NEW YORK CITY Articles
Click Here for More Articles on NEW YORK CITY...

Brooklyn Museum to Present Keith Haring: 1978-1982

Brooklyn Museum to Present Keith Haring: 1978-1982

Keith Haring: 1978-1982, the first large-scale exhibition to explore the early career of one of the best-known of American twentieth-century artists, will be presented at the Brooklyn Museum from April 13 through August 5, 2012. Tracing the development of the artist's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.

"We are delighted to have this exceptional opportunity to present this groundbreaking exhibition of these dynamic works created by one of the most iconic and innovative artists of the late twentieth century as his formidable talents emerged," comments Brooklyn Museum Director Arnold L. Lehman. "The works of art and the accompanying documentary material place in new perspective the development of this unique talent."

Organized by the Contemporary Arts Center, Cincinnati, Ohio, by Raphaela Platow, Director and Chief Curator, and the Kunsthalle Wien, Austria, the Brooklyn presentation will be coordinated by Associate Curator of Photography Patrick Amsellem.

The exhibition chronicles the period in Keith Haring's career from the time he left his home in Pennsylvania and his arrival in New York City to attend the School of Visual Arts, through the years when he started his studio practice and began making public and political art on the city streets. Immersing himself in New York's downtown culture, he quickly became a fixture on the artistic scene, befriending other artists such as Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative musicians, poets, performance artists, and writers of the period. Also explored in the exhibition is how these relationships played a critical role in Haring's development as a facilitator of group exhibitions and performances and, as a creator of strategies for positioning his work directly in the public eye.

Included in Keith Haring: 1978-1982 are a number of very early works that had previously never before been seen in public, twenty-five red gouache works on paper of geometric forms assembled in various combinations to create patterns; seven video pieces, including his very first, Haring Paints Himself into a Corner, in which he paints to the music of the band Devo, and Tribute to Gloria Vanderbilt; and collages created from cut-up fragments of his own writing, history textbooks, and newspapers that closely relate to collage flyers he created with a Xerox machine.


Related Articles



More On: Gloria Vanderbilt.

Comment & Share

Related Links
Laura Rathe Fine Art Presents Meredith Pardue: Stardust to Stardust, Exhibition May 3 - 31, 2014Laura Rathe Fine Art Presents Meredith Pardue: Stardust to Stardust, Exhibition May 3 - 31, 2014
April 19, 2014
Craft Festival Returns to Brownwood Paddock Square in the Villages TodayCraft Festival Returns to Brownwood Paddock Square in the Villages Today
April 19, 2014
DISCOVER DAVINCI AND MICHELANGELO: SIDE BY SIDE Set for the Van Wezel TonightDISCOVER DAVINCI AND MICHELANGELO: SIDE BY SIDE Set for the Van Wezel Tonight
April 19, 2014
ArtCenter/South Florida Kicks Off 30th Anniversary with 'pARTy' TonightArtCenter/South Florida Kicks Off 30th Anniversary with 'pARTy' Tonight
April 19, 2014
MoMA Presents Retrospective of Sigmar Polke, April 2014MoMA Presents Retrospective of Sigmar Polke, April 2014
April 19, 2014


About Author

Subscribe to Author Alerts

The Bush Dilemma Has The Art World's Panties in a BunchThe Bush Dilemma Has The Art World's Panties in a Bunch

Subscribe for News & Specials

The Bush Dilemma Has The Art World's Panties in a BunchThe Bush Dilemma Has The Art World's Panties in a Bunch
by Barry Kostrinsky