation.
A 2023 Pulitzer Prize finalist, The Far Country is a strikingly intimate and expansive examination of survival, displacement, and the fragile lineage of memory passed from one generation to the next.
MERRILY WE ROLL ALONG
music and lyrics by Stephen Sondheim
book by George Furth
based on the original play by George S. Kaufman and Moss Hart
directed by Nick Bowling
April – May 2027
A bittersweet, Tony Award–winning musical about friendship, ambition, and the choices that shape a life—told entirely in reverse.
Spanning 20 years and moving backward through time, Merrily We Roll Along traces the unraveling of a once inseparable trio of friends and creative collaborators: composer Franklin Shepard, writer Charley Kringas, and novelist Mary Flynn. Beginning at the height of Franklin’s fame—wealthy, celebrated, and isolated—this innovative musical journeys back to the hopeful early days of their artistic dreams.
Featuring some of Stephen Sondheim’s most iconic songs, this cult favorite serves as a resonant capstone to TimeLine’s 30th Anniversary, echoing the company’s own origins as a group of passionate young theatre-makers asking: How did we get to be here?
Merrily We Roll Along received the 2024 Tony Award for Best Revival of a Musical. It first premiered on Broadway in 1981. Featuring orchestrations by Jonathan Tunick, it was originally directed on Broadway by Harold Prince and originally produced on Broadway by Lord Grade, Martin Starger, Robert Fryer, and Harold Prince in association with Ruth Mitchell and Howard Haines.
IT’S TIME: ABOUT TIMELINE’S NEW HOME
For nearly 30 years, TimeLine Theatre Company has been a vital force in Chicago’s arts scene, producing socially and politically relevant work inspired by history that engages audiences across the region. Building on this legacy, TimeLine has reimagined a former warehouse, converting it into a vibrant cultural destination that honors Uptown’s rich theatrical heritage while meeting modern performance needs.
TimeLine will celebrate the Grand Opening of its new home at 5035 N. Broadway with its inaugural production, An Enemy of the People, May 6 – June 7, 2026. The new TimeLine Theatre more than doubles the company’s previous seating capacity, fosters community engagement, and creates spaces for both performances and public enjoyment.
Project highlights include:
Total facility spanning 33,600 square feet, combining new construction and adaptive reuse
21,000 square feet of new construction along North Broadway
12,600 square feet of adaptive reuse of a 1920s Reebie Bros. warehouse for production support and offices
Flexible 250-seat black box theater with seven stage configurations and advanced acoustic and staging systems
Street-level bar and café with patio, exhibit galleries, and education/community room
Publicly visible fourth-floor rehearsal and event space
Back-of-house spaces organized around a central Green Room intended as a living room for staff, artists, and collaborators
Located steps away from the newly renovated Argyle CTA Red Line station
Adjacent space available for future expansion
Since launching It’s Time: The Campaign for TimeLine’s New Home, TimeLine has successfully raised more than $42.9 million toward the approximately $46 million project cost, including $12.9 million in public support ($2.9 million from the State of Illinois, $10 million from the City of Chicago), and funds from more than 200 generous individual donors.

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