BWW Review: SADLER'S WELLS SAMPLED, Sadler's Wells
Sadler's Wells annual pick 'n' mix buffet of dance offerings return again for a selection of live performances and interactive front of house experiences.
UK / West End Theater Reviews
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BWW Review: INFINITY, VAULT Festival
Nessa Matthews compares the struggles of mental health to an astronaut floating in space.
BWW Review: THE GOOD LANDLORD, VAULT Festival
A wonderful flat in Central London.
BWW Review: ASHES, VAULT Festival
Shaun Amos explores the relationship with his deceased father in Ashes, a confused piece of dark comedy that doesn't reach the desired objective.
BWW Review: GET RREEL, VAULT Festival
After years of world-wide success, girlband Get RREEL are breaking up.
BWW Review: ORCHESTRA OF THE ROYAL OPERA HOUSE IN CONCERT, Royal Opera House
This evening of contrasting sentimental works was far too fiery to resound with echoes of the (Russian) soul.
BWW Review: CHITA RIVERA, Cadogan Hall
At 86, Chita Rivera could easily justify putting her feet up a little.
BWW Review: SEXY LAMP, VAULT Festival
Following her award-winning Bicycles and Fish, Katie Arnstein is back at VAULT Festival with Sexy Lamp, an honest and straightforward account of her beginnings as an actress and a cutting analysis of the flaws and sexism of the business.
BWW Review: BLACK IS THE COLOR OF MY VOICE, Trafalgar Studios
Inspired by the music and the political activism of the legendary Nina Simone, Black Is The Color Of My Voice is the tiny gem of a show, written by singer and writer Apphia Campbell.
BWW Album Review: Here's To The COMPANY 2018 LONDON CAST RECORDING
Phone rings, door chimes, in comes musical modernization! Closing in on 50 years since its Broadway debut, George Furth and Stephen Sondheim's COMPANY returns with a revolutionary new production in the West End.
PINTER SEVEN, Harold Pinter Theatre
Jamie Lloyd's outstanding season of Pinter shorts - chock-full of mini revelations, innovative stagings, and a thrilling range of work from both actors and creatives - finishes on a high note with this thoroughly entertaining pair.
BWW Review: GREYSCALE, VAULT Festival
Anonymous Is A Woman strikes again with a disquieting site-specific show about consent and its withdrawal.
BWW Review: AVENUE Q, New Wimbledon Theatre
Avenue Q is an interesting show to describe to those who have never seen it.
BWW Review: THE CHERRY ORCHARD, Barbican Theatre
The Moscow Pushkin Drama Theatre brings its modern, surreal take on Chekhov's classic play to The Barbican, with a barb or two directed towards some familiar faces.
BWW Review: HOME, I'M DARLING, Duke Of York's Theatre
Beginning life at Theatr Clwyd last summer, Laura Wade's latest play Home, I'm Darling quickly transferred to the National's Dorfman Theatre and has now begun a limited engagement in the West End - following this run it will tour to Bath and Salford, before returning home to Theatr Clwyd at the end
BWW Review: SUPERHOE, Royal Court
Superhoe marks Nicole Lecky's debut at the Royal Court Theatre in the venue's first collaboration with Talawa Theatre Company.
BWW Review: COUGAR, Orange Tree Theatre
Possession, power and control, with climate change thrown in.
BWW Review: JENNA RUSSELL WITH SETH RUDETSKY, Leicester Square Theatre
West End favourite Jenna Russell made a surprisingly belated solo concert debut at Leicester Square Theatre, but, judging by this entirely winning performance, she's a natural.
BWW Review: THE SHADOW FACTORY, Nuffield Southampton Theatres
Nuffield Southampton Theatres celebrates the first birthday of its modern city-centre venue with the return of The Shadow Factory; the first show performed at NST City which proved to be a sell-out in 2018.
BWW Review: COST OF LIVING, Hampstead Theatre
Hampstead hosts the UK premiere of Polish-American playwright Martyna Majok's 2018 Pulitzer Prize-winning work, which explores - with thoughtful tenderness and a refreshing lack of schmaltz - the relationships between two people with disabilities and their carers.
BWW Review: VIOLET, VAULT Festival
Bertie is living a hectic life in London.
BWW Review: RINGMASTER, VAULT Festival
Part of VAULT Festival and performed at the Network Theatre, Ringmaster is introduced as being vaguely based on La Ronde.
BWW Review: THE ORCHESTRA, Omnibus Theatre
The Orchestra digs into the hearts of the six women and one man stuck playing light classics in a hollowed out French spa town and finds bleak, Chekhovian humour in their plights.
BWW Review: VELVET, VAULT Festival
Tom dreams of being a famous actor.
BWW Review: A SUPER HAPPY STORY (ABOUT FEELING SUPER SAD), VAULT Festival
Sally (Madeleine MacMahon) is celebrating her 16th birthday seeing her favourite band playing live.
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